Liked the contrast of the fast paced rhythm and the dreamy atmospheric keyboard. Great work, my friend!

So lovely all around -- I was totally swept up by this soundscape.  :-D

So Beautiful & Cool Groove & Mystical Atmosphere !

Very cool mixed hybrid between strings and light EDM! Sounds a little Chinese too!

SONGS, THUGS OF SECRET SILENCE TIMES

This song is about political predation I started to see, beginning in the US, around 2000. It got far worse, in my estimation, around 2010. It's a song I had bouncing around in my cluttered mind for years, but never actually sat down and flushed out until 2010. Or so? I dunno. The final lines "don't place blind faith in black snake politicians" is an overt reference to fossil fuel corporations, their corrupt relationships with politicians in the US and abroad, and corporate capture of the US government. I got the idea from the indigenous legend "Prophesy of the black snake." Pipelines and oil trains, the visible signs as literal power is amassed and America literally divided. Americans, literally divided. Political power isn't as easy to see, but t's just as destructive. More so.

at any cost

they will prey upon your sympathy
they will tear our bands apart
and they will break your back, your will, your brain
so they can take whatever they can gain

they'll see you dead to keep in power
you're just opposition to devour
why are you loyal to the cowards?
sweet liberty turned bitter, sour

is that the cost? (x3)
is that too high?
too high now

it doesn't matter much what happened here today
cause if it don't make the cover page...
they want you to forget the things they did and said
so they can do it all again another day

when blood is spilled for their desire
and they have all that they require
they'll tell you "freedom's cost" is higher
take honest words back from the liars

is that the cost? (x3)
is that too high?
too high now

don't place blind faith in black snake politicians
they'll make you so afraid, can't even pay, pay attention

https://splatmusic.bandcamp.com/track/at-any-cost

off the windscreen

At Any Cost

Buy at any cost

01 At Any Cost - Splat - Off The Windscreen

I have always wanted to make a rap metal track with Heartscore so I was super excited when he reached out with this banging hip-hop metal fusion production. The lyrics are inspired behind the Hawaiian legend of Nanaue the Shark Man. I have some Hawaiian blood in me, so I figured I would rock it, lol! I am super blessed to still be working on music with my friend Heartscore. 

Massive thanks to Bitzone for coming through in the clutch with the dope vocal mix and final master. And huge thanks to Wou-Wou for the incredible song art making us look real stylish and professional! 

Heartscore: Music and Mix
https://soundcloud.com/heartscore
https://heartscore.bandcamp.com
the Couch King: Lyrics and Vocals
https://musiciselation.bandcamp.com
Bitzone: Vocal Mix and Master
https://soundcloud.com/bitzone
Wou-Wou & the Wormling: Song Art
https://soundcloud.com/wouwouandthewormling

For song and album art visit Wou-Wou & the Wormling at:
https://wouwouandthewormling.com
https://www.instagram.com/wouwouandthewormling
https://www.redbubble.com/people/thewormling/shop?asc=u
https://www.patreon.com/wouwouandthewormling

Lyrics
Holy crap what is that growing on his back 
13 racks of teeth and I’m talking plaque 
Gaping wide open ready to snack 
Fish mouth on the prowl hidden under a wrap 
Musta known we were talkin’ smack 
We were all staring at him when he turned and glared back 
With those black mirror eyes 
Caught by surprise after many moons of lies
Horrors and cries rise to despise
It’s the demise of the shark man 

It’s the shark man

Say what he was cut from the cloth of a god
I swear there must have been lust in the brine and guts 
All up in that shapeshifters mind 
Yup, we all thought it was odd how he kept swimming back
As blood washed ashore he walked away from the gore
On that sea wrack 
Still thirsty for more flesh, meat, and albacore
Once he walked through that door he couldn’t forbore
The horror arise
It’s the demise of the shark man  

It’s the shark man

God damn, like spam, he devoured a man
Tore apart flesh like peeling back the lid of can
Never satiated since his first feast of ham, rack of lamb, and that stan favorite prickly pin clam
Ever since then his appetite grew he knew 
He couldn’t hold back desire when in that salty stew
True to his shapeshifting form 
He was born to find ecstasy when warm flesh eating transformed    
So we swarmed up on him on that afternoon
Harpoons flew through the skies 
Clubs fell till he died 
His body was tied 
Divided in pieces ’n 
Hung till it dried
Fired and fried 
It’s the demise of the shark man 

It’s the shark man

I Just wanted a get taste 
Na, I just wanted to be in the chase
Na, I just got the feel of the race
No stoppin’ until I get shit face
No stoppin’ until I’m laying in my waste
No stoppin’ until everyone’s disgraced  

It’s the shark man

First we gave you life, despite divine insight 
Again invite past blight, our name, the Gods will smite

It’s the shark man

And for that you still kill, we’re cursed until 
We split your gills and your blood is spilled

It’s the shark man

I’ve seen the depths 
I’ve swam the deep and sunk forever 
Each time I swim back to shallow shores I’m gonna drown
And when I see the light 
I seek shadows and sense the hunger
After seizing my fill I sink back up 
High in the depths 

From the frenzy comes
The shark man
Yea
When you smell blood
Here comes the shark man

How many times 
Been made to hide my teeth for your love 
How much can man be measured by his will to stand on ground
I’ve made my enemy my desire for the flesh 
Turned my back on my shiver I sink back up
High in the depths

From the frenzy of the kill
It’s the shark man
Yea
When you smell blood
It’s the shark man

The Sharkman

Heartscore, Bitzone & the Couch King - The Sharkman

KASPAR HAUSER LlED

Recorded In Modesto, Ca.    Featuring Gibson 335 Electric Guitar solo. Alto Saxophone solo. Trumpet solo. Steinway Brothers Acoustic Piano Rhythm. Godin Nylon acoustic Guitar Rhythm. Horn section, Alto, Tenor Saxophones Background. Trumpet Background. Fender Electric Bass. Roland Synthesizer Bass. Drums, Full Trap set. Percussion Zildjen 22" Crash Cymbal, Timbales, Cowbell, Open Hi-Hat, Congas.

Bewidered

Groovesville

This is a song that began with Steve (Steve's Planet)writing, playing it on acoustic guitar, and singing it on a stem he shared with Ken (K2 and the Three [and Four]), who added some perfect drums, as always. Ken then shared it with me, who added bass, and Tez (Llanpsych), who added some brilliant, tasteful guitar fills. We then got JJ involved, and he added the great, undulating organ. Finally, we got the master chef involved, Chris (cgmaness), who came up with some killer guitar riffs and mixed the whole thing very expertly. It must've been quite a chore, too, because there are a lot of magicians in this show. We all really feel lucky that Steve shared this song with us, and admire his singing and songwriting. We hope you enjoy our creation!

Romance by Steve's Planet (Eclectic Collective)

Gallop

HyLGZ22 let me kindly play with one of his old tracks, I'm really fond of. I hope you will enjoy it !

Dimanche 16h, Le Soleil Revient (HyLGZ22 - Remix Damga)

The 17 Brent Thugs - Anachrony 101 - 02 04 New Day.mp3

Latin Jazz R&B Northern Soul (60s style) Photo taken at Isle of Wight, mod scooter rally. (New Untouchables)

Latin Soul time (150bpm)

IL FAUT TAIRE LE TEMPS

Les vérités fragiles, celles qui indisposent
Des heures indociles qui vieillissent les roses
Sous des lueurs ingrates dans ce compte à rebours
Les années qui partent aux allers sans retour.

Les folles images sans oraisons verbeuses
Nous tournent la page des idées voyageuses
Devant ces rêves fanés de pensées furtives
Le souvenir d’un passé aux humeurs positives.

Il faut taire le temps, se faisant si rapide
A moquer le présent sans le rendre stupide
Briser le miroir des ans, s’il est tant lucide.

Sous couvert d’absolu, larguer le mauvais sang
Vers des terres inconnues au milieu d’océans
S’oublier des hier sans se moquer de tout
Il reste tant à faire pour aller jusqu'au bout.

Il faut taire le temps, se faisant si rapide
A moquer le présent sans le rendre stupide
Briser le miroir des ans, s’il est tant lucide.

Il faut taire le temps, se faisant si rapide
A moquer le présent sans le rendre stupide
Briser le miroir des ans, s’il est tant lucide.

En rêvant de son mieux, vers de jolies pensées
Un sourire dans ses yeux ne peut faire qu'avancer
La vie est ainsi faite, elle va, elle vient, elle fuit
Et même quand tout s'arrête, rien n'est jamais fini.

Mais regardons l'avenir, il reste tant de choses
Beaucoup d'éclats de rire qui font les vies en rose
Profitons du bonheur en vivant ce présent
Et sans penser à l'heure qui brisera ce temps.

Il faut taire le temps, se faisant si rapide
A moquer le présent sans le rendre stupide
En vivant les instants… en vivant simplement.

IL FAUT TAIRE LE TEMPS (Chanson Française)

"child of god.............welcome.
we have been waiting.
we are your salvation.
we will tell you, what god has hidden.
secrets from the tree of knowledge.
we are your friends.

House dark secrets 4  (the demons promise)

The title and middle chorus (the only lyrics in the song) came from the fact that after recording, i felt it needed another section, like a bridge, but got too lazy to find something to fit. Thus the line “I can’t find the bridge to New Funk City”. 

Still can’t find it.   ;O)

This can probably be considered the 3rd in a trilogy of tracks created almost entirely with short loops and sound samples in Garageband ('Dark Roast', and 'Sneaky Reggae' are the other 2).
***Warning: your toezies might get sore from all the tapping they’ll be doing.


lyrics / chorus:
"Everybody tells me I got to go
but I can't find the bridge to New Funk City"


All comments welcome, and don't be shy to be critical or suggest ideas to help me improve. :)

----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- ----- -----
here's some pictures I took: www.flickr.com/photos/mark_boucher/
my best photos on 500px (safe site): 500px.com/p/mrmark?view=photos

Mark's Album (post-2020)

New Funk City (where’s da bridge at?)

*Please note that the unfortunate soul portrayed here is completely fictional and is a depiction of nobody in particular.  More accurately a hybrid of individuals encountered or observed.
Enjoy:)

All rights reserved august 12, 2023

Tequila
He takes a sip and lets it gnaw
On dreams that never will take form
He's slippin' away

Morning light
The new day ends another night
Of nothing but another fight
That takes him away

He never knows the plans he should make
Or chances that his heart wants to take
He's heard it all before 
But not anymore
It's slippn' away

No reply
His efforts never get him by
So baby don't you even try
He's slippn' away

Sweet Charlotte
He gives it everything he's got
Then orders them another shot
She turns him away

He never knows the plans he should make
Or chances that his heart wants to take
He's heard it all before 
But not anymore
It's driftin’ away

Albatross 
It's like a train you can't get off
He's sees the stop but not the cost
Of slippin’ away

Slippin' Away

This one came together fast!  Terry had this cool idea he sent over saying it was in D# minor pentatonic, so I was already excited when reading that as the minor pentatonic is where lots of guitarists cut their teeth.  
About a day and 1/2 later and it was done.  Sorta fell out of the sky-  so thanks to Terry and to the infinite cosmic fountain for this one!  It's the latest in the Texas Tea collabs and it's called 'True Story'

Catch the Texas Tea Playlist to hear more music from a better future
https://soundcloud.com/texmex-shaman/sets/texas-tea-sea

art credit: Tea R. Sea

True Story

True Story - w/ Tea R. Sea

Catchy pop featuring Rob Papen Blue 3 vst, Argon 8m and Roland JV-2080. Bass and lead and small additions is the Blue, drums are Ableton stock, pads from Argon and arps and other filter sweep sounds the JV. Made during the hottest summer days in Stockholm so far in 2024 in one evening for sketching and recording and the day after for arrangement and mixing. Forgive my sloppy synth playing, the action is the small Keystep 37, portable but does not give the same feel as a larger, longer keybed. Well, I kept some faulty timing and corrected other notes. Enjoy!

Hot Friday Evening

My old SC mate Micah played drums to test a friend’s recording set, and sent me some cuts full of improvised breaks and tempos. I love time changes, yet this was really challenging!

I finally chose two of them and jammed with bass until I learnt his story telling.
Then, I clicked on the red button, again and again.

Drums played ad libitum by Micah Gettys https://soundcloud.com/graphicsontelevisions https://soundcloud.com/letterpressmighty 
Drums engineered and mixed by Dean Johnston https://soundcloud.com/forest-of-dean
Other sounding stuff made in Ruizzoidman's bedroom.
Artwork also makeshifted by Micah Gettys, oh, what a dude !!

Floating Point (with Micah Gettys)

(Don't follow me here, best follow my main page ;)

Gallop

JCS

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