Name: BÉRANGÈRE MAXIMIN - Day 41 by Karlrecords
Duration: 9 min 46 s
Description: opening track of BÉRANGÈRE MAXIMIN's upcoming album "Land of Waves" . 2xLP / DL

sidepool, hot weather and a slow wind moving a palm leaf

DAVID GRANSTRÖM, Empty Room - LP

Release date - April 2th 2021
Catalogue nr. - HG2102
Format - Vinyl / digital
Hallow Ground

hallowground.bandcamp.com

Tracklist:
1) Obsidian 09:22
2) Aeon 10:56
3) Sapphire Visions 04:50
4) Occultations 10:08
5) Transience 04:45

Credits:
All tracks composed, recorded, performed and mixed by David Granström 
Mastered by Giuseppe Ielasi
Photography by Aron Mattsson
Cover design by Greenpointless

///
On »Empty Room,« David Granström works with slow transformations, cyclical and isometric patterns as well as just intonation as a way to create harmonic stability, allowing his long-form pieces to develop their own unique temporal and spatial qualities. A prolific figure in Stockholm’s experimental drone scene and a collaborator of Hallow Ground label mates Maria W Horn and Mats Erlandsson, the Swedish composer navigates through moments of quietude and crushing volume on these five tracks. Sonically and atmospherically, the pieces on »Empty Room« simultaneously call to mind Fennesz’s most meditative work or the physical experience of seeing Sunn O))) live, blending guitar recordings and synthesised sounds with forceful effects similar to those of Mario Díaz de Leon’s Oneirogen project while still being as moving and delicate as Alessandro Cortini’s solo work. The album is marked by melodies and harmonies that are the product of a peculiar working process that turned the composer into an intent listener collaborating with, rather than simply using technology. 

Having been invited by the self-organising artist group The Non Existent Center for a residency to Ställbergs Gruva, a defunct iron ore mine in Sweden’s Bergslagen region, Granström took his guitar as a starting point for his compositional work that heavily relies on real-time sound synthesis. »I seldomly use the instrument as a sound source in the final compositions and rather transcribe and orchestrate the harmonic structures using sound synthesis,« he explains. »On this album however, I chose to include the actual recordings of the guitar in order to extend the spectra between non-referential synthetic sounds and embodied referential sounds.« Working with precise tunings in order to blend the timbre of the synthesis with the harmonic structures of the composition, he created composite sound objects in which the harmonic elements blend into each other. 

Through the re-amplification of synthetic musical materials from the inside of the abandoned mine, his original compositions were enriched with site-specific sound qualities before he further refined them in a singular working process. Granström works with algorithmic and generative processes, using the SuperCollider programming environment and thus blurring the lines between generative and creative forms of composition. »One of the things that I like about this way of working is that it creates a distance between myself as a composer and myself as a listener of the music that is produced entirely by the system,« he says. Granström’s technologically aided eschewing of the conventions of composing doesn’t make the end result any less personal, however. By listening again and again to the newly generated output, Granström simply took on a different role in the process of finalising the music, with the technology and the sounds becoming his co-authors. 

By creating systems that generate music, he gains a new perspective on (musical) time, says Granström. »There doesn't have to be a fixed length to the music at all,« he explains. »And by writing music with this in mind, my focus tends to shift towards writing cyclical structures that gradually change and transform over time.« Simple parts, in other words, that emerge as the five complex wholes that form »Empty Room,« a record that itself seems to take on different forms with every new listen.

DAVID GRANSTRÖM - Occultations (HG2102)

From the Psychic Liberation vaults comes a pairing of sonic material from artists LXV and Glyn Maier. Having originally been planned for respective 7” releases, the pairing of these modernist technological psychedelia recordings revealed themselves to sit beautifully together. 

Lxv is the most prolific alias of David Sutton, a sound arranger from Philadelphia, Pennsylvania. He also records under the monikers Heaven Copy, Temporal Movement, as well as his full name, David Wesley Sutton. Glyn Maier is a sound artist and field recordist living in the Unorganized Territory of South Oxford, Maine. A longtime fixture of East Coast underground circuits, Maier has performed and recorded under various aliases, most recently as Lack. Maier currently runs nature friendly label Enmossed.

Sutton notes of the A side material “The two recordings which appear on this side were created using pure data and a Roland SP808EX. They come to you from the distant year 2015. At this time I was very interested in exploring irregular modes of rhythm and constructions of motion in a digital audio environment. I sought to emulate the wavering state between tech-infused dysphoria and transcendent euphoria -through creating a pathway to irregular groove excavation in the disjointed wriggles of adverse movements, tangled up, like a tornado blasting through a junkyard and assembling a pc, but not quite.”

On the flip side of the record, ‘Memoria' and 'Gŵyl' were recorded in late summer 2017 following the passing of Maier’s grandmother. “I built them using sounds coaxed from her collection of wooden shakers and metallic windchimes. Further processing and arrangement were done with an Arp 2600 synthesizer and a handful of analog effects units. A final touch was provided by Brood X cicadas that I recorded in her backyard. Predicted to emerge in 2021, a small cohort awakened early and sang through the sweltering evenings my family and I spent sifting through her belongings - a lifetime of materialized memories.

The 12” comes in an edition of 150 hand stamped copies, in yellow disco jacket and poly sleeve.
A side mastered by Jack Callahan
B side mastered by Glyn Maier
Distributed in the U.S.A. by Fantastique.

Buy 12"

PLIB009 - B1. Glyn Maier - Memoria

04 Bach - Alle Menschen Müssen Sterben  BWV 643 2

A Candy-floss islet
At one glance poisonous
Nestle in the curve of the roots
Sylph is hiding sharp tooth

In the narrow cave
Hollow river gobbles the ruins

Air marches in servitude
Blown curves of early clouds
& the sight of the candy-floss
Remains as a white ribbon.

In the time we strive to forget unattainable voice, all splendor and great temptations are almost always the result of being conscious. Even a small shudder will break the sea, while the silenced rapture of aliveness can be construed in a world where the wind can be a guest and the trees are full nests. We stand argus-eyed, close by the horizon behind us, moving forward to the wave that will repeat itself endlessly.

'Ephemerides' reveals the duality of humming drones and natural sounds as mellifluous curl grinds in noise by the hands of Samuele Larese under his moniker - Lessons in Hate - within reposeful atmosphere of the mountains, which remains the basis for the record as it is orchestral-like, carried out by the forest.

Ephemerides

Lessons in Hate - Outer Space

Palaces of tunable universe march into a picture of thrumming hymns in unison as an intrusion into the ethnic soundscapes surveyed by Night Foundation for Amulet of Tears.

The mix is the scope of foreseen prophets solaced by pertinence - music beyond patterning recognition, where the heeder is a crescent man in the delirious narrative, bound up with a large lens, gained from the observation through a polished grasp.

Richard Vergez is a head of Florida based label - Noir Age, who serves us with solidness of wondrous vertigo under the name - Night Foundation.

Amulet of Tears 027: Night Foundation

Music: @night_foundation

Artwork: @anasisana

Amulet 027: Night Foundation

polvo

KR - City

RIP Ana-Maria Avram 
1961-2017

Ana-Maria Avram 
"Metalstorm"
Recorded at Studio Ina GRM 12 December 2012
Mixed by Ana-Maria Avram in Bucharest December 2012

Ana-Maria Avram : Electronics
Stephen O'Malley : Electric Guitar

Thanks to François Bonnet for the invitation and, of course, to maestro Iancu Dumitrescu for the presences and visions.

Ana-Maria Avram Soundcloud :
https://soundcloud.com/ana-maria-avram-composer-2

Ana-Maria Avram abbreviated biography

Composer, pianist and conductor.
After graduating from the National Conservatory of Music in Bucharest, she obtained a degree from Paris Sorbonne in 1992. 
PHD in Musical Esthetics at Sorbonne, Paris (1995)
In 1994 she was awarded the Grand Prize in Composition from the Romanian Academy.
She is considered to be one of the most important Romanian composers of her generation.
Her music is affiliated with the spectral music trend.
She represents the Hyper-Spectral music trend in contemporary avant-garde music. 
Conductor with Iancu Dumitrescu of the Hyperion Ensemble - a chamber music ensemble from Romania, based in Bucharest specialized in the performance of contemporary classical music, more particular as the main promoter in Romania of the Spectral Music trend
Her music is spectral, acousmatic, heterophonic and transformational.
She composed over 200 works, music for soloists, chamber
music, music for symphonic orchestra, electronic and computer assisted music.
Avram received numerous commissions for composition from Radio France, Art Zoyd (France), Les Ateliers UPIC (Paris), Ensemble Lucilin (Luxembourg), Ensemble Mozaik (Berlin), Ensemble Musiques Nouvelles (Mons-Belgium), IMEB-Bourges, Bodo Sinfonietta (Bodo- Norway), 
She was awarded at Ars Electronica - Linz in 2000 for the work “Traces, Sillons, Sillages” for ensemble and computer assited sounds.

Founder and President- since 2006- of the Romanian Community of Electro-acoustic and Computer Assisted Music – CREMAC.

Vice-President of the International Community of Electro-acoustic Music – CIME – affiliated to IMC and UNESCO.

She is also founder and Artistic Director of several national and international festivals dedicated to experimental, electronic and spectral music trends:

« Acousmania »- in partnership with Romanian Broadcasting Corporation – six editions, from 2002 to 2006

« Musica Nova » – In partnership with the Ploiesti Philharmonic Orchestra 2002-2004
« Spectrum XXI » - dedicated to spectral music trends and held annually in three European capitals. Since 2006 the festival took place in Paris, London, Geneva, Brussels, Berlin, Bucharest, Mons, East Grinstead.

SPECTRUM XXI was financed by institutions such as Romanian Ministry of Culture, Romanian Cultural Institute, Pro Helvetia, European Agency for Culture, Education and Audiovisual – EACEA towards the program Culture 2007-2013.

In 2010 Avram was elected as “Blodget Artist in Residence” at the Harvard
University, Department of music where she taught composition to postgraduate students. She also sustained numerous workshops, lectures and conferences at Harvard University, the University of Maine, Farmington (USA), Univeristy of Minneapolis-St Paul (USA), Technical University of Istanbul (Istanbul,Turkey), Institute Jacques Dalcroze (Geneva), Centre de Creation Musicale Iannis Xenakis (Paris), etc…

GRM session December 2012

Ana-Maria Avram "Metalstorm" GRM Session December 2012 w/ Stephen O'Malley

Heart

Composed and recorded by Lisa Stenberg on the EMS Synthi 100 in studio KSYME Contemporary Music Research Center, Athens, Greece in 2017.
Produced at EMS Elektronmusikstudion in Stockholm 2017.

Monument

Buy cassette

Heart

Taken from the album 'Microphone Permission' released as LP and digital.

Microphone Permission

Jasmine Guffond 'Forever Listening' (EMEGO 273)

opening track of BÉRANGÈRE MAXIMIN's upcoming album "Land of Waves" . 2xLP / DL

Land of Waves

BÉRANGÈRE MAXIMIN - Day 41

Berlin based label for experimental / electronic / contemporary / drone / ambient and related sounds.
Demos, interview or wholesale requests etc. pls via
contact  at  karlrecords.net

thanks.

BÉRANGÈRE MAXIMIN - Day 41

Karlrecords

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