A little circus ditty I made some years back, for some Burning Man friends and an old Haunted House we helped create.

Little Fat Policeman (7" Nursery Rhyme Remix)

An archaic, visceral assault of the senses – or such was the intention when I set out to record a gabber-like techno track (inspired in part by the legendary DJ Nicky Fingers and other Industrial Strength-based artists) for several local legendary haunted houses that I used to help haunt. This one, in particular, was our first and favored attraction, rich with local lore and many a tale told by its neighbors. Lizzie Lincoln's Haunted House was pure bedlam and terror and showed no mercy to all who passed its threshold. This track was blasted at the attraction's finale, where patrons exited into a fog-enshrouded, strobe-lit room, along with live, ritualistic drumming and a cacophony of screams and chortling laughter that saw them fleeing from its doors.

Written, performed, arranged, and recorded in 1997, with a custom vintage polyphonic Moog Mini-Moog, Korg M-1, and a Roland 808 Sampler and 505 Groovebox.

A Carnival of Terror

A slow and melodic deep house exploration.

120 BPM - Sequenced, performed, arranged, and recorded in Logic Pro X.

Includes a moody generative AI-based video here: https://www.youtube.com/watch?v=OTX6R6FeB-I

Orchestrated Lunacy (Full Stop)

A quick little lo-fi, melodic string, beat, and orchestral hit-based ditty.

84 BPM - Sequenced, performed, arranged, and recorded in Logic Pro X.

The Lo-fi 8-bit Stitch

A slow and deliberate, dark post-industrial kind of track. 

Fun fact: this project took nearly as long to make as it did just to bounce it (note to self: check all tracks are set to stereo, not surround :). 

60 BPM - Sequenced, performed, arranged, and recorded in Logic Pro X.

Only Human (Mechanizations)

A slow but insistent build into a deep techno track with an old-timey piano medley breakdown, with a dash of plink, plonk, and clank for good measure.

Sequenced, performed, arranged, and recorded in Logic Pro X.

This (Deep) Techno's Gonna Move You

Another emotive downtempo ambient track with just a touch of lo-fi beats.

90 BPM - Sequenced, performed, arranged, and recorded in Logic Pro X.

Más o Menos Ambiente

A dissonant, incessant techno track that chugs along at a steady 144 BPMs.

Sequenced, performed, arranged, and recorded in Ableton Live Suite.

Artist: Jedi Wright
Title: One Forty-Four
Format: Digital
Release Date: March 20, 2024

Follow: https://linktr.ee/jediwright

One Forty-Four

Part two of a multi-part series exploring different textures, layering, and pacing at 132 BPMs.

Sequenced, performed, arranged, and recorded in Ableton Live Suite.

Artist: Jedi Wright
Title: One Thirty-Two
Format: Digital
Release Date: March 21, 2024

Follow: https://linktr.ee/jediwright

One Thirty-Two

An ode to raves, big hall/warehouse parties, and minimal and hard techno, this anthem-like techno track clocks in at a respectable 148 BPMs. 

Sequenced, performed, arranged, and recorded in Ableton Live Suite.

Artist: Jedi Wright
Title: One Forty-Eight
Format: Digital
Release Date: March 22, 2024

Follow: https://linktr.ee/jediwright

One Forty-Eight

This one's a straight-up drum banger with a light foray into some Schranz industrial techno territory at a heady 158 BPMs.

Sequenced, performed, arranged, and recorded in Ableton Live Suite.

Artist: Jedi Wright
Title: The Schranz (Hardcore Industrial Techno)
Format: Digital
Release Date: March 24, 2024

Follow: https://linktr.ee/jediwright

The Schranz (Hardcore Industrial Techno)

A rhythmic, soothing track of time holding steady at 133 BPMs.

Sequenced, performed, arranged, and recorded in Ableton Live Suite.

Artist: Jedi Wright
Title: Waves Goodbye a Train
Format: Digital
Release Date: March 25, 2024

Follow: https://linktr.ee/jediwright

Waves Goodbye A Train

A multi-layered hard acid techno track clocking in at 148 BPMs.

Sequenced, performed, arranged, and recorded in Ableton Live Suite.

Artist: Jedi Wright
Title: Cylonian Transmissions
Format: Digital
Release Date: April 7, 2024

Follow: linktr.ee/jediwright

Cylonian Transmissions

☝️This one's a bit of a throwback, with melodic, atmospheric, liquid/intelligent drum and bass, including some classic ragga/patois sampling.

Sequenced, performed, arranged, and recorded in Ableton Live Suite.

Artist: Jedi Wright
Title: License to Reign
Format: Digital
Release Date: April 12, 2024

Follow: linktr.ee/jediwright

License to Reign (Liquid Drum & Bass)

A hard-driving acid techno track holding near-steady at 134 BPMs.

Sequenced, performed, arranged, and recorded in Ableton Live Suite.

Artist: Jedi Wright
Title: Heart of Techno
Format: Digital
Release Date: April 14, 2024

Follow: linktr.ee/jediwright

Heart of Techno

A deep techno track journeying within the nether regions of the mind with a driving dancefloor tribal vibe at 133 BPMs.

Sequenced, performed, arranged, and recorded in Ableton Live Suite.

Artist: Jedi Wright
Title: A Warmth Within The Mind (of Time)
Format: Digital
Release Date: April 15, 2024

Follow: linktr.ee/jediwright

A Warmth Within The Mind (of Time)

A deep, minimal, and spacey techno track set to 133 BPMs.

Sequenced, performed, arranged, and recorded in Ableton Live Suite.

Artist: Jedi Wright
Title: Arrival by Dawn
Format: Digital
Release Date: April 18, 2024

Follow: linktr.ee/jediwright

Arrival by Dawn

This one's a deeply moving collection of elegant orchestral, cinematic audio stems from the Aeterna Audio Library, reimagined, recorded, and arranged in Ableton Live Suite.

Artist: Jedi Wright
Title: Aeterna Revisited
Format: Digital
Release Date: April 25, 2024

Follow: linktr.ee/jediwright

Check out Aeterna Audio Library (by @acousticlabs) and their library on Patreon: https://www.patreon.com/AeternaAudioLibrary

Featured Track Stems:
A Chase Upon the Water
A Chase Upon the Water 2
A Future of Infinite Possibilities
A Hero’s Return
Found in the Heart of Tokyo
From the Darkness Came Light 3
The Hope in Your Eyes
This Is Where the Sun Rises

Aeterna Audio Library Revisited

What can you make in an hour? Just a Friday night of improve and spontaneous, laid-back fun. Also, definitely some St. Germain inspiration going on here!

Friday Night Ditty

Another Friday night ditty with some heavy trap meets Moderat kind of vibe happening...

And yes, it's another first pass, work-in-progress effort. ;)

The Trap Nocturna

A bit of an ode and throwback to the day and summer parties of the 90's and 00's.

Electro Summer Lovin'

Constantine

Ever Searching Inward

A moody and minimal techno track, perfect for long night drives, grungy dance floor vibes or music to work by. Inspired by an early morning drive into Baltimore and some old east coast club days.

Written and arranged in Logic Pro X. 
Standard 4/4 at a modest 125 bpm.

Enjoy!

Driven To Drive

An experimental rock track spawned out of weeks under quarantine...seeking to encapsulate the daily, repetitive grind, not unlike Groundhog Day. Also included here are a few sketches I did in the past that seem fitting for all of this.
(also: another rough cut, first pass and take)

90 BPM - Recorded and arranged in Logic Pro X.

Every Day Is Like Quarantine

A progressive house track with lots of pumping sidechain action throughout. Great for big room sound. Lot of kinetic energy and movement with this one.

128 BPM - Written, arranged and recorded in Logic Pro X.

The Age Of Entropy

In reply to isolation, repetition and the degradation of time...this is all of us while in quarantine, under psychotic, irrational leadership.

A track with a dark and grungy downtempo feel with little glimmers of hopeful twang.

70 BPM - Written, arranged and recorded in Logic Pro X.

Day 56

A melodic, instrumental and experimental rock track continuing further explorations under isolated quarantine. 

104 BPM - Sequenced, performed, arranged and recorded in Logic Pro X.

Isolated Frequencies

A glitched out, downtempo atmospheric soundscape with brief, haunting melodies and a random (yet somehow still fitting) funky interlude.

85 BPM, 4/4 - Written, performed, arranged, and recorded in Logic Pro X.

Yesterday's a Replicant

A dark and atmospheric electro-techno soundscape. Perfect for contemplative listening, dance or film.

96 BPM, 4/4 - Written, performed, arranged, and recorded in Logic Pro X.

Awaken To Dreams

Jedi Wright is an electronic musician, producer, step-sequencer, and sonic sketcher dabbling in experimental techno, electronica, and indie industrial-rock. 

He's equally comfortable working in Logic Pro X as he is using Ableton Live Suite. He started off DJing back in 1995 and quickly transitioned over to producing in Roland's MC-808, 505, and 303 alongside an original polyphonic Moog Minimoog–allegedly modified directly by Bob Moog himself, or so the story goes by Ian Smith (formerly of S.F.'s S.P.A.Z. collective) and a Korg M-1. Later, he dabbled in Reason and FL Studio. Along the way, he befriended and helped promote several events, ranging from John-Emmanuel Gartmann's Tsunami (formerly Tsunami Trance) productions in N.Y.C. to Trevor Wyse's Green Sector parties in Southern California.

Professionally, he's served as a founding team member of The Do LaB, helping lay the foundations of the SoCal-based collective, and served as Director of Media Relations for Rooftop Promotion (later evolved into Visions From the Roof), where he promoted a diverse range of record labels and artists including Tresor Records, Simon Posford’s Twisted Records (including his Hallucinogen and Sphongle releases), along with one of Ableton's founders, Robert Henke, and his music produced under Monolake/Imbalance Computer Music [ml/i], through a partnership with Germany's EFA Distribution. He's currently working on several related events and ventures.

JediWright

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