Bloosom

Recorded online on Soundtrap: https://www.soundtrap.com

28 weeks later ( remix )

KENDO NAGASAKi

FEverish (prod by. Flocky aka Jojo)

The Book of Goddesses
For Flute, Harp, Percussion, and Optional Choreography
Commissioned by MAYA with funding from the  New York State Council on the Arts
Duration: 36'

Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1011

For More Information: https://robertpaterson.com/the-book-of-goddesses

PROGRAM NOTES
My initial inspiration for The Book of Goddesses, and the source of the title, is the beautiful, lavishly illustrated book of the same name by Kris Waldherr, a Brooklyn based author, illustrator, designer and cellist. Waldherr’s book contains descriptions and images of hundreds of female deities from around the world, some featured more prominently than others. Rather than focus on goddesses in one particular culture, I highlight a few that seem to evoke something musical, dance-related or sensual. The cultures, countries and continents I draw on for musical material and styles are India, China, Greece, Ireland, North America, Nigeria and Cuba.

The flute and harp parts in each movement are often inspired by similar instruments found in each culture. For example, the harp part in Xi Wang Mu is inspired by the Konghou, and ancient Chinese harp, and the solo bass flute movement, Estanatlehi, is inspired by the sound of a Native American flute. Percussion instruments provide an earthiness, at least with regard to timbre, and each of the trio movements uses instruments that are not common in Western music, including an Indian Gatam, a Middle-Eastern Dumbek, an Afro-Cuban Cajón and the Udu drum, an instrument traditionally played by Nigerian women.

In order to achieve the right feel for each movement, I use non-Western scales, rhythms and other elements, and I occasionally appropriate patterns and other material from pre-existing music. My goal is to merge some of the qualities of traditional music with my own sensibility, and then filter it through flute, harp and percussion.

Many goddesses are associated with dance, certain colors or creativity in general, and with that in mind, I imagine The Book of Goddesses being performed live with choreographed dance. It may be presented in its entirety, although subsets—such as all of the movements for flute and harp—or single movements may also be extracted and performed.

The Book of Goddesses was commissioned by MAYA with funding provided by the New York State Council on The Arts.

The Book of Goddesses

The Book Of Goddesses - VI. Xochiquetzal

Error on Tape

Algorithm isn’t just an album — it’s a spiritual system reboot.
Born from the sermon “The Cheat Code of God’s Presence,” this soundscape blends soul, scripture, and circuitry to remind us that we are God’s most valuable creation — His living technology.
Every beat, glitch, and chord is a meditation on one truth: the Creator has embedded His code deep within us.

This limited-edition experience merges faith, philosophy, and futuristic soul, taking you on a sonic journey through awakening, resistance, and revelation.
Each track explores what happens when divine Presence invades the human operating system — when the Spirit meets the signal.

⸻

🧠 TRACKLIST – The Journey Through the Code

1️⃣ Boot Sequence – The awakening begins
2️⃣ SOURCE CODE – Discovering your divine design
3️⃣ The Upload – When purpose connects to Presence
4️⃣ Human.EXE – Running the program of faith
5️⃣ System Overload – When life’s data crashes the spirit
6️⃣ FireWALL – God’s protection in the digital storm
7️⃣ Rest.ReBOOT – The power of stillness and surrender
8️⃣ DEbug My Mind – Cleansing thoughts, restoring truth
9️⃣ glitch – The beauty and chaos of imperfection
🔟 Faith in the Machine – Believing through distortion
11️⃣ Divine Logic – Heaven’s strategy for human systems
12️⃣ After the Code – Eternal reboot; the Presence remains

Upload

Smile (November Beat Challenge Day 8)

Buy/Download This Beat here:
https://soundclick.com/r/s8g69e
Listen/Buy On Bandcamp;
https://jerrybeats1.bandcamp.com/track/my-wag
Listen On Streaming's:
https://untd.io/r/AXkNMDUs2xdN
Listen On Youtube:

My $wag(Tagget)

Song on "Because I could not stop for Death" by Emily Dickinson

Because I could not stop for Death –
He kindly stopped for me –
The Carriage held but just Ourselves –
And Immortality.

We slowly drove – He knew no haste
And I had put away
My labor and my leisure too,
For His Civility –

We passed the School, where Children stroved
At Recess – in the Ring –
We passed the Fields of Gazing Grain –
We passed the Setting Sun –

Or rather – He passed Us –
The Dews drew quivering and Chill –
For only Gossamer, my Gown –
My Tippet – only Tulle –

We paused before a House that seemed
A Swelling of the Ground –
The Roof was scarcely visible –
The Cornice – in the Ground –

Since then – 'tis Centuries – and yet
Feels shorter than the Day
I first surmised the Horses' Heads
Were toward Eternity –

Of Life & Death

The Journey is a Lo-fi/jazz music that has its roots in the early Lo-Fi genre music.

This song was made with and in Groovepad
Image Credit: Masashi Wakui

The Journey: Prelude

- Welcome to the official Jayso Productions.

- If you are looking for music to sleep, music to study, or simply music to relax, this is the right place to be. In this channel, you can find all of my and others Lo-Fi beats which I will be posting throughout the pandemic.

- if you would like me to repost your content, please send a request at https://repostexchange.com/users/jayso-productions 

- If you like what you hear. Be sure to like, follow and repost!

Do also support my Youtube Channel: https://www.youtube.com/channel/UClZSwhEThhr52hujSCayRsg

- Hope you Enjoy!