About DX7 THE MELODIC GENIUS 
 
Original (Boogie Down BronX O.G. baby of 63. Baby kin to a Young Lord, Majestic Brothers, Zulu affiliates / Peoples Party of 178th St and Tremont Ave, as well as Rock City Crew AND GRANT CREW IN BRKLYN ENY. I grew up during the birth of the Hip Hop era of KOOL HERC and GRAND MASTER FLASH and musically it became a big part of my roots and who i am today. As a musician, music is & will always be the Queen of my Soul. During THIS era I started as a Singer/Drummer, playing bands & doing shows while looking for my Big break in the industry during the 80's. I then signed unto a couple of independent labels who did nothing but sell us dreams, while paying us peanuts. Then in 1984 I met Oscar Rodriguez, (Aka: OC of the Fearless Four, and D.j. Charlie Chase of the Cold Crush Brothers) and was welcomed to a family that became a force to be reckoned with Pure Knockout Productions, (P.K.O) gave me the pleasure of working & meeting some of todays Legendary pioneers of Hip-Hop AND UNDER THE SAME UMBRELLA  WITH THE GROUP CALLED TRILOGYI I WAS SIGNED WITH PKO RECORDS ALONG WITH MY BAND MATE JOHN LESCOUFAIR AND WE WERE CALLED WHITE/FLAIR A ROCK POP AND RNB DUEL . Pioneers like the Fearless Four, Melly Mel, Tyrone Williams of Cold Chillen Records, Whodini, Dougy Fresh, The Treacherous Three, MC Shan & Scott LaRock, (R.I.P)...the list goes on and on  OCCASIONNALLY RECORDED IN  THE SAME STUDIO. The experiEnce became a big inspiration & part of my musical roots. Then in 1987 I faded out in search of different venues WITH AN RNB DUEL CALLED JUST US RECORDED FOUR PROMISING CUTS BUT LACK OF MANAGEMENT THREW ANOTHER CURVE BALL  and SO I DECIDED TO moved out to Baltimore FOR A CHANGE IN PACE  by 1992. Yet in spite of my personal set backs, music was still a part of my soul, and I continued to produce music and work on my dreams of becoming a successful music producer. As you can hear from what I put together, my sounds are unique and different from todays ordinary songs. As an artist, I still have the tendency of using funk, jazz, rock & old school in order to influence me in what I put together WITH MY INSTRUMENTALS. Lookin to produce movies,television and commercial soundtracks and jingles for anyone interested. I hope that you enjoy the tracks ON THIS PAGE, and if you decide you'd like to hear more, or possibly work together then you can reach me @ damartinez796@gmail.com oR
 call me @ 410-841-8811. Please leave a message and we will back to you ASAP

Chuck Winston, professionally known as ‘BoogieMonster’, has steadily made a name for himself throughout Texas. His funky, banging house sets have rocked the dance floor in Austin, Dallas and Houston for the past 20 years. An implant from the East Coast (Washington, DC), Boogie has been in the dance music scene for just about fifteen years now. He has been spinning for the past 10 years but only recently come into his own.

Throughout Boogie’s life, music has played a pivotal role. From singing to playing piano, to listening to his older brother’s and sister’s musical tastes, Boogie has been influenced by many different genres of music. “I grew up listening to funk music and the early stages of hip hop so what I play is influenced by the music I listened to as a kid. When I went away to college I was introduced to dance music and techno. Since then big named talents like Derrick Carter, Erick Morillo, DJ Dan, Charles Feelgood and some not so big names, such as Jim Thias from Ultimix and X-Mix productions have heavily influenced me.”

Back in 1995, while attending Michigan State University in East Lansing, Boogie and his roommates formed a production company called N-Zone Productions and threw a few small parties. “We started throwing small parties because we were sick of not hearing what we wanted. It was a combination of dance, hip-hop and alternative music. Everyone loved it.” They tried to throw events at the local club Sensations, but were not successful. This is where Boogie met up with Jim, who was the resident DJ at Sensations, and learned a lot from watching him spin every weekend. Financial reason’s made Boogie leave Michigan to go back home to DC where he saved his money to get DJ equipment and become a bedroom DJ.

While in DC, he checked out clubs like Traxx, Buzz and Zei to see the great local DJs that DC has to offer. “Back then I was influenced by DJs like Sam The Man Burns, Scott Henry, Feelgood and my friend DJ James at Zei. I wanted to spin in those venues but never thought I was good enough until James gave me a few guest opportunities.” Soon after then, Boogie got in contact with one of the founders of N-Zone Productions, Vince Martinez and they decided to move to Austin, TX to start a record label. Unfortunately, due to financial problems, this dream was never achieved but in the process he met up with Audio Tripp Productions to get his first break in Austin. As one of the top two DJs in Audio Tripp, Boogie was able to get gigs along side the likes of Markie, Soul Slinger, TC Islam, Bam Bam, DJ Funk, Donald Glaude, Feelgood, Josh Wink, Derrick Carter, Angel Alanis, Colette, Dieselboy, Dave Aude, DJ P and Craze.

Since then, Boogie has captivated dance floors around Texas with his banging funky house sets. He has a unique relationship with his audience as he communicates with them in ways that most DJs don’t pay attention to. A track isn’t just a track with Boogie it’s a tool. And hearing him live bears witness to that. Its best to say that his style of house is “music you uncontrollably shake your butt to.” Even Boogie is known to get his groove on behind the decks. “I play music that I want to dance to. If I don’t want to dance to it, why should I expect anyone else to?” 

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Adels 
Hi Energy Rockabilly From Red Hot Sicily 
Is a band from Sicily which got started in 1994. In that year three young rockers, still at school, decided to put together a rockin' blues trio. 20 years later, Don Diego Geraci (guitar and voice), Fabio "Fabulous" Cinque (doublebass) and Sandro "The Voice" Pittari (drums) are still rockin' all around Europe, playing their perfect combinations of neo rockabilly and rockin' blues. They called the band "Adels" (in german it means "gentlemen", but it comes from their love for the beer). Since then they have recorded 12 albums and a live DVD, they have played on thousands of stages all around the world (200 gigs every year); they have played in the most important festivals. (Good Rockin' Tonight FR, Shut Up and Bop DE, Summer Jamboree, City Jamboree DE, Pistoia Blues, Custom Party, Rock and Roll Party, Maverick, Kustom Weekend, Dieci Giorni Suonati, Summer Vintage….and many many others… far too much to be mentioned). Their rock and roll attitude onstage is the reason why a lot of promoters choose these guys for the opening acts of very famous artists, like Brian Setzer (Rockabilly Riot tour 2011), Reverend Horton Heat (Custom Party 2013), BB King (Italian Tour 2002), Jethro Tull (Pistoia Blues 2003), Paladins (Summer Jamboree 2013), Restless (several times), Go Getters (several times), The Jets (several times), Dave Phillips and the Hot Rod Gang (several times), Space Cadets (Farewell Show). It has often happened that they have been invited on the stage by these headliners to join in for a blasting jam session (like the day Don Diego was invited by the Reverend Horton Heat to play the classic tune "Rock the Joint", or the famous jam sessions with the Restless, youtube is full of these guitar battles). The Adels are not only a "good band", they're also three professional musicians who are able to work as a backing band for many other artists; over the years they backed up people like Ray Campi, Hayden Thompson, Marvin Rainwater, Mark Harman, Mouse Zinn, Jimmie Lee Maslon, Levi Dexter, Rip Masters, Jake Allen, Clem Sacco, Andy J. Forest, Rockin' Bonnie, Dave Phillips, Chris Casello, Kick 'Em Jenny, Antonio Sorgentone, James Thompson, Herbie Goins, Acappella Swingers, Francois…and many others! Their style is a mixture of old rockabilly played with high energy, with a hard and modern groove on classic structures, all mixed with a "south taste" to remind you the place where they come from (they call their style "Pure South-a-Billy"….like the title of an old CD published in 2006); a great slap doublebass played by Fabio and a minimal amount of drums, but still hard as rock, played by Sandro, is the perfect background for Don's guitar (he is now considered one of the most important rockabilly guitarists in Europe, a virtuoso of the instrument with his own style); the music is always dominated by the leading hot voice of Don, supported by the vocal harmonies of Fabio and Sandro); these things create their very own magical sound, being able to pass from soft dynamics to hard and plasting songs. It is the reason why they are considered as the best live act-modern rockabilly band in Italy. Their show is built on self penned tracks (some of these tracks become real hits that the crowd usually sings during their shows, songs like "Da Lunedì" or "Electroshock, and "Rock and Roll Star") and some beautiful covers, re-interpretated in their own way (like their cover of the Dire Straits' classic "Walk of Like", always on air in some national radios like Virgin Radio, or their cover of the Motorhead's song "Dance", which is included in a Lemmy's tribute CD with the most important italian exponents of the rock scene, like Pino Scotto, Rezophonic, Extrema, The Fire…). Their show will leave you breathless because there are a lot of virtuosic moments. Unlike to many other bands which prefer to keep the wild side of their gigs the main attraction, Adels you can really make you dance to rock and roll, rockabilly, boogie and bop. The Adels is a real band for everyones taste. They grew up as a rockabilly band for bars and clubs, who also has what it takes to perform on big stages and mega events; passing from busking to weddings, from rockabilly festivals and rock-meetings, they played everywhere were possible. The passion for rock and roll and music has always been a profession for them. It's very hard to find another band in Italy, who has played basically everywhere and has travelled so many times with their van, always packed up with instruments and merchandise. After 20 years together they are still a cult band! Their "moto"?- „Don't mess with the ADELS!!!“

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