here is some cinematic 'magic' i have found on Soundcloud - such a diversity and collective pool of talent.  Show your appreciation and have a listen....  leave a comment, repost, let the artist know what you liked about their music and/or how it moved you or fueled your imagination...

FROM A MOVIE, AS YET UNMADE

Sleepy Time

sustainer / drone

from 'Odham's Standard' [CD|LP|DIGITAL]
Denovali Records · den191
available on all formats at [http://denovali.com/origamibiro]

Origamibiro is a collaborative project consisting of three core members: musician, soundtrack composer and producer Tom Hill, visual artist and filmmaker The Joy Of Box, and multi-instrumentalist Andy Tytherleigh. Originally started as a solo project for Tom, Origamibiro has since evolved into an audio-visual collective, producing studio music, art objects, interactive installations and hauntingly original live audio-visual performances. Origamibiro like to create work with an array of unorthodox processes and contraptions, found objects, video feeds and multi instrumentalism. Their unique live performances involve treated books, typewriters, found celluloid, paper, eerie wildlife recordings, home movies, sellotape and bespoke visual contraptions. All of these things had been added, adapted, even destroyed as a way to generate images and audio that could evoke a feeling, a response, an understanding or perhaps a question from audiences.

2014 sees the re-release of Origamibiro's entire back catalogue - the albums ‘Cracked Mirrors and Stopped Clocks’, ‘Shakkei’ and ‘Shakkei Remixed’ - through Denovali and also the release of their fourth studio album 'Odham's Standard'. Discussions concerning tone and theme took place much earlier in the writing process this time around and unbeknown to each other, both Tom and Jim were taking an interest in more supernatural aspects of audio and video material generation. Jim had begun to research into spirit photography, where images of deceased spirits are apparently imprinted onto photographic plates through the presence of a medium. Looking for an audio equivalent, Tom began looking into EVP or electronic voice phenomenon whereby hidden voices from deceased spirits appear to present themselves in audio recordings. What is fascinating about this process is not how legitimate the phenomenon actually is but how dependant it is on the decision or need of the viewer or listener to believe it is significant or even personal.

Interestingly, there have been many attempts over the years to debunk or disprove the validity of spirit photography and yet for every court case there are also a number of witnesses willing to passionately testify that not only is the phenomenon real but that it applied directly to them. Arthur Conan Doyle was the creator of the most famous detective in the world and, conversely, a staunch defendant of the validity of spirit photography. In his infamous treatise 'The Case For Spirit Photography' he is both naive and strangely prescient: “Victorian science would have left the world hard and clean and bare, like a landscape in the moon. (however) There is nothing scientifically impossible, so far as I can see, in some people seeing things that are invisible to others. One or two consequences are obvious, the experiences of children will be taken more seriously. Cameras will be forthcoming. These folk who appear to be our neighbours, with only some small difference of vibration to separate us, will become familiar.”


Odham's Standard

Origamibiro - Butterfly Jar

Quixotic

Sandpaper Kisses

this is an Ourson 'wash out' of a Milieu track, originally appeared on Milieu's "My Blue Remixes" comp, and re-released in 2014 on "Light From A Closing Door" which is available here: http://ourson.bandcamp.com/album/light-from-a-closing-door

Devils Vanish (Milieu - My Friend The Dawn)

A modular synth journey through deep sounds, this assemblage makes use of sample & hold, non linear quantizing and pulse wave modulation techniques. 

Drone and Percussion

A version of a piece that will be released on the forthcoming album "The Blue Jay's Dream". This take was not used on the album. 
Recorded December 13, 2014 in the Burrow, Vienna. 
No overdubs, no loopers

Royl Culberston III: lap steel guitar
Ulrich Rois: accordion

Live Oak (2014 - 12 - 13)

Sodus

Bundle of Joy

Multi-Family Garage Sale (Bargain-Bin Mix)

A piece to represent the perception of the acceleration of time as we get older

Summer

21 to 21

Jim Perkins - 21 To 21

In memory of those that perished, and in celebration of those that did not.

Requiem For Tuhuroa

🕯 Watch the 'Spirits' music video: https://www.youtube.com/watch?v=Q9MfqtyPfbY
🕯 Bandcamp/all streaming options: https://fanlink.to/spirits

After a long intermission, Brambles is finally back with ’Spirits’. Since their last album, ‘Charcoal' (2012), the sound palette has shifted dramatically but the moody and melancholic qualities that made their previous release so resonant remain deeply embedded.

With 'Spirits’ Brambles has put vocals to the forefront using a combination of their own voice and an array of samples that have been shifted, warped and blended into an otherworldly language. Influenced as much by dream pop as experimental electronic music, Brambles strives to find the middle ground between pop and ambient.

Produced by Mira Dawson
Mixed by Simon Lam
Mastered by Becki Whitton

Spirits

based on a poem by Galen E. Hershey
Catherine Hershey: vocal
Gilles Poizat: vocal, guitar, composition

recorded directly on a stereo magnetic tape by Mathieu Ogier @ Reykja Studio, January 2013

To One Of Us

Phobia

Broken Wings

Mazalini - 'Lost reality'

Competition entry for the Professional Composers Community 2020 August Sad Music Contest.

I had a really hard time with this competition theme. This is my fifth attempt, and the first idea that didn't just end up depressingly uninteresting. Unfortunately, I didn't come up with it until the weekend before the deadline, so I only had two days, but that's enough for a piece like this, once there is a proper idea to build on.

The vision behind this piece is rather abstract... "Where do we go from here?" I suppose that's how I feel about life in general right now, but not exactly in a way that inspires creativity, which is probably why I had such a hard time with this.

Used:
Cubase Pro 10.5
Kontakt
TC VSS3
smart:reverb
StereoSavage
Pro-Q3
Ozone 9

Spitfire Solo Strings
Spitfire Chamber Strings
Spitfire Symphonic Woodwinds

Crossroads

Snoqualmie Falls album 'Dream Sequence' is available on double vinyl from https://snoqualmiefalls.bandcamp.com/album/dream-sequence Jeff was one half of the ambient/drone project called Listening Mirror . The Listening Mirror project was terminated in February 2013.
Jeff then explored different sonic landscapes. Traveling with him was Alicia Merz, who also releases amazing intimate and heartbreaking music as 'birds of passage'
Together they inhabited and explored the dream-scape that they call 'Snoqualmie Falls' A place of dark and spectral beauty that they hope is reflected in the music they produced together.
The Snoqualmie Falls project is currently undergoing a hiatus, to allow Jeff and Alicia to focus on other projects.
Jeff is also working with the beautiful and talented Sanja Vernacki, who also records as her solo project Lebdi, and is a member of the band MESTA. Sanja is also a very gifted tattoo artist :-)
Jeff was recently nominated for an award for experimental music by the Swedish Independent Labels Organisation for his album 'On Returning'
Jeff has recently begun a new project in collaboration with Anne Garner.

Requiem For Tuhuroa

jeff stonehouse