WAM nominee finalists in the WAMawards 2018 for Most Popular New Act. Unsigned so far.

Band Of Missfits invent their sound using some unshakable components. The Perth four-piece bear both the smoothness of classic rock and the fuzzier tones of grunge. They can transition from a brooding country swagger to an arena-sized crescendo in a heartbeat. In fact, even when the band is at their most subdued they still sound huge. Their latest single, Nothing At All, is the perfect case in point.

Taken from their electrifying EP Higher Passage, Nothing At All makes an instant and lasting impact. Everything is big: the drums, the guitars, the vocals, and especially the hooks. This is due in no small part to producer Sean Lillico (Fur Real Studio), who has done an outstanding job of capturing the band's massive live sound and on-stage energy.

Band Of Missfits have developed substantially since their last offering – 2017's Into The Storm EP. Described by one rock critic as having an 'earthy heavy ethereal feel to it', the band's sound beautifully combines acoustic and electric instruments with a powerhouse lead vocal. Taking things down a grittier path than their debut, Band Of Missfits have found more of their edge on Higher Passage, which delivers its hooks through bitter-sweet melodies.

In just a few short years, Band Of Missfits have established themselves with a solid, no-nonsense sound and an ever-increasing repertoire of catchy, rousing songs.

As with all good rock bands though, it's the stage that matters most to Band Of Missfits. While Higher Passage shows what they can do in the studio, this is first and foremost a live band – with a workhorse gigging schedule to prove it. So their plan for the year is to play as many shows as possible, both at home and on the road, as they continuously work their way towards a debut full-length album.

“a great sound, a great band and a bloody great voice”

- Mysteria Maxima Magazine

Visual Artist, mixed media, faux finish, video, life long learner, trainer, health, research,  writer. SC Music & Art Friends, JeaneePaintsLive; published in Carolina Arts, Avenews and Colored Pencil magazine. Artistic colaberator.

Full albums at www.daddylion.bandcamp.com


https://soundcloud.com/bassbetheglory/i-need-more-drugs-lvl-1-prod-by-santana

If Prettier Than Matt has a motto that describes them best, it is diversity and versatility combined with musical ability. The likeable duo have made a name for themselves in the Carolinas with a mixture of rock 'n' roll energy and acoustic accessibility that allows them to play in many different places, events, and situations and still appeal to a wide audience. They're Americana, pop, rock, and more on the newly released album Better Left Said, which features lead single “Anymore.”

Credit the varied musical taste of singer/keyboard/ukulele player Jessica Skinner and guitarist/singer Jeff Pitts as the source of their chemistry together on stage. Skinner is influenced by classic country females such as Dolly Parton, but also aware of the contemporary pop styles of Ingrid Michaelson and others. Pitts counts the arena rock/pop leanings of Bon Jovi and heavier acts such as Metallica in his wheelhouse. The result? They can play a rock club or a coffeehouse and deliver virtually the same set of upbeat originals and artfully done cover tunes.

Better Left Said was recorded with Kenny McWilliams in Columbia, South Carolina's Archer Avenue studio, taking a batch of new compositions and pairing them with new takes on several songs from previous recordings. The album presents a mature songwriting duo with a true sense of what they want to say, which is a lot.

The folk-Americana sounding opener “Anymore” uses a gently plucked rhythm as the vehicle for a lament over a past relationship that also includes serious self-reflection anyone in those shoes can relate to, while “Already Gone” isn't the Eagles classic but a similarly singable verse and chorus, the kind of country hit Martina McBride used to score with regularity on the charts.

Skinner's playful nature comes to the forefront on “The La La Song,” a natural sing-along with what sounds like a studio full of guests on the chorus, while Pitts takes lead vocals on a pair of tracks, the eulogy to a father “Taken Away” and “Did You?”. “Girl” adds a piano and strings for a contemporary ballad style, and “Run” adds some powerful electric guitars; both tunes show the duo is capable of much more than just pretty acoustic pop.

Prettier Than Matt is a self-contained DIY effort with Pitts and Skinner handling their own booking and management; on their own they have been able to mount cross-country tours the last several years and play shows with Sister Hazel, G. Love and Special Sauce, Danielle Howle, and others. If they haven't been to your town yet, it won't be long.

Kym is a Singer/ Songwriter From Perth, Western Australia. Lead singer/ Songwriter for Band of Missfits also. She heals and connects through the emotion in her music better than any other way ... Onstage she's fierce and commanding when she sings sending her message through her songs..

https://play.google.com/store/music/artist/Band_of_Missfits?id=Ajtfuvslgldscmpz5fnxyea35oahttps://itunes.apple.com/us/album/into-the-storm-ep/id1216526851

Sommer Saffron is a CA-based electronic pop band with vocals that are sometimes airy and wistful, sometimes focused and energetic. The band is fronted by vocalist, Leslie Liles. Sommer Saffron's album, Dream,  was released on September 18, 2020. 

For more information, please visit www.sommersaffronmusic.com.

Guitarist William Ghezzi has performed extensively with orchestras, chamber ensembles, choruses, dance companies, in theater and opera, and for films, radio and television. He has appeared with the Montpelier Chamber Orchestra, the Harry Partch Ensemble, the Philadelphia Guitar Ensemble, and in many other solo and chamber music settings. Mr. Ghezzi can be heard on Spotify, iTunes, Amazon, and YouTube Music his videos can be seen on YouTube, Vimeo, and Instagram. His latest recording, Telemann: Fantasias for Viola da Gamba, is available on all major streaming services.

​Currently Ghezzi is working on a project to transcribe, record and perform a selection of Fantasias by Georg Philipp Telemann originally composed for viola da gamba.  Only recently rediscovered, these pieces are a new addition to the guitar repertoire

He has commissioned numerous solo and chamber music compositions for himself, the Newman/Ghezzi Guitar Duo, the Baxter/Ghezzi Flute & Guitar Duo and the Philadelphia Guitar Ensemble including works by Robert Maggio, Laurie MacGregor, Kile Smith, Robert Capanna, and Jan Krzywicki. Currently Ghezzi is working with composer Paul A. Epstein to transcribe a selection of his piano compositions for guitar. 

Ghezzi's arrangement of "Morceau de Concours" for flute and guitar by Gabriel Fauré was selected as a finalist in the Newly Published Music Competition of the National Flute Association and is published by Trillenium Music Company. His other publications include "Wachet auf, ruft uns die Stimme" for voice, flute and guitar by J.S. Bach, "Guitarbooks I and II: Early Repertoire for Classical Guitar", "Four Chanson: for High Voice and Guitar" by Gabriel Fauré and "Suite no.6" by J.S. Bach originally for cello.
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​Ghezzi holds a music degree from Temple University, College of Music where he studied with Peter Segal and Anna Kotsaranko. He has studied privately with Phillip de Fremery, Eliot Fisk and Vladimir Mikulka. He has been on the music faculties of Temple University, Chestnut Hill College, and Settlement Music School in Philadelphia. Mr. Ghezzi lives in West Lebanon, New Hampshire. Currently, he is giving private guitar instruction at all levels from his home.

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