A track from the new album "A Distant Arcade"
www.jeffchipman.com

In Search Of Lost Time

My music pieces are all piano improvisations expressing emotions. It is music telling stories without the words. In my earIy years I sang and played piano in piano bars or fronted bands of different styles, from country to heavy metal and to 40. I've been composing, teaching and performing most of my life.  I'm getting old(er) now 😔 but the great thing about creating music is it gets better the longer you play, and you have more to write about! 

This is what I leave of me to my generations to come who wonder where their desire to make music comes from. My mother, grandmother and great grandmother were both accomplished pianists when they were young. My son is also exceptional.  My great grandmother and gr grandfather sang and danced in minstrel shows (vaudeville) in the early 1900's. Kids today have no idea what life was like before moving pictures.  I now have great-grandchildren. They will know who I am through my music. When I am gone my music will still be here. What a wonderful thought! 

Words and notes, born from silence. 

I am grateful for the support my songs if they speak to you! 💖

Paypal 

http://paypal.me/BLACKBIRDCLEO


Instagram 

https://www.instagram.com/collinacleo_nft?igsh=MXQ1aDFrcDRlOWY2cw%3D%3D&utm_

I am a pianist and composer in Maine; USA

My album "The Bleak Midwinter" was released October 2016. "A Distant Arcade" was released July 2022.

Thank you for listening!

I started my musical journey at the age of five, initially composing music with tablature taught by my father. Beginning with the penny whistle and violin, I played in our family band, busking on the streets of Bath.

Our travels across the country inspired compositions like "Road to Wareham." Music became my sanctuary, especially after being diagnosed with Asperger's syndrome. In college, under mentors such as Dr. Rick Birley, Dr. Richard Hall, and Dr. Julie Trevett, I honed my skills in composition, theory, and piano, transitioning to formal music notation using Sibelius.

Today, I compose for film, video games, and theatre. My music, influenced by my diverse experiences, aims to evoke emotion and tell stories.

Thank you to my followers and listeners for your support. I hope you continue to enjoy and share in my musical journey.

Hi, I’m Sebastian Korsak—though some know me as BlackPianoCat. I’m a Greek-Polish scientist by day, working in physics and computational biology, but music, and especially the piano, has always been where my heart truly lives.

I don’t play to impress or seek the spotlight. I play to tell stories, to soothe, to connect. These are my personal compositions and interpretations—small reflections of emotion that words often can’t quite express.

If any of this music resonates with you, you’re warmly invited to stay, listen, and be part of this little world I’m creating, note by note.

🎶 DJ Turbo | Spinning Beats & Vibes 🚀  
Unleashing electrifying sounds and unforgettable nights! 🌟 From underground parties to epic festivals, I mix genres and create experiences that keep you dancing all night long. 💃🕺 Join me on this sonic journey and let the rhythm take control! 🎧✨ #Mixmaster #PartyStarter #FeelTheBeat   https://www.mixcloud.com/turbodj75/    https://www.instagram.com/turbo_dj_75?igsh=MXIxZzZ0bDdtM20yYw%3D%3D&utm_source=qr https://linktr.ee/turbodj

I am a composer and producer of instrumental music in several genres, including ambient soundscapes, electronica, orchestral and chamber music.  

Musical influences include John Coltrane, Igor Stravinsky, Gustav Holst, Claude Debussy, Maurice Ravel, Tangerine Dream, Robert Prince, Frank Zappa, Brian Eno, Heinrich Ignaz, Franz von Biber.

My Method of Composing and Producing
------------------------------------------
I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

MOON AND ARIES (Jordana and Tom) is a genre-defying, retro-futuristic music duo creating emotionally immersive soundscapes that blur the lines between synth-pop, chill electronica, cinematic soul, trip-hop, and jazz-infused lounge. Combining poetic lyricism with lush production and smooth vocal interplay, their songs feel timeless - yet unmistakably modern. 

Driven by their shared passion for storytelling through sound, Moon and Aries deliver music that connects on a deeply human level. 

Their catalog explores universal themes: 
transformation, empowerment, longing, healing, and spiritual awakening. Whether it’s a quiet moment of self-reflection, a triumphant personal shift, or a love scene that needs to glow from within - Moon and Aries provide the perfect sonic companion. 
Each track is built with sync in mind: strong emotional arcs, memorable melodic hooks, dynamic instrumental sections, and vocal textures that range from intimate whispers to anthemic declarations.  
With a sound often compared to artists like Sade, A-ha, Portishead, Depeche Mode, and Massive Attack, Moon and Aries offer a sonic palette that blends nostalgia with new-world 
optimism - ideal for storytelling that needs depth, mood, and meaning. 
All songs are 100% one-stop and available with full mixes, instrumentals, stems, and lyric sheets.
 
Genres: Retro-Futuristic Pop, Synthpop, Trip-Hop, R&B/Soul, Chill Electronica, Cinematic Soul, Electro-Jazz, Electronic, Retro wave, 80s 

MELODY MEETS MEANING! www.moonandaries.com

Welcome to my SoundCloud page.  It serves as a jar of sorts, to catch the musical ideas flying around in my head!  My hope is that you find something to listen to that offers encouragement and refreshes your soul.

All music is original with a few exceptions (such as new arrangements of old Christmas songs, etc.).  All music has been composed and performed with absolutely no AI-assistance.  I primarily perform and record on the Yamaha MODX8, with an occasional recording on my older Yamaha Clavinova.  You will also find collaborative works on my page, featuring some other amazing musicians on SoundCloud.

It is a joy to share my music with you, and I hope you enjoy listening!

I would be genuinely happy if my music could evoke your profound feelings.  Please use headphones if possible. 

I sincerely appreciate your interest and time.

In Search Of Lost Time

Jeff Chipman