Name: Brets (version Grrrnd Zero) by Jazzoux
Duration: 16 min 8 s
Description: Version enregistrée au Studio Soundlove à Grrrnd Zero fin avril 2021

Live AV set from Failed Units X TAR Common Multiverse Initiative on 13/03/2021

Full VA experience: https://www.youtube.com/watch?v=Pzs4O24nnGA (visuals by Forces)

@forces-music
facebook.com/ffforces
instagram.com/fffforces
twitter.com/ffforces
https://joonassiren.fi/

FORCES (LIVE) [FAILED UNITS X TAR COMMON MULTIVERSE INITIATIVE]

airplanes, subways, sidewalks, elevators

@nexcyia 
Love is an emotional capacity without boundaries. It is the inherent beauty of life and light, flowing from within our body and mind. The alchemy of intimacy and devotion helps us to ascend from darkness, filling our soul with a clear radiant energy. Like a beaming star, our compassion and affection heal us by releasing our trauma in katharsis.

The compilation “No Limits, All Love” is the 12th release of katharsis, celebrating our first anniversary with 10 poignant tracks from artists novel to the label. With the title as a thematic starting point and additional references of gratitude, healing and growth, the contributing artists were invited to interpret their experiences of kathartic purgation and salvation through music.

To commence the compilation, the Egyptian Ma3azef-affiliated artist ABADIR engages us with his spellbinding track “Clearance”, before the British sound-designer Phrixus gets our bodies moving to his wonky “Unintentional Alchemy”. Debuting local Danish artist Bloszum takes the pace down again with the hypnotizing piano-infused hymn, “Beauty Is Only Crystal Deep”, followed by the daybreaking floater “Flamma” by Uruguayan artist Balas De Agua.

Subsequently, French producer Zero Crossing Point delivers a stellar spectrum of emotion on “Our Ascension” ahead of the sentimental receptacle of heartbreak on the track “Vesper” by French artist Awbluu. The energy dives deep into the trancelike state of our subliminal mind on Nexcyia’s “wrapped(up)”, as danish duo J Sliwa, consisting of label founder jjjacob and his partner in crime Lighyer, shoots for the stars with celestial cannons on the track “Light Is Within”. The compilation culminates in climax on the motivational rave-anthem “Don’t Be Sad” by the Swedish YEAR0001-affiliated duo Quit Life, before Santebela closes the album with grandiose piano phrases bathed in reverb on “save me”.

artwork by jjjacob
mastering by jjjacob

No Limits  All Love

Nexcyia - wrapped(up)

Version enregistrée au Studio Soundlove à Grrrnd Zero fin avril 2021

Brets (version Grrrnd Zero)

blessedsuicide

songofthetomb

DEMONS ABOVE VOL. V

OUT NOW ON ALL PLATFORMS

FOLLOW ALTAIR:
@altairdubs
https://x.com/altairdub
https://www.instagram.com/altairdubs

FOLLOW DEMONS ABOVE COLLECTIVE:
linktr.ee/we_are_demons_above


ALTAIR - VENGEFUL

In the night of the growing moon, before Christmas, the ghosts come to visit.

Minotaur

Elvin Brandhi - Shelf Life (EP)*OUT NOW*

Format: Digital, Cassette
Cat.No: CANVAS003

*

“
Sickness unto death in an age of commodified well-being: approaching death from the point of view of an actualised virtual eternity. The commodification of daily life and the self, preclude the possibility of reincarnation, we do not identify ourselves as a cycle, a movement, an expression of life itself but as a single product that exists in and for itself.
 
The supermarket social network obliterates the surface of material hybridising, detaining all movement to self enclosed unit reductions, excommunicating mutation. Encapsulated in a fixed identity, packaged and promoted, immune to the infection of outsiders. The social contract of a pre-sealed self, branded with calculated sell by date, sentenced to a shelf life of inter-passive exchange.  
 
Shelf Life compiles this synthetic axis, upon which we bide out time smiling.  
Interrupt user: authorise disk-root conflict[ 
”

Elvin Brandhi is welcomed to the index of C.A.N.V.A.S. releases as the first solo release of 2019 and the third commission since the conversion from events series to label in 2018. As a performance nomad whose very practice is simultaneously about engagement with place and a lack of geographic singularity - there could not be a more fitting accomplice to C.A.N.V.A.S.’ effort as a self-publishing artist group to build a collaborative community despite increasing dispersion. This is the solo project of Welsh artist Freya Edmondes - otherwise known for her role as vocalist in father/daughter duo Yeah You - in which performances mesh a collage of electronic sounds with a disruptive stream of improvised vocals. These tracks are as close to studio versions as this fundamentally live practice gets - roaming recordings, sample blasts, club contortions and the ever present voice alchemically infused. In 25’46” of sound, Elvin’s bio-technological monster appears like a Cronenberg body horror - mouths appearing where they shouldn’t - or a living, breathing post-digital Beckett character narrating their own club induced self-destruction. Yet the future shock is fresh - Shelf Life is as fun to listen to as it is completely disarming.

soundcloud.com/elvin-brandhi-1

Mastered by Ali Najafi
Digital Artwork by Firas Shehadeh
Tape Design by AALTAR
In Collaboration with Olan Monk

www.c-a-n-v-a-s.com

Shelf Life

Buy DL/CASSETTE

Elvin Brandhi - IMBRED WAILE / OCDC

Network Glass - 'tired / stupid' LP 

digital album available 04.17.20 / @networkglass
vinyl LP edition to be announced soon.

tired / stupid

[RM041] Network Glass - "TR"

Jacob Sachs-Mishalanie - Thinkin' Things (MONDOJ14)

Dobrodošli u naš dom. Predstavljamo vam vam fini gulaš koji smo varboska i ja kuhali dvije godine, al po par sati tu i tamo.
hvala.

varboska x tonota - ppank nije mrtaba

https://amedeedemurcia.hotglue.me/jazzoux/
Jazzoux is the meeting between Terrine (Claire Gapenne from the industrial rock band Headwar) and Somaticae (author of many techno-noise records). In their quest for a personal sound color, they seek to distord the established genres and practices of conventional electronic music in order to reveal its flaws.
Claire and Amédée are adepts of a free and unprejudiced music, and search to  obtain an aesthetic never acquired, both self-taught and open.  Rather than having a collection of synthesizers to make Jean-Michel Jarre swoon with the sole purpose of producing a smooth and tasteless techno, they preferred to master a single synthesizer of their choice. These two complex machines, often used in a classical way, are here pushed to their limits, even in their sonic boundaries.
Jazzoux, could be a futuristic jazz of hacked machines pushed towards madness, with a touch of self-mockery.

Brets (version Grrrnd Zero)

Jazzoux

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