Groovy jazz etc 15

This is a recording from the Labyrinth 2014 of Hiyoshi's opening ambient set on Sunday morning, September 14th. 

Tracklisting

Pete Namlook - Winter
Robert Charlesworth - Haven Brow
Imaginary Softwoods - Untitled 09
Taylor Deupree - Shutter
Buddhastick Transparent Featuring Something In The Air - Eras (666)
Ishvara - Under A Hexagon Sky
ASC - The Machinery Of Night
Pulusha - Isolation Part 2
Commodity Place - Soils
Steve Good - Overtones
2350 Broadway - Sustained Energy
Pub - Muck

Hiyoshi: Labyrinth 2014

Philip Cohran & The Artistic Heritage Ensemble - Detroit Red

Spiritual Jazz 7:  Islam

All Praises to Allah, Pt. 1 & 2

Andrzej Korzynski - Third Part Of The Night (FKR063)

ANDRZEJ KORZYNSKI - CZOLOWICA

Ultra-rare jazz-funk/fusion album by Japanese drummer, Akira Ishikawa. Featuring percussion-heavy versions of ‘Let's Start’, ‘Bongo Rock’ and ‘Pick Up The Pieces’.

'Back To Rhythm’ was the final recording in Ishikawa’s African-influenced period. He cut this record with his band ‘Count Buffalos’, featuring Kiyoshi Sugimoto, Takeru Muraoka, Larry Sunaga and arranger Hiromasa Suzuki.

Includes excellent cover versions of The Beatles, Simon & Garfunkel, BT Express, Stevie Wonder, Average White Band, Incredible Bongo Band and Fela Kuti.

Originally released in Japan in 1975 by Columbia, this is now extremely difficult to find in its original format, and very pricey indeed!


Official Mr Bongo reissue. Licensed from Nippon Columbia Co., Ltd.

Back To Rhythm

Akira Ishikawa - Do It Til You're Satisfied

Gene Tellem & Kris Guilty @ RA24/7 Nowadays July 28th 2019

lauraliesin.bandcamp.com/album/tara-clerkin-trio

Order

Tara Clerkin Trio - Hellenica

a collaborative entry by @knap_sack & @sevenoils

Thermal vision through an ice block window, beaming sight  'cross the water. Faced with an armed firewall, it's molten image in the germ-pool basin.

“Two meanings. A third(also strong and easy), I hope, remains.”

"These two kinds of action," he continued, "give us a second, third,
fourth order."

They fizzled like a crisp sun, with raisins in each retina. A strong and easy third moment passed, and the juice returned when the shadows creased the archway.

“Water Wave-of-Water, Water Wave-of-Sky, Water Wave: Waves of Water are a feature of the Marine Plating” she recounted, with a limply held head.

With this, concerned, the frog with a weak leg took a hard look inward, trying to remember the pair and who directed them to his swollen limb. To tend/mend/upend without fail. His footsteps combed through the writhing patch of Swamp Muck Earth, and found himself, suddenly, sore.

---

Ascent Bell - Ceramic Library
Tiger Balm(excerpt) - Annea Lockwood
Hallucingentic - Sa Pa
Distant - Perila
Belly - Exael
Baby's First Blade of Grass - OCA
Commencement On Slavery With A Gender Perspective - Wanda Group
Eye To You - Pontiac Streator
Prismatic Haze - Kassel Jaeger
Item 9 - Pontiac Streator & Ulla Straus
+ - $3.33
Hy Brasil - Andrew Pekler
Net - Ulla Straus
Gaa oi (T'e Nachste Stationen, Stonefruit Dub) - Free Music
Making The Last Train - OCA
Room With A View - Sa Pa
Overcast - Brown Irvin
Nuwav2 - Terekke
Golden Hour VII - Les Halles
Pecan - Jean-Emmanuel Rosnet

(sculpture by: Jack Sachs)

Ceramic Library, d-posit a.377 ng.

No Quarantine Kissies

Oall Hates returns to Of Paradise with Tranceporter, a ferocious 5-tracker that pushes the artists music into new and intoxicating waters, showcasing a truly innovative sound; one that this Austrian producer has honed and crafted meticulously over recent years.

A1. Tranceporter
A2. Gentrifies
B1. Adderol
B2. Bones Faro
B3. Feelings
Digital Bonus. PCT-666

Oall Hates: https://soundcloud.com/oallhates

Tranceporter

OP012 // Oall Hates - Tranceporter

1. 
[they say:]

savior come down savior come down savior come down savior come down savior come down 

2. 
[they hum…]

3.

En las cenizas 
Vamos a armar 
No saber nada 
Es mejor

Ya no cabe nada 
Pero estamos juntos 
Sin noticias 
Del otro mundo 

Y cada día
Nuestro mundo
Se achica 
O se derrumba 

Y lo único que 
Me han dicho sobre el tema
Es que es el sentido común de una flecha

Y lo único que 
Me han dicho 
Es que es el sentido común de una flecha 

Y porque no responde
El sentido común 
No puedo utilizar su lenguaje 

Su lenguaje 

(TRANSLATION)= =

In the ashes,
we will form
knowing nothing now is better

there’s no space for anything
but we are together
without news of another world

and everyday,
our world, 
shrinks
or crumbles.

and the only thing they have said about any of this: 
is that it’s ‘the common sense of an arrow’. 

the only thing they have said about any of this: 
is that it’s ‘the common sense of an arrow’. 

but why doesn’t common sense respond?
I can no longer use its language. 

4. [instrumental]

5. [instrumental]

6. mud

come in, 
don’t leave.

grown man:
can’t see.

figures out 
he can’t be
sunken with the crown

old man
i can’t see
you’re in the way
i can’t see me,

we must confess:

illusions number time

…

a drunk man’s on the lead
skies and all bleed
and no one can hear
the cry from the ground

it’s something to dig

there’s something in the mud
there’s something in the mud
there’s something in the mud

7. [instrumental]

8. sunder

Vapor’s forming,

And now I see right behind my eyes.

If the old you could tell me 
if the old you could tell me:

a win is a win 
but a loss is the death of a twin and we borrow

And we borrow.

Forming vapors,

behind my eyes,

And now I see right behind my eyes.


In the words of a prophet 
Sunder,
In the shape of the first and last
Sunder,
In the springs of the church of sin
Sunder,
In the blood of the hands that last,
Sunder,


Does a lock seek erosion?
Does a loss seek revenge of sin?

Right behind my eye,


We borrowed from the page of saint maurice
Named the mountain an egyptian saint
Drank the water from the church of springs
Does a loss seek revenge of sin?

Right behind my eye,

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
Do we need your dominion?

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
do we need to be still? 

Is there blood in the court? 
Is there blood in the ceiling?
do we need to be still? 
Do we need your dominion? 

9. hello, chain

won't you change, nature?
along me?
carry on your chain,
hell of chain.

we will now wait,
patience is our virtue,
NOW JUST WAIT.

10. [instrumental]

11. [instrumental]

12. 

[I hum]

13. 

carried by a force until a certain peak
there, all you could see,
is swayed by the wind
like the locks in your hair
coloring your eyes
that look nowhere

like a faith made of silk

look around not ahead

a peak is just the way towards 
a descent

look around not ahead

(you have nowhere to look)

look around not ahead

a peak is just the way towards 
a descent

the forces on the hill
manifested by what you perceive as wind

look around not ahead.

Nicolás Jaar - Cenizas

1. Weldon Irvine " Music Is The Key"
2.Charles Earland "Intergalactic Love Song"
3. Cedar Walton "The Maestro"
4. Larry Young "Startripper"
5. Johny Hammond "Ghetto Samba"
6. Cannonball Adderley " Nascente"
7. Azymuth " Young Embrace"
8. Ronnie Foster "Love Satellite"
9. Jorge Dalto " I've Got You On My Mind"
10. Yves Laferriere "Anastasie Oh! Ma Cherie"
11. Sergio Mendes & Brazil 77 "It's Up To You"
12. Perigeo " Monti Pallidi"

MOOD INDICA VOL 1

Been blogging, music sharing, etc. for a while now (see blog under this name) & DJing since 1982. I like all kinds of music.

Most of my playlists are not organized & just hold songs I'm interested in, many of which I haven't listened to yet. The "freeform current listening" playlist is as it says & will be updated regularly. Many of my reposts were unintentional, they were just random tracks I was trying to add to a playlist using my phone & I've got clumsy fingers.

Philip Cohran & The Artistic Heritage Ensemble - Detroit Red

Aquarian Age

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