House & Techno festival in Austin, TX
Produced by RealMusic Events
Takes place at The Concourse Project

@OliverHeldens’ HI-LO alias is reserved for his deepest and darkest records. His 2020 tracks ‘Zeus’ & ‘Kronos’, landed in the top 10 of the most supported Techno tracks on 1001tracklists in 2020, which was a contributing factor to Oliver being awarded the coveted spot as the #1 most supported producer platform wide. His releases inspired by the Greek Gods, like ‘Poseidon’, ‘Athena’, ‘Hades’ and more recently ‘Saw of Olympus’ and the ‘Balearic Mornings’ EP with Dutch techno giant Reinier Zonneveld on Filth on Acid, garnered millions of streams and support from all across the Techno scene and beyond, contributing to HI-LO’s #6 best selling Techno spot of the last year on Beatport. With no signs of slowing down in 2021, HI-LO’s delivered a massive remix for Nina Kraviz’ ‘Skyscrapers’ and his debut EP on Drumcode ‘Hypnos’ which includes the title track plus the dance floor stomper ‘Hera’ that seen further support from the likes of Adam Beyer himself, Dubfire, Joseph Capriati, Pan-Pot, Robert Hood, ANNA, Joris Voorn, Nicole Moudaber, Sam Paganini and many more, proving HI-LO is here to stay as a Techno mainstay for the long haul!

https://www.beatport.com/artist/hi-lo/12692
https://www.instagram.com/officialHILO
https://www.soundcloud.com/official-HILO
@HeldeepRecords
https://www.youtube.com/watch?v=yKq7h3qedjw&list=PLoVPdGdbdII0xJjKngQcBAZm5yHbdTzAR
https://facebook.com/officialHILO
https://instagram.com/oliverheldens
https://instagram.com/heldeeprecords
Instagram.com/officialhilo
Twitter.com/official_hilo

CONTACT - NEW ALBUM OUT NOW
subfocus.lnk.to/contact 

ROW bookings: tom.jones@unitedtalent.com
North America: mrodriguez@teamwass.com

MANAGEMENT: brandon.shack@theshalizigroup.com
BOOKING: max.freeman@unitedtalent.com chase.caskey@unitedtalent.com

Bookings via klangwerkberlin@gmail.com
business inquiries via info@april22music.com

Isaiah Rashad doesn’t look back. Instead, he never stops moving forward. That’s why the internet has tried so hard to keep up since the Chattanooga, TN-born and Los Angeles-based artist emerged in 2012. After one seismic appearance after another throughout 2013, he formally introduced himself with 2014’s Cilvia Demo. XXL named him among its prestigious “Freshman Class,” while the project earned a rare score of 8.2 from Pitchfork. Just two years later, his full-length debut, The Sun’s Tirade, bowed in the Top 20 of the Billboard Top 200 and closed out 2016 on over a dozen year-end lists, including UPROXX, L.A. Weekly, Inverse, Stereogum, Pop Matters, Pigeons & Planes, Pitchfork, and more. In between sold out shows coast-to-coast and racking up nearly 500 million total streams, he quietly stared down his demons out of the spotlight. By the time he dove back into music, life had changed. The process switched up, so he realigned and linked up with new collaborators such as Kenny Beats. Ready to break a five-year creative silence, he returns with his second full-length album The House Is Burning[Top Dawg Entertainment], including the single “Lay Wit Ya” [feat. Duke Deuce]. While the house is burning, Isaiah’s running forward at full steam once again. Try to catch up.

send beats to : itslacasa@gmail.com

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