Born in Palma/Illes Balears on 11 May 1977; Mateu Malondra Flaquer is a composer, guitarist, researcher, programmer, curator and cultural manager who lives between the Balearic Islands and the United Kingdom.

He has had the fortune of working with musicians such as Arditti String Quartet, Vertixe Sonora, Bcn216, dissonArt, Ensemble Exposé, Insomnio, Mdi Ensemble, Plural Ensemble, Riot Ensemble, Vocalensemble NOVA, UMS’nJIP, Neus Estarellas, Mark Knoop, Takao Hyakutome, Tatsuki Narita, Jan Gerdes, Pilar Fontalba and conductors such as Gerry Cornelius, Beat Furrer, Yasuaki Itakura, Taco Kooistra, Fabián Panisello, Ulrich Pöhl, Roger Redgate, Robert HP Platz, J.M.Sánchez Verdú and Michel Tabachnik.

His music has been performed in such forums as Cairo Contemporary Music Days, Donaueschinger Musiktage-Next Generation, Forum Wallis, Gaudeamus Muziekweek, IMD-47-Internationale Ferienkurse für neuen Musik-OS, Festival Mixtur, Nact der Neuen Musik, NUNC2!, Unerhörte Musik, Sintése, Musikprotokoll-ORF and in such halls as L’Auditori-Barcelona, BKA-Theater Berlin, Concertgebouw Brugge, MISE-EN Place, Muziekcentrum First Philips, Studio Noru, Tokyo Opera City Recital Hall and Spectrum, among others.

Malondra started his composition studies with David Padros and Christian de Jong in Barcelona. In 2004 he moved to Maastricht where he did a BAMus and MMus in composition at ZUYD-Maastricht Conservatory, under Robert HP Platz. He also holds a BAMus in classical guitar performing from Den Haag Royal Conservatoire, under Enno Voorhorst. Malondra developed a PhD research at Kingston University-London, under the guidance of Paul Archbold and Oded Ben-Tal. Prof.Philip Grange and Prof.Roger Redgate awarded him the PhD in 2021. Masterclasses with Richard Barrett, Daniel D'Adamo, Brian Ferneyhough, Beat Furrer and Wolfgang Rihm.

Associate professor at Conservatori Superior de les Illes Balears between 2016 and 2021–Mixed media I-II and electroacoustic composition.

Between 2019 and 2022 he has been the Cultural Director and Chief Executive Officer of the Institut d'Estudis Baleàrics, PC of the Illes Balears public sector. 
Mateu Malondra has been the founder, artistic director and coordinator (2013-2019) of the ME_MMIX Festival, co-founder of the non-profit association Placa Base and the ensemble Placa Base Collective.

Recordings: Takao Hyakutome's solo debut CD, at label Chanpd’Action. Tomeu Moll solo debut CD. Vokalensemble NOVA/Musikprotokoll CD-ORF. Netherlands National Radio-4, Concertzender.nl and Relevant Tones-USA broadcasted his music.

Malondra’s music has been performed in Egypt, Europe, Iceland, Japan, México, the UK and the USA.

Recipient of a commission funded by Ernst von Siemens Musikstiftung.

Macarena Rosmanich, a Chilean composer based in Germany, is one of the most active international voices of a growing scene of Latin American female composers. Although her career has developed mainly in Europe, her eagerness to motivate future female composers in her country of origin, makes her have permanent contact with the contemporary Chilean scene. 
The concept of intertextuality is at the center of her work. Each piece is linked to other pieces, through elements that are then developed in a new context, generating a universe that interacts and evolves internally. This universe is not isolated, but also discusses or is inspired by narrative literature, poetry, art, as well as social and political events.  All this works as an engine that triggers a flow of sound relationships that give rise to her work. 
"The close relationship between compositional work and literature, has led me to conceive spaces that complement each other and merge into a unity through music. My approach seeks to provide the poetic form with a new temporal dimension, a sort of collaboration between sound and word that transcends conventional boundaries. In essence, my purpose is to blur the boundaries of pre-existing form and structure in a work, rearranging them in such a way as to configure a new work, thus redefining the essence of the original. This process not only involves a stylistic transformation, but also seeks to open up new routes of interpretation, allowing the musical composition to dialogue in a unique way with the poetry and, in turn, establish a richer and more dynamic connection with time."
Her work ranges from chamber and vocal music to works for orchestra and musical theatre. She has worked with numerous international soloists, orchestras and ensembles, such as Musikfabrik, Kommas, Via Nova, Mosaik, Recherche, Multilatérale, United Instruments of Lucilin, KNM Berlin, Vertixe Sonora, L'ART POUR L'ART, Reflexion K, Broken Frames Syndicate, among others. 
Her works have been performed in Latin America, Germany, France, Italy, England, Spain and Luxembourg. 
She studied at the University of Chile where she graduated with distinction and continued her postgraduate studies with composer José María Sánchez Verdú at the Robert Schumann Musikhochschule in Düsseldorf and later a master's degree in composition at the University of Freiburg with Johannes Schöllhorn.
Macarena Rosmanich lives and works in Cologne, Germany.

https://rosmanich.com/

Contact: macarosmanich@gmail.com

músicas instrumentais voltadas para trilhas sonoras para audiovisuais. Gostaria de compartilhar meu trabalho com vocês, 
Desde que comecei a estudar música, me encantei com a possibilidade de criar trilhas sonoras que possam emocionar as pessoas, criar atmosferas únicas e destacar a narrativa de um filme, série, jogo ou qualquer outro projeto audiovisual. E agora, estou em busca de oportunidades para colocar esse amor em prática e mostrar minhas habilidades.
 comecei como violonista,  me aprimorei na teoria na Fundação das artes de São Caetano.
comecei compondo no meu instrumento, o violão, hoje componho digitalmente. através do LinkedIn do Facebook e do soundcloud consegui divulgar o que faço e obtive alguns elogios interessantes, Felipe Radicetti, Roger do Ultraje e até algumas palavras de elogio de Andrea Morricone
Espero que goste, e pretendo alçar vôos mais altos, é isso

Jsem příliš prchavá na to abych zůstala a proto nechávám alespoň svou hudbu se zdržet.

The harder you work for something, the greater you'll feel when you achieve it.

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