Metrik is a London-based electronic music producer, vocalist and DJ celebrated for his pioneering approach to drum & bass. Over the past decade, his soaring melodies, explosive energy and innovative sound design have earned him top chart positions, placed him on major festival stages and cultivated a devoted global following.

In recent years, Metrik’s artistic evolution has deepened as he’s become the lead vocalist in his own music, bringing an intensely personal dimension to his sound. At the core of his music lies the powerful collision between raw industrial undertones and euphoric melodies - a juxtaposition that reveals both darkness and beauty in equal measure. By layering his voice over bold guitar riffs, metallic accents and distorted synth textures, he has forged a fierce yet emotive new direction. These latest tracks expose the vulnerable heart of the artist, channeling honest emotion through songs that connect with listeners on a deeply human level.

Looking ahead, Metrik remains dedicated to delivering immersive audio-visual experiences that captivate audiences and offer moments of escapism through music. Through fearless experimentation, narrative-rich songwriting and a powerful live presence, he continues to shape a new path that marries technical innovation with emotional resonance. In doing so, Metrik offers an electrifying glimpse into the future of drum & bass - one defined by authenticity, connection and artistic courage.

composer and artist whose work draws on voice, computer music and digital narrative:: sound recordings, live performance, sound art installations and video art.

0eerfam@gmail.com
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xenharmonic bass music

Sevish (aka Sean Archibald) is an electronic musician from London, UK. His music is fast and atmospheric. The style mainly gravitates around drum & bass and other electronic dance music varieties, although even ambient and chilled works have been released under this moniker. Sevish sidesteps pop structures and familiar "EDM" tropes, instead trying to capture the essence of something flowing and meandering. It's the perfect music for blocking mind-altering radiation.

Since his album Golden Hour, Sevish's technique has included a dark art known as microtonality/xenharmonics. For short, we can call this xen. Simply put, the xen aesthetic tries to achieve new musical ideas by making things more or less in-tune than normal music. For something that is so easy to describe, you would think that every musician was doing it. Sadly, the technicalities of (ab)using musical tunings to create xen music are too much for most musicians to muster at this point in time. Perhaps 3D printing will change that in the future, allowing new instruments with crazy tunings to be developed quickly and cheaply. Until then, it's the domain of a few tinkerers and madmen scattered across the globe. One of those being Sevish, who blends xen with his own brand of experimental dance music.

The xen movement is still small but growing rapidly. It has a lively facebook group, its own wiki (deeply incomprehensible to all but the initiated), and about as many dedicated record labels as you could count on one hand.

In 2010, Sevish launched his own netlabel to get together the scattered artists composing xen music. Called split-notes, this label is known for its focus on xen-with-a-beat, and most of its releases are free to download with Creative Commons licensing. While the output of the label has slowed down due to other commitments, it's still alive with new releases showing up from time to time.

Sevish's music has been put out by the Dutch label Dubbhism Deluxe. In 2011, Sevish, Tony Dubshot and Jacky Ligon released an album called Subversio to online music shops and popular streaming services. This project lies somewhere between being a band album and being a compilation, as each of the 3 artists provided 3 solo tracks each. So it's more of a musical triptych than either of those things. Certainly a form of collaborative album that can (and will) be explored further. Each of the musicians on Subversio combine xen with beats and bass, but their individual styles contrast and compliment. Tony Dubshot excels at trippy electro dub with lots of analog processing. Jacky Ligon's style is often described as oceanic or panoramic, with fluid and rotating beats and deeply moving atmospheres and melodies. And Sevish's style... well, you already know by now.

In 2014 Sevish, Tony Dubshot and Jacky Ligon followed with 23, something of a mini-album in the same stylistic ballpark as 2011's Subversio. Numerology, conspiracy and ancient knowledge is something that the trio is attracted to, and 23 is inspired from that.

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I'm a music student making tunes in a (very) glorified shed at the bottom of my garden.

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