Connecting with others and sharing our voices. That is everything.

Edu Nazza sempre foi entusiasta da boa musica. Teve boas referencias de Disco Music ainda na infancia. Sempre em busca de novas sonoridades, adentrou ao rock através da explosão de bandas nacionais dos 80s. Atento também ao movimento da musica eletrônica da epoca, tem o album Eletric Cafe do Kraftwerk, como ponto de partida por sua paixão por essa vertente. Sempre atento as novas tendencias, foi freqüentador assíduo dos principais clubs, festas e raves do Centro Oeste. Das pistas para os decks, foi uma transição tranquila. Iniciando o aprendizado em 2004, estreiou em 2006 na cidade de Rondonópolis e não parou mais, se apresentando em varios Estados do país e no exterior, em Barcelona e Palma de Mallorca. Seus sets transitam em todas as vertentes do TECHNO, com muito groove e timbres marcantes. Começou a trilhar pela produção em 2016, numa collab com o parceiro dj Mendin, que em breve terão seus lançamentos distribuidos pelas lojas em todo mundo.

Leo Bouret
    Um dos artistas locais de maior destaque, com passagens pelos melhores clubs de São Paulo onde se já se apresentou na Freak Chic, uma das noites fixas mais premiadas no D-EDGE; na Forward - Lions Club; no ano de 2011 em um dos projetos mais conceituados de música eletrônica da noite paulistana, a Paradise na então passagem pelo club HOT HOT. 

    Aficionado por pesquisa musical, mescla o que ha de mais novo com edits e re-edits de musicas que vão do disco ao techno sempre colocando uma roupagem diferenciada que o define como único.

    O reconhecimento se consolidou a partir de 2009, quando surgiram os convites para tocar ao lado de grandes nomes nacionais, internacionais em grandes eventos e clubs em MT e SP.

    Em 2011 foi ganhador do prêmio de Artista Revelação de 2010 pelo blog Factoide, que soma-se ao premio de noite mais full do projeto Square ganho também em 2011.

    Hoje Leo imprime seus traços sonoros como fundador e curador dos icônicos projetos Hellcity Room e Piquenique, estes que já são considerados como as duas melhores festas itinerantes de Cuiabá.
For bookings:
leobouret@hotmail.com 
Fone: ++55 65 9972-4567

Samu.l steps out of the shadows after a two year hiatus.

He emerges with a refined underground sound. Developed from going back to basics and digging for hard to find vinyl records. Spanning a variety of house and techno sub-genres, he retains his trademark style and effortless groove.

In a music career almost two decades deep, Samu.l has played some of the best clubs and events in the world. Every room at fabric and FUSE in London. Watergate and Renate in Berlin. New York. Ibiza. Moscow. Johannesburg. And many major cities across Europe.

Having recently built a new studio you can expect new music from him soon.

MANAGEMENT:
dima@fantastic-management.com

The Avener
For bookings, please contact :
pierre.delorme@miala.fr

All other requests:
Management : contact@96musique.com

Biography :

It came as quite a shock when The Avener’s Fade Out Lines rocketed to number 1 in the German iTunes charts. It had been a long time indeed since a French artist had achieved that kind of success in Germany, especially with such a startling single. The triumph of Fade Out Lines opened a door onto a unique and yet instantly familiar world. Its irresistible, sophisticated rhythms conjured up a dual image of lovers ending up on the quays of the Seine at daybreak, and of an urban club funk beat.
Since then, the single’s phenomenal success has proved contagious, confirming The Avener’s prime intention: to travel the frontiers between genres, periods and styles; between the music we listen to and the music we dance to; between underground and high-end pop. As The Avener says himself: “Fade Out Lines is hard to define. It’s blues with jazz, folk and funk influences, and electronic instruments. It has feelings, emotion and nostalgia, but a lot of energy, too.”
It perfectly reflects his upcoming album, The Wanderings Of The Avener, a sophisticated electro manifesto in the spirit of St Germain and his Boulevard’s nu-jazz sampling, reconciling the styles of Moby and Wankelmut, King Britt and Cassius...
The ghost producer of many club hits, Tristan became The Avener when he decided to re-embrace the pleasure of music for its own sake, his early love of piano and melodies, his rich, eclectic, multilayered musical culture and deep house – an antidote to the mechanical chill that has crept into electro over the last few years.
Tristan shut himself away in the studio for months. “I began to rework old tracks that went unnoticed at the time, giving them a more modern feel...” He was determined to achieve a perfect balance: a mixture of acoustic and electro combining songwriting science with the intuition of a dance-floor specialist. And while The Avener wrote his own music, The Avener also covered Sixto Rodriguez, John Lee Hooker, Mazzy Star, The Be Good Tanyas, Andy Bey and Adam Cohen in a mosaic of seminal blues, underground folk, nocturnal pop, ironic rock and the work of forgotten artists from the 70s and 80s, exploring secret paths of memory. His sampling of Phoebe Killdeer & the Short Straws’ The Fade Out Line, a foretaste of the album, was quietly uploaded in summer 2013. It steadily gathered momentum by word of mouth in France before going massive in Germany and then all around the world.
The Avener’s delicate, radiant style has been welcomed as a So French Touch of Elegance and acclaimed as the missing link between harmonic emotion and the urge to dance worldwide. Confirmation of this triumph looks certain with the release of his first album, The Wanderings of the Avener, out on January 19, 2015.

ensaísta da nova geração 

https://www.instagram.com/leonflima/

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