After the dissolution of the Norwegian Psych rock outfit DREAM by the end of the 1960s, Christian Reim embarked on a new musical venture with the group BASH. Following his time with Dream, where he had already begun to experiment with pop and rock, Christian found himself exploring further creative depths with BASH.

As The DREAM disbanded, pivotal figures like Hans-Marius Stormoen and Terje Rypdal embarked on separate musical journeys. Collaborations with luminaries like Jan Garbarek and Jon Christensen became defining moments. By 1971, however, The Dream's curtain had closed. Undeterred, Christian, armed with his modified Hammond B3 organ, continued to play bass using foot-pedals. Amidst these transformations, the unwavering partnership of his longtime collaborator, drummer Tom Karlsen, remained steadfast.

BASH's presence was initially marked by a single release in 1971, with tracks "Quiquenita" and "Kokosnøtter" on the Nor-Disc imprint. While featuring an impressive line-up of jazz musicians, this studio session was a one-time endeavour. BASH continued to make waves, performing as an Organ Trio led by Christian and Tom. Various Oslo-based guitarists, including notable names like Freddy Dahl and Freddy Lindquist, joined the lineup throughout 1972 and 1973.

However, this live recording encapsulates a pivotal phase in BASH's evolution. The winter of '73 marked a significant shift with the addition of Richard Rolf from the illustrious Swedish band November. Richard's entrance added another layer of prowess and experience to the trio's sonic landscape.

Diving into the performance is akin to reliving the Wednesday concert in April '73. Every essence of the atmosphere is captured, even down to the engineer adjusting the reel-to-reel machine's volume knob whenever the band's intensity peaked. The recording boasts surprising elements, such as moments when Christian halts the performance to reset the rhythm with the drummer. Amidst the live renditions, a standout is Christian's unique interpretation of Arild Wikstrøm’s "Indianersangen," serving as a compelling opener. Its gradually unfolding theme resonates deeply and stands as a highlight, adding a significant dimension to the album's value.

This live recording not only captures the essence of BASH's performance, but it also transports listeners to a specific moment in time at the legendary CLUB 7 in Oslo.

This LP is a limited edition of only 250 copies, each hand-stamped and numbered. With a nod to the seventies, it also includes a replica of the original promotion sheet from the group's heyday.

Bash Live at Club7 1973  'Cochise'

IBR, Est. 2013 
Members:
@kokknroll
@dj_donnah
@dj_andreas_k

www.yesitsananias.com 

The vibrant new titles "Treizeta", "The Third Era" & "Vollenweider" off the freshly released 3rd Studio Album "Yes It's Ananias III: The Commencement of The Third Era" in 2022 have glimpsed couple of sparks of the upcoming new age and sound of YIA... In December 2021, Yes It's Ananias has released a surprise Solo Rhodes Single which is part of the third Saga. "Hot Snowflake Pt. I (Ice-O-Lation)" tells a story of an Utopia in our modern world. Although, the peculiar year of a post-millenium pandemic lead to a one-off performance in september 2020 when the 70's look inspired Swiss Pianist/Improvisationist went on stage for 6:29 min time. He conserved the moment and released his only digital output within 5 years since his well-approven second studio record "Yes It's Ananias II".

It's called "To Venus And Back" and was played on a Electric Piano in the oldest cinema in the country. Nicolas Streichenberg (His real Citizen Name) reveals the inside and puts it to the outer sphere. He toured heavely in the past couple years in search of finding his own signiture in the soundscape and playing by recording live-concerts on tour and release the limited Vinyl-Copies to the audience, re-listening to it and excerp the imprompti from all sections.

In 2018/2019/2021 he was playing/visiting in Sweden, Italy, Spain, France, Denmark, Switzerland and Germany the most honest way: Solo Piano. While gathering an increasing fanbase around Switzerland and Eastern France, he held up the first official PIANO DAY in Zurich. Swiss Radio/Television SRF Kultur portrayed him and his work during their Winter-Campaign #SRFZämeStah. A platform of selected Artists/Actors/Musicians in Switzerland. In the end of 2021 YIA got featured on the swedish shoebrand "Everyday Hero" in their artist/music section "Listen Up". A space for rocknroll spirits and fashionistas who are empowered by the musical taste of the shoedesigner. The filmwork for "Vollenweider" got premiered on their webpage of selective artists worldwide. It took only 6 days until one of most prestigeous Venues in Switzerland "Atlantis", who has been a base for the 60's/70's Rockscene in Basel and today's renowned Jazz/Contemporary Music Temple, was sold out. There are rumours for a new fourth era in 2023

Bash Live at Club7 1973 'Cochise'

Jazzaggression