Chocolate .mp3

Sunshine .mp3

Cried and Cried .mp3

Chocolate remix2.mp3

a neo Soul rock song about the world and how the veil is lifted in all truth is being exposed by nature

The Veil Has Lifted2.mp3

Der Song handelt davon, dass Frieden auf der Welt das absolut erstrebenswerte Ziel ist, keine Kriege, keine Unruhen, keine Korruption, einfach nur Ruhe und Frieden. Weihnachten ist das ideale Fest, um daran zu erinnern. Dieser Song ist eine Gemeinschaftsproduktion von Melody Harmonix und den Blue-Kittens, die für den Gesang, die Gitarren und die Blechblasinstrumente gesorgt haben. 😉

💿 Hol dir diesen Song in High-Quality direkt hier:
👉 https://melodyharmonix.bandcamp.com/track/let-peace-fill-the-world-blue-cat-maxi-3
🎶 Entdecke mehr Musik von mir & unterstütze mich hier:
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Danke, dass du unabhängige Musik unterstützt! ❤️

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💿 Get this track in high quality directly here:
👉 https://melodyharmonix.bandcamp.com/track/let-peace-fill-the-world-blue-cat-maxi-3

🎶 Explore more of my music & support me here:
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Thank you for supporting independent music! 🙌

Let Peace fill the World (Blue-Cat-Maxi 3)

Living You Freedom .mp3

difficult storm turn into this2.mp3

Impressions of Hume
Imagine if the Scottish Enlightenment happened at 2 AM in a smoky, packed 1940s basement club—that is the sound of "Impressions of Hume."
This isn’t a dry philosophy lecture; it’s a riotous, foot-stomping celebration of skepticism. Across 18 distinct tracks, the album takes the heavy concepts of David Hume—cause and effect, the illusion of the self, and the slavery of reason—and throws them onto the dance floor.
Driven by a relentless, pounding boogie-woogie piano and a walking upright bass that refuses to stand still, the record pulses with a vintage, analog warmth. The brass section punches through the doubts with vibrant, swinging accents, turning intellectual puzzles into infectious grooves.
At the center of the storm are the vocals: deep, husky, and commanding. With a delivery full of smoke and soul, the singer transforms Hume’s skeptical doubts into bold, divaesque declarations. She doesn't just sing about the "passions"—she embodies them. From the dynamic call-and-response of "The Is and the Ought" to the frenetic swing of "Nature's Cure," this is a feel-good, high-octane journey that proves logic might be cool, but the rhythm is king.
Prepare to have your mind deconstructed while your feet keep moving. This is philosophy with a swing.

Nature's Cure

You're Yahweh why are we hated so much w (Remastered).mp3

"The Laozi Suites" is a monumental convergence of Eastern philosophy and Western classical tradition, weaving the ancient verses of the Tao Te Ching into the rich, resonant tapestry of a string orchestra.
Across seventeen distinct movements, this cycle abandons the rigid structures of modern music to embrace a more organic, fluid form of expression. The composition moves like water—sometimes still and reflective, other times swelling with the inevitability of a rushing river. The arrangement utilizes the full dynamic range of the string section, from the faintest whisper of a pianissimo tremolo to the sweeping emotional weight of the full ensemble.
Central to the album's sonic identity is the relationship between the low and high registers. The interplay between the deep, grounding cello and the soaring first violin mirrors the Taoist balance of Earth and Sky, Yin and Yang. This musical dialogue creates a sense of spaciousness, allowing the listener to inhabit the 'void' that Laozi describes as the source of all utility.
The lyrics are not merely sung but are carried by the melody, meditating on themes of humility, the strength of softness, and the return to simplicity. It is a work of profound contrasts: the complexity of the orchestration highlights the simplicity of the message, creating a transcendent space for contemplation. This is not just a collection of songs, but a continuous spiritual journey designed to bring the listener back to the root of existence.



The Empty Cup

Limitless sound. Infinite thinking.
https://linktr.ee/jazznote

The Empty Cup

Jazznote