BROTHA LYNCH HUNG PRESENTS: MADESICC MUZICC'S NEW ARTIST "DALIMA" from Tech n9ne's Midwest chopper's, and Welcome to my world. Dalima, is hittin the ground running wit spit fast rhyme's and a sound thats incredible!! Listen Now!

Veteran indie artist Loc Saint, Known for Trigga'Tongue chop's mixed with elaborate harmony's, Loc Sant bring's a sense of Melody & Madness to his music. His unique melody's, chops and sound have set him apart from all other artist's in music today.

Affiliated with Tech N9ne's Strange Music label, the hip-hop group Mayday!'s 2006 national hit, "Groundhog Day," did not start out having any rotation on radio or MTV, but rather on YouTube. The DJ Craze-produced ode to the office nine-to-fiver, with Cee-Lo Green on the hook in Gnarls Barkley mode, received over two million views within just 48 hours, breaking the site's record. The story broke out to many of the mainstream media outlets (including ABC's World News Tonight and The New York Times), stirring up interest from some major record labels. 

This massive attention and acclaim sprouted from humble origins. MC Bernbiz, born Bernardo Garcia, and producer/keyboardist Plex Luthor, born Aaron Eckhart, were just two Miami suburbanites (Kendall, Florida, to be exact) who thought it would be fun to collaborate. Plex actually had previous recording experience as part of a few endeavors in Miami's rap underground, particularly Algorithm, before they came together in the early 2000s; plus, he also has contributed work to the Discovery Channel and the Cartoon Network's Adult Swim programming. Mayday!'s debut was the 2004 song "Quicksand," a local underground hit that brought their eclectic hip-hop over to the at-the-time newly formed SouthBeat Records. Under the label, they were better able to communicate the gamut of their musical influences like rock, jazz, and Miami dance -- a reflection of Miami's rich, cosmopolitan culture -- through their eponymous debut album released in September 2006. 

That same month they were designated as mtvU "Freshmen Five" artists, which nominated them as a college favorite well poised to hit it big in the majors. The group's career was put on hold as SouthBeat ran into financial problems and began a long, slow descent into bankruptcy, but consulting with other artists on the dying label introduced them to Ben Miller, aka rapper Wrekonize. Wrekonize joined the group in 2010, the same year they self-released the album Stuck on an Island, the title referring to the group's label problems. In 2011, rapper Tech N9ne invited the group for a guest shot on his Welcome to Strangeland album, an apt title since the group signed with Tech's Strange Music that same year. They debuted on the label in 2012 with the album Take Me to Your Leader. Believers followed in 2013, while their 2014 effort was a collaboration with rapper Murs and arrived with the mashed-up title ¡Mursday! The LP Future Vintage followed in 2015 and featured guest shots from Tech N9ne along with Afro-beat star Femi Kuti. Their seventh set, Search Party, was issued in 2017. The album enlisted Tech N9ne, Common Kings, J.L., Danny Acosta, and more. ~ Cyril Cordor, Rovi

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Once transmitted through speakers and into the airwaves, music belongs to the people. The audience ascribes meaning and significance to songs and ultimately absorbs them for life.

By the same token, SIX60 belong to listeners. The history-making award-winning New Zealand quintet—Matiu Walters [vocals, guitar], Marlon Gerbes [keyboard], Ji Fraser [lead guitar], Chris Mac [bass], and Eli Paewai [drums]—stir rock, reggae, funk, and pop together with a twist of kiwi roots music and Maori instrumentation. Invoking this spirit and Kiwi roots, their latest music and next evolution showcases traditional Maori instruments such as Pūtātara and Pūkāe (stone and long trumpets), Bone Kōauao (Bone Flute), and Karanga Weka (Stone Flute). “We want to take our Maori culture and put it into a mainstream radio world,” exclaims Matiu. “There are only a handful of people in the world who can play these instruments, and we felt getting them into a mainstream album could give them a chance to stay alive.”
Over a decade before breaking records and selling out stadiums back home or signing to Epic Records stateside, the boys then welcomed the world into their musical ecosystem and set a career precedent in 2008 while still students.

“At University of Otago, we shared a flat at 660 Castle Street in Dunedin, New Zealand,” recalls Matiu. “We originally didn’t name the band. Instead, our first college fans gave the band the name by calling us the ‘SIX60 Boys,’ which evolved into SIX60. We adopted this philosophy into our albums. The fans add the final touches and have naming rights over things we do. The songs aren’t done until the audience has them. So, the album doesn’t really have a spirit or a name until the crowd consumes it.”

As such, SIX60 engender a rare level of devotion from fans, bordering on downright phenomenal. The group’s 2011 full-length, SIX60 (I. The Gold Album), bowed at #1 on the charts in New Zealand and eventually went septuple-platinum. SIX60 (II. The Colours Album). saw them reclaim the top spot on the charts in 2015 and go quintuple-platinum. To date, New Zealand single sales exceed 1 million as global streams surpass 200 million and counting. At the 2018 NZ Music Awards, they garnered “Best Group” in addition to five other honors.

A year later, they made history. Performing their biggest show to date, they sold out Western Springs Stadium in New Zealand and became “the first New Zealand Act to Sell 50,000 Tickets to a Show at the Stadium” (They repeated the same feat for 2020!). The gig proved to be a major milestone both professionally and musically.

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