D∑VIΛ 
DJ and techno producer from Colombia.
He uses hypnotic and natural energies to transform his music into a unique style.

Collective : Reassonant 🎹

Astrix has been one of the leading trance producers and DJs in the world for more than a decade, carrying his musical message of psychedelic emotional uplifting trance to every corner of the world, to the biggest urban clubs and far away beaches, huge festivals and underground events. Devoted to his art and a true perfectionist, Astrix is known for his massive hypnotic explosive sets on the dancefloor and for his precise detailed production in the studio. Both always laced with tons of feel and musicality. His music has been topping the charts and his albums are considered milestones. Astrix fourth studio album, “He.art” will be released early in 2016

Detailed Bio:
Astrix is a unique phenomenon in the trance world, a leading DJ & producer, who came from the underground psychedelic scene, have been performing in the biggest festivals and venues, reached # 18 on the DJ Mag poll, and yet, chose to always stay true to the underground trance movement.

Avi Shmailov has been dividing his life is for more than a decade already between constant studio work and non-stop touring around the globe. With more than 15 years of releasing music and more than a 1000 concerts all over the world, he continues to bring his musical message of psychedelic emotional uplifting trance to the leading festivals such as EDC, Burning Man, Escape From Wonderland, Beyond Wonderland, Summer Music Festival and Dreamstate (USA), SW4 and BoomTown Fair (UK), Tomorrowland (Belgium), OZORA (Hungary), Psy Fi and Dance Valley (Netherlands), Weekend Festival (Finland & Estonia), Airbeat One (Germany), Universo Paralello,Tomorrowland, Tribe & XXXperience (Brasil), Solstice Music Festival, Discovery, The Gathering (Japan), Emmaboda (Sweden), Inox (France), BAT (Argentina) and to the world's top dance clubs such as Brixton Academy, Alexandra Palace, Ministry of Sound, O2 Arena, Pacha, Privilege, Exchange, Avalon, AgeHa, Zepp Tokyo and many more.
 
Devoted to his art and a true perfectionist, Astrix is known for his massive hypnotic explosive sets on the dancefloor and for his precise detailed production in the studio. Both always laced with tons of feel and musicality. His music has been topping the charts and his albums are considered milestones.

Astrix broke into global consciousness in 2002 with his debut album ‘Eye to Eye’, defining him as a trance music anthems producer. In 2004, he released his second album ‘Artcore’, igniting fire all over the global trance scene and is considered by many as the perfecttrance album. The album’s effect was followed in 2005 by the impressive entry to the world's top 100 DJs list of the famous Dj Magazine, where he took the respectful climb to the 18th position in 2007. His third album ‘Red Means Distortion’ was released in 2010 and since then he continues to release many tracks on various compilations and digital EP’s to delighted fans, who according to his Facebook page are over 900,000 and going on strong
 
Astrix 4th studio album, “He.art” will be released early 2016





Keep Up With The Peas 🚀 ☁️

https://blackeyedpeas.komi.io/

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


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