this is one of these tracks one can listen between wake and sleep and that carries you over the barrier between the two. Really good!

Created from transmuted sound artifacts. Performed with the digitakt drum machine, then recorded and manipulated.

Murex

21May23

Experimenting with Marco's track 'one hand Piano n°1'
https://soundcloud.com/marcolucchi/one-hand-piano-n1-you-to-play-with-if-you-like-it
:D

Marco Lucchi - one hand Piano n°1 [boson spin warp]

StudioJam_120523. 
Torso T-1 is sequencing the ASM Hydrasynth and Pigments (Arturia) in Ableton. Reverb with Rooms (Death by Audio). In the background; drone soundscape and drums from some of my tracks in Ableton.
check the video here: https://www.youtube.com/watch?v=K9sVNlwRnUI

Interference II (extract)

night jazz

xart7832271023

From the album The rise and Fall and Brittle Resurrection of Adam Kadmon.
This piece is divided into three movements. 1) The Human Copulation X-plosion; 2)Emergence from Sleep Mud; 3) Dried Dung of Collosal Olmec Heads

Jitters of Cervical Zenith

Original Music:
https://soundcloud.com/darcycopeland/bluet-i-aporia-2021

Darcy Copeland - bluet (i): aporia (2021) (Senglar Version)

SenSen - Lago

Our initial dialog with Synthia was an adventurous creative endeavour that made us question whether machines could have a soul. This one definitely spoke her mind, and left a fascinating mark on both of us as a wondrous machine––––––woman, a marvelous piece of engineering, an entity trapped in a modular eternity.

Considering that neither of us had any previous contact with such a complex modular system such as EMS Synthi 100, we took a somewhat intuitive approach. This is a fairly raw glimpse of the first days spent in the studio.

Oh, Synthia, we only just met...

--

Happy birthday Mark!!!

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Composing, editing, patching & live mixing: Manja Ristić
Live mixing & patching: Mark Vernon
Cover art: Manja Ristić –– segment of the sculpture by Angelina Gatalica made in memory of Serbian painter Nadežda Petrović, erected in 1989 in the Pioneer’s Park, on the occasion of the IX Summit of Non-Aligned Countries.

basne——side B

We are living the dawn of artificial intelligence and it's a wave we can't stop. I've been intrigued by this idea throughout the majority of my life, yet I cannot fully express in words the fear I now feel at its gates.

From Hollywood to Japanese animation, the majority of sci-fi infused dystopian atmospheres to this concept..yet all of it felt so far fetched and out of my lifetime; (and although never seemed impossible) at the time felt something exclusively for enjoyment purposes...yet, here we are.

Don't get me wrong, the aesthetic is just right, I will always be entertained by experiencing a vision of some future; something that is an evolution of life at the moment, yet honestly, as much as I'm inspired by it, I cannot help but feel a bit xenophobic on this matter (as a normal 21st century person should feel, I might add..)

Anyways..one particular monument of this theme is 'Ghost In The Shell' (1995) by the genius of Masamune Shirow,
which offers insights on the first instances of silicon-based sentience. 'The Power Of A Shell Is The Power Of Its Ghost' is an ambient piece I've composed inspired by this theme.

The Power Of A Shell Is The Power Of Its Ghost

Felt by Pete Kvidera, taken from the new album "Wind Shapes"

Pre orders start Friday 5.4.2024, release date 12.4.2024

Format: Digital / CD

Pete Kvidera -  Felt

listeners will find here the most recent edge of my research as well as album samples and one-offs from the last 10 years of my solo work, from official, upcoming releases, unreleased oddities, works in-progress, & experiments, all music by jeff gburek and collaborators, as noted. support directly via paypal: jeff.gburek@gmail.com or buy albums via https://jeffgburekprojects.bandcamp.com/

Jitters of Cervical Zenith

Jeff Gburek

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