parfaitement contemporain, dans le bon sens du terme

mix two partie two

Désordre set (extrait)

Lore Lixenberg Cylinder.mp3

Phill Niblock Cylinder.mp3

One and two at the same time, the mind leads us to unexpected worlds, which trigger emotions and mixed feelings, leading to parallel realities where, fragile and helpless, we are abandoned in the dark rooms of the unconscious. In this world with no way out, we live in the most intense experiences, that will take us, after a long growth path, to ascend slowly and to review, this time stronger and aware, the light of our consciousness. Strategy deterritorialisation, as abstraction strategy, the viewing and listening tend to reduce their subjective components (objectification strategy), in parallel with the territorial dimension melts, the deep anchorage to the contingency melts in a tension towards the pure play difference between values. The pulsating movement (body / flesh-blood) become syntax, the sound becomes text. The category of sound material, before referring to something existing and experienced so as a natural, now indicates something deliberately forged, and deliberately forged not in the abstract, but in relation to a musical idea, a constructive choice. The musical work tends to become "constructive artifice"

Here Lies One Whose Name Was Writ In Water

Apparve Improvvisamente a Marzo

Un extrait d'un album prochain, comme une suite à "Things under" :
 Une musique en intonation juste pour Synthi AKS et PPG Wave generator.

Love structure

Un univers de petits sons qui bougent là ou là

PIERRE BOESWILLWALDHistoire De Petits Bruits OrdinaireS 10' 19122019 A2

RIP Max Von Sydow

Some years ago, I did some short soundtracks of scenes of different films where Max Von Sydow performed (these music have been never released yet). I found back in my archives and here's one piece taken inspiration by "hour of wolf" movie, I composed with a flutist friend (Thomas Vatant-Antonelli).

* Play it loud please (because sound can be a bit low) *

Composed by Delphine Dora & Thomas Vatant-Antonelli
in 2017

Delphine Dora : piano
Thomas Vatant-Antonelli : flutes

L'heure du loup (w/Thomas Vatant Antonelli)

opening track of BÉRANGÈRE MAXIMIN's upcoming album "Land of Waves" . 2xLP / DL

Land of Waves

BÉRANGÈRE MAXIMIN - Day 41

Lagoon is a piece composed for the WFS system in 2019 and now proposed in a version for headphones.
The piece has been conceived as an exploration of the behaviour of short sound samples when manipulated by fragmented streams of numbers. I associated the sounds to creatures living and changing together within their habitat, imagining some of the things that are happening under a still water surface.

01. Lagoon by Giulia Francavilla

Je souhaite jouer avec la perception du son comme d’un instrument permettant de modifier l'état de conscience.

L'accent est mis sur les formes musicales employées, le placement des sons dans le temps musical. Trouver de nouvelles formes de composition est le leitmotiv qui réunit dans le temps d'écoute, l'aspect faussement éclectique de mes œuvres : C'est la morphologie des sons utilisés qui génère la forme générale des pièces, et non pas des formes musicales éprouvées, plaquées sur des sons, devants tant bien que mal s'insérer dans une forme préconçue.

Je propose une plongée dans l'intimité du son, un continuum en constante recherche d'un effacement des frontières entre le temps musical et le rythme naturel des sons concrets. Je tente la création d'hybrides sonores en mouvements, susceptibles de modifier notre état de conscience.

Love structure

Jean-Baptiste Favory

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Pierre Boeswillwald

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