Bookings: toon@e314.agency & 
tim@outlined-am.com

Einmusika Recordings is the music label of Berlin based Einmusik.

EVERY JOURNEY CREATES A NEW SOUND

There isn’t only black when the night is falling, the streets are not empty, the people just wake up together with synthetic lights. Melodys and emotions getting together and everywhere you can meet some great artists feeling the same mood.
Traveling and touring is an inspiration for Samuel Kindermann alias Einmusik. This is why he founded his own label Einmusika where sounds come together, where artists meet and where the music he likes is getting a place for reaching the electronic scence.
Einmusika is not only a platform, it is a playground for new handpicked production talents from all over the world. It sounds good when the night is falling over the club and it feels good when Samuel Kindermann takes new sounds with him.
	


General Contact:
For all general inquiries, licencing requests and press contact please send email to:
info@einmusika.com

Demos:
Please send streaming demos to:
demo@einmusika.com

Also you can find me @ www.facebook.com/svendorphine
www.twitter.com/svendorphine
www.thedjlist.com/members/svendorphine
www.thedjlist.com/djs/sven_dorphine
www.reverbnation.com/svendorphine www.virb.com/svendorphine
...Can be spoken THE SOUND for itself... ...either U LOVE it ... ...or... ...U HATE it....
Sven Dorphine was born in Duisburg, Germany in 1980. He was involved with musicians since he was born because his
father and uncle were guitarists. Since his 6th birthday he went to every one of their concerts and helped with
setting up the instruments as well as the removal. As he was searching his father's record collection for the first
time, he discovered an album of Jean Michel Jarre. Since that day he was abducted to electronic music. As the
years went by he gathered a lot of things related to the underground movement, mainly tapes. At the age of 12 the
first cd-players showed up and with them the wish being a DJ. At the age of 13 he bought his first pitchable
turntable and a DJ mixer and made his first steps as a DJ ( what met with moderate success).
At the age of 14-16 he took a break from electronic music and focused on playing the guitar and giving concerts
with his band. The first club visits came soon and his abduction to the electronic music was reborn. It didn't take
long until he started his first mixing with 2 belt driven turntables (together with an old friend). In 1998 he was
given his first Technics 1210 turntables and mixing wasn't a struggle any longer. In between the years 2000 and 2001
he had his first gigs at small clubs and private parties. Till 2004 he made his first steps in producing, using the
music software "Reason" of Propellerheads. In late 2004 he took a break from music because of his profession.
In 2006 one of his friends bought his first Mac, including software like Ableton Live. Whenever he had some time
left he was trying to familiarize with this program. Since 2008 he dealt with producing music more intensively,
a fact that's lasting till today...



No messages please.
https://linkin.bio/rekids

All Rize (Remixes II):
https://orcd.co/REKIDS278

Rocco Rodamaal - The NYC Chronicle EP: 
https://orcd.co/Rkd014

………”Heralds the arrival of an astounding new talent, which supports the fabulous vocal effortlessly”………
                                      Deep Blue Records.

Elizabeth Fields is a musical director a singer/songwriter/guitarist and piano player.

She has been offered three record deals, two world tours, a tour of Barbados, America and a European tour. 

Elizabeth Fields has just recorded her debut album with Gavin Monaghan (Producer of Nizlopi’s No.1 single/Scott Matthews/Ocean Colour Scene and the Manic Street Preachers).  Mark Stuart of M2 studios (Magnum/Stampede), has mastered and mixed it.  

The album features Stevie Wonder’s amazing local Tabla player (Parvinder Bharat), Vix from Fuzzbox and Ian Reid, (Ex.Musical Director and Bass player for Beverley Knight). Elizabeth has worked with a very talented collective that she has hand-picked from the best musical talent in the Midlands.  

Elizabeth Fields artistic management is by Andy Bowen (Ex.Steel-Pulse Manager). 
A.B. Management Services ab_mgmt@hotmail.com Tel:-07930192447.  

Please read the incredible recent reviews on Elizabeth Fields Facebook/Twitter and on www.elizabethfieldscollective.org under news and press releases.  

Thanks for listening. Please contact Elizabeth@ElizabethFields.co.uk




We're a family of electronic music makers + lovers.  Proton is a radio station (www.protonradio.com) and powers distro for 2K+ indie electronic labels (https://protonrad.io/Label-FAQ).

Say hello: info@protonradio.com

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

JC Dlight is following