Sol Selectas Records specializes in deep tribal dance music, mixing folkloric sounds and ancient rhythms with modern electronic grooves. Founded by DJ/Producer Sabo in New York City in 2006,  the label is now run by Sabo and his wife Helia Jamali, whose artwork and design  re-awakened the spirit of Sol Selectas, through her visual interpretation of the audio frequencies. 

With now over 115 releases, showcase events, and residencies around the World, Sol Selectas leads the way in organic house, downtempo, and afro house, consistently topping the charts and setting trends.

The label captures a vast spectrum of multi-cultural sounds, featuring both rising underground stars and industry legends like Acid Pauli, Sabo, Satori, Be Svendsen, Safar, and Unders. 

The music of Sol Selectas guides listeners into the future with positive energy, inviting them on a journey of rhythmic transformation and cultural fusion. 


Web: www.solselectas.com
Instagram: @Sol.Selectas
Facebook: www.facebook.com/SolSelectas.

Peace, Respect, and Musica!!

~ Sabo

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Scorpios Music is a field research endeavor probing into the synaesthetic potentiality of music, an imprint for an exploratory strain of various danceable and listenable genres, and a testimony to how — in concrete experiential terms — music is the most vigorous, meaningful, and beautiful language in the world. 

With a focus on electronic music exhibiting subtle-to-bold elements of the primeval and far-flung, Scorpios Music is the immortalization of a soundscape — that which Scorpios Mykonos has traversed since materializing as a club in 2015 throughout the process of establishing itself to near-universal acclaim as a tribal enclave of eudaimonic hedonism and the seedbed of aesthetically oriented empathetic sociality.

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Političke kolumne i društvene analize, prevodi sa engleskog i ruskog, video i audio emisije na portalu Peščanik. 

Political columns and social analyses, translations from English and Russian, video and audio shows on the Pescanik portal.

Ben Howard returns with his 4th album, Collections From The Whiteout, produced alongside Aaron Dessner (The National). The foreboding darkness that coated Ben’s second record I Forget Where We Were and thinly veiled its follow up Noonday Dream, isn’t so evident on Collections. These are songs written from headlines scanned, or news stories scrolled past, providing inspiration for a selection of vivid narrative snapshots – the death of amateur sailor Donald Crowhurst (Crowhurst’s Meme); Russian fraudster Anna Sorokin (Sorry Kid); the man who stole and crashed a plane in Seattle (The Strange Last Flight Of Richard Russell); and the dismembered body a friend of his father found in a suitcase floating along the Thames (Finders Keepers). Alongside them, the personal anecdotes from the same scattered period living between Paris, Devon and Spain. Yussef Dayes features, as does Kate Stables (This Is The Kit), James Krivchenia (Big Thief), Kyle Keegan (Hiss Golden Messenger), and Dessner. Thomas Bartlett, St. Vincent’s go-to pianist, and Rob Moose, a long-standing arranger of strings for Bon Iver, are also present. Long-term guitarist to Ben’s band, Mickey Smith (A Blaze of Feather), remains a reassuring constant. It’s a sonic adventure that continues this nagging suggestion that Ben is one of the UK’s most inventive and naturally talented songwriters. CFTW is his latest opus, and arguably his most fully realised to date.

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