Name: "Sibelius Collage" by jcvasquezgomez
Duration: 4 min 6 s
Description: In 2014, the The Sibelius Birth Town Foundation, Sibhack and the Ateneum Museum (Finnish National Gallery) commissioned me to compose an electroacoustic rendition to Jean Sibelius’ Romance Op. 24 No.9, as part of the official 150th anniversary of the Finnish composer’s birth. The “Sibelius Collage” was premiered on October 2014 at the museum’s Auditorium. Here's the piece

A Lucid Dream

In 2014, the The Sibelius Birth Town Foundation, Sibhack and the Ateneum Museum (Finnish National Gallery) commissioned me to compose an electroacoustic rendition to Jean Sibelius’ Romance Op. 24 No.9, as part of the official 150th anniversary of the Finnish composer’s birth. The “Sibelius Collage” was premiered on October 2014 at the museum’s Auditorium. Here's the piece

"Sibelius Collage"

En este playlist puede escuchar ejemplo de nuestros trabajos de locuciones, tanto masculinas como femeninas, para distintos productos y servicios.

Locuciones Voces Masculinas

Juan Antonio Cuellar "Conversations" Variations for Piano Trio Op. 32
The Lincoln Trio:
Desirée Ruhstrat, Violin
David Cunliffe, Cello
Marta Aznavoorian, Piano

Conversations: Variations For Piano Trio

World Premiere of Fauna of Mirrors III, for pierrot ensemble and tape (2016). By Juan Carlos Vasquez. 

November 16, 2016. University of Helsinki, Finland.

Piece winner of the "Contemporary Music Grant 2016", Ministry of Culture of Colombia.

Flute: Kathy Hao, Piano: Anthony Hartono, Clarinet: Erle Kont, Cello: Anna Westerlund, Violin: Matilda Seppälä.

Producer: Heidi Hassinen (Korvat Auki / Ears Open Society and Synkooppi) and Janne Kivistö (Korvat Auki)

Ableton Live 9 used for live electronics.

Juan Carlos Vasquez – Fauna Of Mirrors III

I want ___ please, for processed harp and fixed media

You have to pull them out of their bodiless dream. You have to make them talk to you; they have to practice speech, but they're nonverbal, so you have to make a mouth for them out of paper, or a laptop, or their hands. Any tongue you can find, any teeth you can afford, you try, you try, you try, because when they age out of high school, you can't help them anymore. If you can't instill the habit by age 22, there's a possibility that no one will ever ask or push them to use language again.

This piece is dedicated to the staff and students at Heather Empfield Day School and Transition Center, a school for children with severe and profound autism.

I want ___ please

The Precession of Simulacra, for piano and electronics (2017)
Piano: Juan Carlos Vasquez. 

" (...) The territory no longer precedes the map, nor survives it. Henceforth, it is the map that precedes the territory" - Jean Baudrillard

The electronics for this piece are performed with a provided Max (www.cycling74.com) application that plays pre-recorded sound files on certain moments (cues). In addition, it includes subtle reverberation.

Cues in the score are triggered by the piano player with a sustain MIDI pedal located to the left of the piano pedals. In certain indicated moments, the electronics are intended to partially mask the piano, making the piano undistinguishable from the electronic sounds.

"The Precession Of Simulacra" for piano and electronics

OSMIUM

“A Chinese Triptych” was composed with recordings from an extensive sound documentary made by the artist in the Chinese cities of Hangzhou, Suzhou, Shanghai, Wuxi, Harbin, and Beijing during 2017. The piece overlaps sonic events from the rural, the industrial and the digital China in a single flowing musical discourse, attempting to represent the full range of highly contrasting ways of living in China. The piece lasts exactly 6 minutes, a number that in China is given the connotation of events “flowing smoothly”.

The form and proportion of the parts are inspired by the triptych, an art format comprised of three thematically-interrelated parts in which the middle panel is usually the largest. “A Chinese Triptych” features an experimental application in acousmatic music of the motivic-through composition technique, also known as thematic development.

A Chinese Triptych

"A Landscape of Events" is a piece heavily influenced by Paul Virilio's homonymous book. Is a sonic reflection on how the perception of time is distorted by the pacing of life portrayed in contemporary media, always in constant acceleration. The piece, as the book, presents an amalgam of seemingly disjointed content, or "sets of contradictions in an accelerated and miniaturized world" (Moran, 2004)

A Landscape of Events by Juan Carlos Vasquez

Juan Carlos Vasquez is an award-winning composer, sound artist and researcher based in Helsinki, Finland. His work has been supported by the Nokia Research Center, the Ministry of Culture of Colombia, the Arts Promotion Centre in Finland and the CW+ in partnership with the Royal College of Music in London, UK. His electroacoustic music works are performed constantly around the world and have been premiered in 26 countries of America, Europe, Asia and Australia. Vasquez received his education at Sibelius Academy and Aalto University in Finland, and has taken courses with Andy Farnell, Miller Puckette, Marco Stroppa, Steven Stucky and Jonty Harrison, among others.

In 2014 his critically acclaimed series of electroacoustic pieces inspired on classical composers, “Collages”, was released by american label Important Records / Cassauna, selling out shortly afterwards. “Collages Vol 2” is set to be released in 2017. Vasquez currently works as a Researcher and Lecturer at the Media Lab Helsinki, Aalto University.

"Sibelius Collage"

jcvasquezgomez

Related tracks