Les Amours Monegasques (feat. Laurence G Do -Le couleur/DVTR) - Italo Summer mix

HIGHER FEAT. JOHN CZ & J. PLAZA

Once again, we share space to explore new realms of Indie Dance music with Denni Longstocking, aka. Longstocking, as your guide. Feral One Records proudly presents a two-track EP that teases the boundaries of West Coast dance music while inviting listeners to unleash their true selves on the dance floor. From the extraterrestrial echoes of "Visitors" to the shamelessly left-field vibes of "Daydream Life", this EP is a testament to Longstocking's innovative nature and the label's commitment to paving the way for the new sounds of the underground. 
Enjoy smooth low altitude travels with "Visitors", the title track that delivers listeners into an interstellar bonding dance expedition. It's a soothing fusion of House music crafted from the past, but modified for the future. As bumping House beats collide with ethereal saxophones, imagine car stereo testing the track with extraterrestrial beings cruising the surface of Earth with a sound system too exquisite. 
Embrace your true self and let loose on the dance floor with "Daydream Life", a playful and infectious tune that blends Indie Dance with UK Garage influences. With its shamelessly left-field approach, this track encourages dancers to do their own thing and revel in their silliest selves. From its dreamy melodies to its irresistible groove, "Daydream Life" is a celebration of individuality and uninhibited living.

www.longstockingmusic.com
https://linktr.ee/Longstocking
https://soundcloud.com/djlongstocking

Feral One Records LLC 
www.FeralOneRecords.com 
linktr.ee/feralonerecords

Visitors

Daydream Life

Buy On Beatport

Longstocking - Daydream Life

A song about two people in search of the unattainable

Vocals: bjelleybean
Keyboard: Isaac Boswell

The Incomplete Forward Solution

Foggy Philly Morning

Another Chance

Dizzy - Seniorita

AR-Say No More (prod.sahara)

To hell and Back -Creative Ty ft Lorenzo Steel

R&B Big Band Rock Group Sound with the support of some great musicians,  a renowned arranger and the best Keyboard Player I've seen Vlad H,  who helped update this 1950's song ( license previously applied).  Who went on to become an established feature film arranger.Two Renowned Recording Engineers: Jay Burnett and Bob Rosa including, Jedi Master Jeff Jones, who also kindly worked for a couple of days at : Intergalactic Recording Studio in New York City (State of the art equipment in the day) 
I sincerely thank them all

You're So Fine  (Cover) JEFFREY ZARGO

Emotions

Funk and rock hybrid, created to help you boogie the night away.

Pot Salad

My musical influences, started when I would listen to recordings my parents purchased  a couple of brass horns songs come to mind for starters 
April In Paris by the Count Basie Orchestra,
The next was Frankie Machine Elmer Bernstein  theme from film Man With A Golden Arm  ( starring Frank Sinatra and Kim Novak) My parents were Broadway theater goers. So all the records and songs were sung in the house frequently.
We had an Irish Harp. I would pluck out There’s A Song in The Air but the Beautiful señorita ￼doesn’t seem to care. (Sung by Alan Jones (Jack Jone’s father)  from movie FIREFLY: Donkey Serenade.
 I just viewed it on YouTube I was smiling the whole time!  it’ turns out it’s from nineteenth century Classical piece by composer Rudolph Frimi.
I didn’t even know that! Later records by Jazz musician Charlie Mingus. Then my older sister had a friend whose father worked for W INS, radio wanna play music we had a lot of 50s rock ‘n’ roll records in the house I’m not a witch I like to sing along to ! Then go to capital records in times square,  I liked the Shirelles, Smokey Robinson, and the miracles, Marvin Gaye The Marcels Bule Moon and a healthy amount of a cappella songs. Then there was the beatniks thing Cafe Wa in the west village going with an older neighbor when I started picking up on some folk music then The Birds. Sid Bernstein introduced me to Michael Clark concert in the venue, and another time to Steve Katz from the blues project and blood sweat and tears￼ started singing some Dylan songs. ￼￼ I definitely had some R&B in my blood.Loved Mitch Ryder ￼the Detroit wheels doing James Brown songs! Then there ) was the early British invasion after the Beatles cream, the Hollys. I even met them on the street with well known manager, Alan Klein near the stage delicatessen on seventh Avenue ￼Them played some small venue on Third Avenue in the East 58 street ￼￼￼Then later on the Motown sounds when I went to California and 67 for six months for some love, sex and rock ‘n’ roll. That was my first actual connection to the music scene going on in LA. I actually found myself inside the Capital Records Building , a couple of times in one of the studios.￼￼As an aspiring singer, I was friendly with a couple known Artists. New York, and started focusing on my writing and musicianship. I already had played some keyboard￼. ￼￼a friend from LA Gave me my first Acoustic. Later on I picked up one of the early synthesizers a uni Vox mini Korg ￼ Is that Continental Oregon with a phase shifter A 12 string acoustic and a double quarter for track record with built in Echo. A couple of microphones, and I was off to the races! Although it took me a few years to be satisfied with what I was writing!￼ ￼Hey eventually , I ended up in the studio Using the very same fair like keyboard ￼that Africa Bambaata Soul Sonic Force was using doing Planer Rock. Many live experiences later I now find myself creating part of my life’s Liner Notes.

You're So Fine (Cover) JEFFREY ZARGO

JEFFREY ZARGO

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