THis looks as lovely as it sounds. I like the different waves used to get textures.

More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at:

https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. The source audio was provided by the Tobias Reber. More details at:

https://www.musikfestivalbern.ch/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0401-noise-pacing/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Disquiet Junto Project 0401: Noise Pacing

Earl the pearl

lOVE ( flip it 122 winning beat )

Ziggie Wonder - Stefano

Flip #130

I utilized a clip from some Fajitas a server was running to another table that I captured. I then looped the clip and added Roland 808 drum sequencing. I then used the ROLI to add in additional tones. I added some bass and compression to the Fajitas.
I'm hungry now.
More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at:

https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. The source audio was provided by the Tobias Reber. More details at:

https://www.musikfestivalbern.ch/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Fajita Wolf Disquiet401

Fajita Wolf disquiet0401 (want me)

I made a bunch of drum loops to explain to my music theory class what polyrhythm is. Then I read about this Junto project and thought, hmm, making a beat out of noise, let's use them for this too! I vocoded the loops using a straight noise carrier and used an LFO to automate the vocoder's release parameter. I used Follow Actions to randomly sequence the loops, and then edited that sequence for better flow and musicality. In order of entrance, the polyrhythms are 4-vs-3, 5-vs-4, pentuplet swing, septuplet swing, and 11-vs-5.

More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at:

https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. The source audio was provided by the Tobias Reber. More details at:

https://www.musikfestivalbern.ch/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0401-noise-pacing/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Polyrhythmic Noise Grooves (disquiet0401)

I used my earlier track (Disquiet Junto 399 which was a previous Rauschen based track), it became a remixed version of it but processed with more noise elements, into various drumracks and rhytmic effects to create a track with more a tempo and rhythmic structure. I added little samples of melody - not quite the "something melodic atop it" that was requested but just enough to give as hint that melody might appear somewhere! 

Disquiet Junto Project 0401: Noise Pacing
The Assignment: Use background noise as a beat, as a rhythm.

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which will be held in Switzerland from September 11 through 15. For this reason, a German translation is provided below. We are working at the invitation of Tobias Reber, an early Junto participant, who is in charge of the educational activities of the festival. Select recordings resulting from these three Disquiet Junto projects will be played publicly as part of the Rauschlabor Schützenmatte (musikfestivalbern.ch) or broadcast on the festival’s radio show, Radio Antenne (radioantenne.ch). If you don’t want your recording to be used in this way, please note so wherever you post it.

Step 1: Familiarize yourself with the German word “rauschen,” the theme for this year’s festival. Understand that “rauschen” is noise in the sense of white noise, waterfall noise, background noise, static, wind in trees, rain, etc. The blurred, diffuse, continuous kind of noise, not short individual non-tonal sounds.

Step 2: You are going to make music in which one or more “rauschen” noise(s) will be used as the beat or rhythm for a track. Record and listen back to such “rauschen.”

Step 3: Select one or more noise elements from Step 2.

Step 4: Create a track using the elements from Step 3 as beats or rhythmic material, and then layer something melodic atop it.

the blurred, diffuse, continuous [disquiet0401]

release date: 06 _09_2019   
More on this 401st weekly Disquiet Junto project — Noise Pacing / Use background noise as a beat, as a rhythm — at:

https://disquiet.com/0401/

This project is the third and final of a series being done in collaboration with Musikfestival Bern, which runs in Switzerland from September 11 – 15, 2019. The source audio was provided by the Tobias Reber. More details at:

https://www.musikfestivalbern.ch/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0401-noise-pacing/ 1

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Magnetic Traffic(disquiet0401)

Mr. Rausch • disquiet0401

It's Time

Thinking about doing the dishes a few elements struck me, the occasional clang of dishes, the hum of the running water, the shift from dry to humid in the kitchen, the drone of talking and televisions out the kitchen window and complete monotony of the whole experience.

Moog mother 32
Roland SH-01A
TR-808
News in German
------------------------------------------------------------------------------------------------------------------
More on this 402nd weekly Disquiet Junto project — Music for Tasks / The Assignment: Record music intended as the backdrop/soundtrack to a chore — at:

https://disquiet.com/0402/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0402-music-for-tasks/

On the mundaze [disquiet0402]

Recorded with several synths (Quanta, Phosphor, Samplr) through Elektron Analog Heat MK 2. All sampled in 1010music Blackbox and recorded back in Cubasis.
Have fun!

13(disquiet0411)

You can lease this beat for 50$
I can mix your vocals for an extra 50$

https://www.beatstars.com/beat/aged-soul-3721164

Aged Soul

This small piece is composed of vocal samples by participants in the Disquiet Junto. 

Via use of Sampler with different computational random selections and arpeggiations, the vocal rhythms have been created - and then sliced and diced via Sinevibes and Native Instruments plugins. Finally, a few rhythmic elements and a single chord has been added.
No tuning etc of the voices have been done (and no animals harmed in the process)

More on this 419th weekly Disquiet Junto project — Dischoir / The Assignment: Make music from 100+ vocal samples of held syllables by members of the Disquiet Junto — at:

https://disquiet.com/0419/ 

This all came about as a result of something Alan Bland mentioned on the Junto Slack. He pointed out that my having misspelled Disquiet as “Disquier” in December 19, 2019, project title made him think of “Dischoir,” a possible Junto project. Thanks to Alan and to Jason Wehmhoener for helping me think this project through, and to everyone (over 50 contributors) who sent in samples.

More on the Disquiet Junto at:

https://disquiet.com/junto/

disquiet0419 - vocababylon

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Mr. Rausch • disquiet0401

Bach-y-nal

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