"ashes on my tongue" by Jeanne Artemis, performed by Hashtag Ensemble:
Lilianna Krych - Conductor
Aleksandra Demowska-Madejska - Viola
Adam Eljasiński - Bass Clarinet
Paweł Janas - Accordion
Ania Karpowicz - Flute
Magdalena Kordylasińska-Pękala - Percussion
Mateusz Loska - Double Bass
Marta Piórkowska - Violin
Dominik Płociński - Violoncello
Wojciech Psiuk - Baritone Saxophone

Composed during the Virtual Partner Residency with Hashtag Ensemble supported by the Goethe Institut

"Ashes On My Tongue" (performed By Hashtag Ensemble)

Music and things that might sound like music by Mat Ward. Noise Art/A  Piano and Bass Duet with Dani Kirby/A 50 plus member Art Ensemble called Then She Reaches The Gun/Deep Research Into Luigi Russolo and his Intonarumori .. thats just the stuff I post regularly : ) Thanks to everyone thats ever stopped by. Music is The Best!

Design Concepts. 
Studio audio pieces by Tony Columbus.

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music
 ( LCEEM ® )  founded    by Max Elzholz

 
https://trampelfad.bandcamp.com

and

https://maxelzholz.bandcamp.com

Guitarist, songwriter , sound engineer , music video maker.
QR code for Spotify EPs is profile picture, please connect and listen there ✌️❤️👑🦤

LINKS

Video playlists for EPs 

Ants in the Toffee EP2 playlist 


https://youtube.com/playlist?list=PLWsK4mZxwf1JFWbHFhqHqy4xWm3dz_-w7&si=T_TGioKQvCpmabb6

Fleas in the Coffee EP1

https://youtube.com/playlist?list=PL612ABE5967DC3096&si=5hQazzEKyGmxcD9k

"Live where your heart can be given and your life starts to unfold." – Tommy Hall.

#experimental #improvisation #nowave #stoner #psych #kraut #noiserock #punk #folklore.

Adam Majdecki-Janicki (1985) has been writing poetry, lyrics, composing, playing, and recording since 1998. His most important achievements to date include his debut poetry collection “Siva in Rags” (Kendra Steiner Editions, USA, 2008), the vinyl and CD “Second Hand Man” (Mimics Cool, Poland, 2011), the CD-R and vinyl “Stoned Gypsy Wanderer” (Kendra Steiner Editions, USA, 2014 / Ramble Records, Australia, 2021), the experimental/ambient album “Eimi” (Snow in Water Records, France, 2020), the vinyl album of his group Säure Adler (Ramble Records, Australia, 2021), and countless other physical and digital releases worldwide.

Jeanne Artemis [ʒan ɑrteːmɪs] is a composer based in Berlin, Germany.
The purpose of her work is to create solace and compassion for the invisible suffering of the many and the few. The results are individual aural bodies that seek connection with those who experience darkness.
The origins for her musical mind were found by her at an early age in the european modernism, the achievements of cultures outside of europe and the innovative forms of the underground music scenes.
She has received scholarships from the Goethe Institute, the Berlin Senate Department for Culture and Europe, Musikfonds e.V., Neustart Kultur and Deutscher Musikrat among others. A portrait was published in the "Neue Zeitschrift für Musik" (issue #2_2021).
Her music is performed around the world, in e.g. Argentina, Brazil, Canada, Chile, Colombia, Denmark, Finland, Germany, Greece, Iceland, Iran, Italy, Mexico, Sweden, United Kingdom and USA.

Producer, Composer / 1/3 Founder, Curator Lärmhaus Berlin Community 

Upcoming:

14.08.2025 Bar Neun / Lärmhaus / Live
28.06.2025 Morphine Raum / Lärmhaus x Tranceversal Voices / Live
23.05.2025 studio dB / Live
07.03.2025 Lärmhaus x dB Studio / Live
25.10.2024 Arkaoda / Dj set with Neenah
25.09.2024 Silent Green /  Live
11.08.2024 PAS Berlin / Live

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č͙̱͗̈͊̇͊̏̆ͅr̼̝̯͉̦̟̜̉ͣ̃͛e̫̯̹̝͛̓͊̿͑͌͗̔à̩̜̫̰̠̑ͮ̑t̗̉i̋̔͂̿ͬͅo͕͉̩̚n̗͕̖̦͗̇́'̠̼͉̯ͤ̐̿̑ͣs͍͊ͨͪ ̜̠̯̬̩͇ͩ̅̉͛̈́͊̊d͉͙ͩ̔̍ͯ̎ͨ̑̃̂r͈̝̝͚͇̪̺̤̓ͣͤ̃ͫͅe̳̜̞̜͙͍͓͎̭͒ͯͤ̃̑a̲̙̻̩͕̻̪͕ͣͧ̐̍̂̉m̫̱̯͇̳͔̪̿,͍͙̼̫͓̯̟̌̏̽̾ ̭͈ͮ̊̇͋̄͌̀̑ȧ͈̥͇̦̩͍̼̉ͩ̌n̪͖͈̘̳͐̉͗ͅ ̩̣̬̻̻̠̿̆͌̊͋̂ͯ̌̌ͅa̗͎̞̣͉̖̱͌̎̈́̃̋b̮̞̦̥̠̙̆̐̍ͅy̜̹̜̬͚͆ͯͧ͆͊ŝ̪̪̜̔̒ͧ̐ͣ̓m̻̠̺̊̉̿̒a̮͔̰͍̳̰̣ͩͅl̝͉̤͂͌ͭ̎̽͐ͩ ̣̯͙̹ͩ̈́ͅv̥͙̭̙̘̮̤͓ͭo͇̞̱͊̍̐̋ͮ͋ï͇̦̱̚d̫͈̼̬̦̭͖̑̇̔̆̈ͣ̄̊̂ ̫͔̣͍̼̭̲͑́̓̏̽s̯̦ͫ͌̋ͨ͊̓ͬ͐͌p̘̫͉̪̓͌͒͊̇ͮ̏a͕͉̼͖̫̙̣̽w̖̻͍͈͎͍̺̖̍̂͑͛ͯ̅̊̽ͅṋ͎̲̯̥̙̳̿̆̉̉͗ͩͬe̫͓̲̠̗̦͇ͧ̀ͧ̎̊ͅd̠̱͍͇͙͌̓́ͯ͗ͦ ̰̺̅ͮ̉ͤ͗́̀o͚̰̼̗̲ͬͦ̾͗̽̓̓ͅf̘̤̣̪̠̼͇͍͚͑́ͨͪͬ͛ ͖̫̗̗͕̰͉̦ͫ̃͗̔͆ť̯͚̎͒ͬ̒̐̊h̖̞̱̯͚̘͌̓ͨ̆ͮ͌̚e̺̜͎̭̣̪̮̙̔ͣͥͯ ̝̫̘͇͙̰́͗̾u͍̼̲̩̘ͦ͊̈̊ͅl̟͈ͬt̫ͯͬ̒̄ͭ̔̌ȋ̭̥̻́̎̊̇̓̾̀m̘̣̔͑ͥ̋̿̿a̘̮̣͎̰̞̘̰̺ͤt̘͙̞͓̟̎ͯͅȅ̺͈̇̽͒ͩ̇̑ ̬͔͍ͥć̼ͫͥ̔̿͛̓ͅh͔̰͈̓̍̑͆̅̿â̭͍̬̥͔̻̦̿͑̀ͭͪ̈ò̰̣̱̫͔̍ͪͬṡ̲̩̂ͯ,̺͚̫͉̱̺̽͊ ̣̪̭̰̬̹̎͒̊ͭͯ̄ͮ͆ͥa̝͉ͫ̂ͯ̂ͬ ͔͉̆̍̔ͪͪ́ͅd͎̰͚͗͐̓ͥ̀̑e̖̯̬̠̯͎̲̓̓ͣ̒̿s͇̘̭̭̼̓́̅̌ͥ̑̋c̠͓͇̘̖̦̺̟ͫ̇͂̓ͣe̩͔̥̘̗͂͗̍ͩ̌̽n̖̣̤̜̮̎̓̓ͫ̍d̟̗̪̊ͧ͛̒̀ͪ̾a͙͈̿n͉̦̜̳ͮ̐̌́t̯̯ͯ ̣͔̺̠̻̉̓̒͂̄ͬ̚ͅ ̬͓̩̐̐̓͋ͪͧͯ̐ͦ͐ͣͩ̊͆̎̾̚o̬̻̜͖͕ͅf͙̱̗̞ ̘͈t͙͇͎͖̮͙ͅh̟͎̞̤̻̖̜̗e̺̠͉̹̳͔̹ͅ ͙͉̤̘̥̭̰u͕̞̭̭n̗̟̭͔̗ͅf͕͍̜̻̱͇͍͈a̝̫̜̺̖͉͔̞t̘̳̦̬h̬̝̲͔̻̟̩̻o̗̹͓̤̝m̱̬a̹̥̙̙̖̹̬b̮l̬̺̙̟͇̹e͉͚̦͖̙͖̬ͅ ̘̙͍m̦͔̭̯̟̺͎͕i̮̘̤n̲d̠̟͉͉͔.̳̜͍
͖̤̙̙̖̹̱ͅa̠͔̲̳̲̠̭l͖̬̝̬̝̘ͅl͉̤ ̗̘̫̗͈̟͇͈ḭ͔̝͖̮̜̥͔s̮̪͇̯̻̗ ͍̠̯n͚̬u̥̩̩̣͈l̹͓l̳͚͖ ̗͚̹͓a̼̘̣̜̟̘̞͖̯n̯͇̳̱̰ͅd̻͕̬̗͚̰ ̼̞̣̙͎̼̙̲͕n͍̪̦̫̣ͅu͎̜̰̞̤l̼̗l̝͉̲͔̩̩ ̖i̹̪͓̥̘̞͕͚s̰̼ ̝̤̯̱̫̝a͓̞̣l̙͉͉̲̜̞͔̣l̤̩̰͖̪̲͈̲.͍̖̥̦͇̰͔
̜̹͇̺b̠l̝̟͔̝͖̹a̝͚c̜̖̱͙͔̜ͅk͉̮͖̩̭͙ ̘͖̗̮̥͎̮n̮̙o̹̩͓̩̪̙̠̱i͓s̭̞̘͖͎̬͙͉e̞̰;͕͎̩̼̝̤̝̮̖ ̭͙̞̖͉̬͓̜̜ṱ͎͉̹͍͍̺ͅẖ͍̮̱e͙͖͉͓̙̹̲͇ ̭s͇͚̯͓o̰͔͕̭͕̪u͉̹̯̫̭n̖̙̤̦d̝ͅ ̭͉̳̩̩o̝̮̩̠f̬̹̤̞̳͈̦̲ ̜̳͓͙̞ḏ̫y̯i̫̟̮̞̖̟̟n̟̩̥g̥̦̺ ͉͔̫͕d̜̼̯i̖̲̙̫͙͎̺m̼̗͇ͅe̗̯̰͓̙̙̺̤ͅn̜̹̣̱̗͍̰̮s͔i̗ͅo̭̤̘͚̱̱̥̘n͓̬͚s̳̺̳̼̼͕̝ ̻a͚͎͉̱͔̙n̖̺̺͖̜̱̟̯d̗̹̗ ͔͕̲̬͍̳̱c̯̯̯̘̹r͓e̦̹a̲̖͕̮̰̻t͇̟͎͇̲̟i͇o̩̗̺͚̥n̠̪̲͕͍ ̝̠̼͈̫͍̯ḭ͓t͙̝͍̦̟̲s̻̫͓e̫̪̪͚̪̠̩l̞̳̥̬̺̯͙̩f̫̼͔̹̦͎͔.͔̬͇̳̺̮̜̭
̫̯̯͍̬e̱̘̲͔̺̤͈̜q̠͕̳͓̰͕̮͖̜u̲̤͓̭̔ͬͫ̊͢a̗̱̲̘͇̮̬l̮ ̪͓̙̮̩̹̫̼͙o̲̞͖̬p̖̥͚̬̳̞̠̞p̦̜̗o͎̩̟͓̳̰s͈̬̱̲i̩̬̙͍̹͚͚̬̱t̻̩͚̞͍̝̭i̳̝̤̙̣o͉̹̙͕͎̫̭͎n͎̦ͅs̭͎̪̥͈̺ͅ.̦͓͔
̠̮̘͇͈̝ͅN̤͉͕̰͕͖̲̖o͉̺̭̳͉͍̣̦͍t͇̗̻͎̦̠͔h̲̥͓̦͎̤̻̗i͈͙͕̰n̠̬̬͙̻ͅg̜͍̻̜̬̺ ̫͇̻̼̗̯ͅc̫̞͉̰͔̳̱a̜̭̖̤̫̤ṉ̩̥̞̹͍̝ ̫̼ͅe̗͔̫̤̰̥s̺̜̬̰c̭̱a͎̰̲̳ͅp̘͕̜̺̠̜̜e̯͎̝̞̹̞͓͉̱ ͙͖t̳̜̺͇͉̺h͚̘̺̟ͅe͎ ̣̺͖̪̣i͉̤͔̙n͇f̥̠i̲͚n̥i͚̙̗͕̯̤t̯̪̬̳e̖͉͇̹̗͇̬̪,̲ ͚͖̫̳͍̺ͅh̝̻͕͙̲y̰̝̩̮p͖̯͚̜̪̫̦e̜͕̭͕͕͇͉r͕d͚̭̞̻̝̘̜͔i̠̯̝̱̭̠ṃ̣̟̣e̠̜͇̼̬̪͉n̯s̩i̫̖o̙n͓͍a̞̲̱̳̜̪l̗ ̦͍a̦̫̗̙b̫̺̣̖̪̝̠̝ͅy͔̦͎̣̤̭̝s̭̫̤͓̫̮̠s̭̱̗̪̺ͅ,̻̠̮̞̯͙ ͙͈͔̠̳̟t͈h̙͚a͈̤t͖̦ ̪͇̤̣̯i͍̱͇̹̝̦̖̜s̺̠̹̳̭͎ ̪t͎̝̫̘̣͕͙͇͕h͚͎͇̜e͈̺ ̟̮̘̜f̭͓̤̩̹r̮̯͉̫͈̟͙a͎̜͕̩͚̞̘͔c̱͈̬̼t̟͉̳͙͈̣͓̤a̦̲͇̟͉l̙͔ ̣͚̻o̖̟̱͎͕͙͕̗̜f̼̦͔̖̯̮̳ͅ ̞̠͓̘̯̜t͉͙h̯̱̦͍͔e͔̗̦ ̜͔̗̪̮̼d̹r̖͚̰͙̬̯̺̝ḛ̠͍͚̙͔̪̘a͍̙̱̳m͈͓̤̹͖e̠̣ͅr̝͍͕'̲͖͕̣͍ș̺̲̺ ͎̭̰͙̭̤̰m͈̟̱ͅi̹̼̞̩ͅn͉̠͕͙͚̭d̘̬.̮͙̞͎͙̩͓͓͈
̻̳̝̮̗͚f̖̯͕͕o̼ṟ ̩͓͚̠̖ͅa͇̝̝ḽ͖̱̗͈l̫̩̥̝ ͉e̹̝x̗͔̮̟̜̣i̼̯̖̟s͉͉̺̯͍̹t͇̰̗̱ͅe͕͕n͔̹̫͇͔͓c̝͉̮̣͇̖e̲̤̦̻̗͕̥̟ͅ ̰͙̬a̰̳n̤̲̝͙͙̭̪d͎̦̫͓͙ ͇͎͕a̝̱̥͇͔̪̣l̯̟͙̬̬̣̱l͈̯̣͉̼̣̱ ̥̳̘t͇͔̠h̝a̗t͔̣̘̝̹̮ ͚͇͇͙̫̘̱l̦͓̗̠̰͖͚i̩̩̙e̘̣̮̺̭̟̫̼ș͈͎̤͇ ͈̹̹̭̫̫̤̣b͙͖̰̦͈e͈͙y̝̘̱̭̻̻̯̣o͚͖̭̳̰̼͇n̝̭̱̣̗̳͕͉͍d͎͙ͅ ̫̬̘̯̙͙̳i̥̩̦̬̯̞̹t̳̝͎̯̠͖ ͚̘̰̗͍m̤̮̭̟̻a̻̙̭̹r̜̲͖̥͍̤͈̼k̬̗s̺̟͓ͅ ͈̭̠̙͙o̘̗n̹̙͍̰̪̜̺ͅl̖̤y͇̭͈ ͙͚a͚͙͖̙̭ ͙͈͙f͇͖͓͉̳r͈̰ͅa͎̞͔̙̰͕̲̝c̣͇̝ț̗̲̰i͓̜͕̞o̬̫n͎̯̯̮͓̥̗̭ ̥̭o͍͚̝̲f̹̪̙̝͙̥̪͉ ̳̞̯̗t͖̞h̪e̺̥̠ ̩̘̲̝̪v̝͙̩̲o̰͍͔͕i̦̫͎̠͍̼͎̟͉d͈̥͓̠̹͔̝̥'̰̯̤̪̟̼̟s͇̺ ̗̪̥̫͕̝d̩̫̺̺̳̘r͔̠̜e͓̤̺̱̺͔a̰̰̖͍m̝.̱̹̩͕̻ ̰̤̰̰̭̠
̣t̯̥̳͇̜̯̰̺h̗̬͕e͖̞ ͓̙c̩̬̜̣̝̼̥̫u̱̬͎b͚̪̘̤̮̮͍̰e͓͙̙̤͚̦̟̟̞ ̜̻͚̮s̩͙ḥ͚̝̖̲̦̬a͈l̥̠̟l̻̲̖̮̲̯̱̼ ͖̞̜̦̤̫b̯̗̹͙̠̤̗̤̱e͍̦ ̝̱̜o̳͔̲̠͔̤͕͇p͎͉͚̦ͅe͖̬̥n̜̤̲̩e̲d͕̣̩̩͇̩ ͔͕̭s̝̥͇o̖o̳n̳̘̦̤͈̣.͙̙̳̣.̞̥͖͖̹.̰̼͇ ̯̞̻t͖i̼m͍̦e̩̱̬̣̖͇ ̗̰̗͕̝̻͉͇i̲t̮̪͉͉s̯̲̱͎͚̯̤̬e̦̼̠̰͉̪̳̺l͇͔͍͓̰̟f̬͍̥̝͈̞̘̩ ̪͕f̰̻͖̪̯͚̞e̻̠̜̪̰ͅe̼̪͈͈̘͇l͍̺̫̯̮s̙͉͕͖̞̺ ̺n̖̦̱a̺̝͙ṳ͚͙͍̹̼ͅg̺̥͉h͕͎͉̖̘͉̣͖̗t̞̖͎̖͈̞̭͉ ͇w͖͈̰̰͕̜͙̭h͔̠̩̱̲e̠͚̻̙͎̗̥n͚̼̗͈̣̭͕̭ ̣͙̳̪̠ͅͅo̟n̲̫̱͕e̗̙̖ ̞͈̩͈͉h̩̠̰̠̲a̳͖̣͇s͖̟͈ ̺̰̮͓͔e̜̘̼͔x̣͍̙p̳̙̪e̜̮̖̭͉͔̤̯r̹̞͉̯i͈͔͖̲e̻͉͓͕͈̠̟n̬̫̮̘͈̤̞c̱͔̤̙̮̦̣̘e̟̙͓̞̖ḏ̹ͅ ê̺̹͈̗̬͗̍ͅt̪̪̣̬̱̻̰ͮ̆ͬ̌e͎̙͈̤̙͈̜͎̊́ͫ̔̅̈̓r̤̳̩̱ͦͥn̻͍͙̖̹͂̎̄͒ͦ̍íͭ̆ͅt͚͍̹̣̩̤͓̍̈́ͅy̙̥̠̋̒̊̑͛̚.͓̖̯̩͇͚̖ͩ̌͌̌͐ͅ

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@dissonant_witchcraft
The unique music of Catenation can be described as a mixture of Industrial, Doom, Glitch, Noise, Techno and Ambient. They weave intricate sonic textures with raw, electric-electrifying energy, delivering an intensely physical encounter with sound.
Catenation use instruments such as recorders (from sopranino to sub double bass), modular systems, analogue and digital synthesisers, electric bass guitar, found object percussion as well as broken retro equipment.
Catenation has performed at e.g. Krema Festival CH, Elektron Super Sekvens, Unerhörte Musik DE, Rock Sound EG, Goethe Institute Cairo and Alexandria EG, SoundsLikeTHIS UK, Dampfzentrale Bern CH, Interfilm Festival Berlin DE, IntegratedConf BE, Marry Klein Kulturdonnerstag DE, Setfest IR and Klangwerkstatt, played as support for Plaid, appeared on compilations such as Listen To Berlin and received scholarships from the Musikfonds, Neustart Kultur and the Goethe Institute.

https://www.youtube.com/user/DRORELIMELECH120V

https://www.facebook.com/dror.elimelech.338/


ACOUSTIC AND   ELECTRO-ACOUSTIC  COMPOSER .
STUDIED  COMPOSITION WITH  SERGIU  NATRA .
ELECTRONIC AND  ELECTROACOUSTIC  MUSIC  WITH YIZHAK  SADAI .
PIANO  --  WITH  PNINA  SALZMAN  , BART  BERMAN  , AVI  SCHONFELD .
CONTEMPORARY CLASSIC  COMPOSER , ACOUSTIC ,
ELECTRONIC AND  ELECTROACOUSTIC   MUSIC , 
EXPERIMENTAL  MUSIC . SOUND  ARTIST .
IMPROVISATION AND INTUITIVE MUSIC .
PIANIST .
ACCORDION AND  RECORDER  PLAYER .
FOUNDED  AND  CURATED    2  SERIES  OF  CONTEMPORARY  CLASSIC  MUSIC   IN TEL AVIV  ,  ISRAEL  -- 
 " NIGHT  HAPPENING -  FORUM FOR EXPERIMENTAL MUSIC "    1986  -  2007
" OTHER  ISRAELI  MUSIC "      1985   -  1987
MANY COLLABORATIONS  WITH  POETS , ACTORS , DANCERS ,  PAINTERS ,
 VIDEO ARTISTS , PERFORMANCE  ARTISTS .
MORE THAN  120  PREMIERS  OF  NEW  CONTEMPORARY  CLASSIC MUSIC - 
ACOUSTIC , ELECTROACOUSTIC , MULTI-MEDIA  --  WERE  PRESENTED
IN  HIS  SERIES DURING  23  YEARS OF ACTIVITY .
HIS  MUSIC WAS  PERFORMED  IN  EUROPE , CANADA , USA .
WON  VARIOUS GRANTS AND PRIZES .