Born and raised in the UK, singer-songwriter Aaron Gwynaire moved to Australia in​
2012 where he kick-started his musical career, recording his debut acoustic rock pop EP 'Who We Are' in 2014 at Scudley Records in Bassendean. A music video was released for the last track on the record 'Head Over Heels' which was filmed in Fremantle, WA.
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Since then, Aaron Gwynaire has built his own recording studio / music tuition business in Mandurah, WA. His single 'Idiot' was released in August 2017 along with its official music video, followed soon after by the release of his self-produced 2017 EP release 'Heart Dance Inferno'.
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Aaron Gwynaire is currently recording an album with the first single set for release in April 2018.

WEST AUSTRALIAN BAND MOSTELL WAS FORMED IN 2016. With
ALREADY RECORDING THEIR DEBUT EP PAINTED BLUE,  MOSTELL ARE ON THEIR WAY.
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rockn roll people and please contact for feedback or if there are any bands looking to work with us!

Morgan and Fletcher from Australia 🇦🇺

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joel@seismictalent.com

Escelade is a two piece acoustic, alternative/blues/folk band that definitely has the power to draw the attention of a crowd. Fusing rich, husky vocals and modern acoustic guitar with electronic drums and a combination of blues piano and classical electric cello.

Evolving from the experienced solo acoustic artist Benjamin Wolf, teamed together with YingLi Wang – a classically trained cellist/keyboard player, Escelade have worked hard to shape and discover their own individual sound.

We released our self titled debut EP in March 2014. Because we have so many different influences from a wide variety of genres each song brings its own individual colour to the EP giving it a constantly changing mood and style.

Our sound has been described as if Jack White and Dan Auerbach had a baby call Big Scary that was taught to play the drums by Chet Faker.

Unmistakable on sight by their frontman's interstellar ginger afro, songsmiths Timothy Nelson & The Infidels – last heard from with the anthemic 2013 hits Born In The '90s and Mary Lou – have delivered their masterwork: album number two, Terror Terror, Hide It Hide It. A bold and fully-developed artistic statement, Terror Terror, Hide It Hide It marks an evolutionary step forward for the band, who have worked in deeper collaboration than ever to create their best and most varied songs to date, captured beautifully by producer Joel Quartermain.

As indicated by the vast musical distance travelled by Timothy Nelson & The Infidels since their 2011 debut album I Know This Now, the band aren't genre writers. They want to explore. To dabble. So there are very few limits on where their songs can go, in the broad spectrum of pop music. Terror Terror, Hide It Hide It covers so much ground as it unfolds... from straight up radio anthems (Calling Out To You, Inside My Head, Mary Lou) to the haunting and minimalist (Do U Need It, Rush) and from Manchester (All The People) to the Mississippi (Cocoa Jackson), the band's imagination has run rampant. The magic at the heart of every song: their love of / knack for earworms. An innate ability to write a hook.

Instrumentally beautiful and richly complex, Terror Terror, Hide It Hide It also boasts The Infidels' best musicianship to date. A who's who of Perth music's vanguard, The Infidels is an impressive lineup of multi-instrumentalists able to manoeuvre into an almost endless variety of ensembles of strings, keys, vocals and percussion. This level of sheer capability and collaboration between Nelson, the band and Joel Quartermain (whose decade-long songwriting accomplishments in Eskimo Joe need little explaining) has allowed the ensemble to strive for loftier heights than ever before, resulting in an album that simply speaks for itself.

Terror Terror, Hide It Hide It shows just how rapid and exponential the musical growth of Timothy Nelson & The Infidels has been. Just a few years ago they were winning Western Australia's highest music awards, nominated as a folk band. Now, without missing a step, Timothy Nelson & The Infidels have become almost indefinably musically vast; capable of bringing to life any of the wondrous music that pops into their imagination. 

James Murphy Music is following