The Tides Of Destiny

A New Spirit Portal/Korra's Sacrifice

So We Meet is a symphonic journey of opposites — fire against water, danger against serenity. At its heart, though, it’s not just about elements but about people, the clashes and harmonies we carry within.

The music opens with lush cinematic strings and haunting piano motifs, slowly unfolding into a grand, operatic soundscape. Ethereal choirs rise like waves, while ambient guitars and shimmering synths weave around them. Drums strike with purpose, building momentum toward a towering climax — where passion, fear, and resilience collide in a storm of sound.

Epic yet intimate, So We Meet is both a duel and a dance — reminding us that in every confrontation lies the chance for balance, and in every struggle, a reflection of ourselves.

#symphonic #cinematicmusic #epicmusic #operatic #grandiose #soweemeet #neoclassical #orchestral #ethereal #choir #epicbattle #emotionalmusic #soundtrackvibes #newmusic

So We Meet

An instrumental odyssey through the infinite. *The Endless Symphony* translates the mathematical beauty of π into music — patterns without repetition, harmony without end. Each movement explores a facet of infinity: creation, balance, entropy, and return. Through orchestral textures, ambient electronics, and minimalist design, Avaline Ingels constructs a sonic architecture that feels both divine and human — precision guided by emotion.  
Piano, harp, and strings trace circular motifs while choirs breathe in golden ratios. Tempos shift by Fibonacci values, phrases extend by digits of π, and melodies evolve like galaxies forming. The album’s structure loops perfectly: the finale’s final drone blends into the prelude’s first chord, forming a seamless circle of sound.  
*The Endless Symphony* is not a story but a mirror of eternity — a composition that, like π itself, continues forever, revealing meaning only through motion.

The Celestrial Ratio

Emerald reflections throb beneath a dying sun, tracing the contours of forgotten empires. The air vibrates with silent machinery, as time folds inward through corridors of crystal and shadow. Fragments of divinity float among the dust: echoes of crowns, of dim light, of voices once set in stone. Beyond the threshold, the silence becomes radiant, and the last breath of creation becomes a whisper suspended between eternity and ruin.

Velvet Splendor

The Legend Of Korra
Composed by Jeremy Zuckerman

I do not own any of the content.

Heart To Heart - The Legend Of Korra (Book 4)

This cue played during Varrick & Zhu Li's wedding. 

Zhurrick (Cover) (The Legend of Korra - Book 4) (Jeremy Zuckerman)

This cue played throughout the first act of the final episode of "The Legend of Korra". It includes Korra's fight with Kuvira as well as Mako's sacrifice.

The Last Stand (Cover) (The Legend of Korra - Book 4) (Jeremy Zuckerman)

This cue plays as Avatar Wan travels the world with Raava in hopes of finding the Lion Turtles.

Bridge Between Worlds (Cover) (The Legend of Korra - Book 2) (Jeremy Zuckerman)

A ballad version of the Korra/Aang Theme! With my friend Floobins voice.

Korra Theme Piano Ballad

Korra and Toph arrive at the Banyon Grove Tree, and the kids find Korra.

The Calling (Cover) (The Legend of Korra - Book 4) (Jeremy Zuckerman)

Check out my Spotify below!!!
https://open.spotify.com/artist/5g5J6CUqpQt2Wd4bk0j49X?si=VAzE77aHS9GGV-efsbOzHA

The Calling (Cover) (The Legend of Korra - Book 4) (Jeremy Zuckerman)

Jack Dalton