Jefre Cantu-Ledesma – In Summer

aquatique

DROHNE WELLEN I - 12

Ambient/Music for Reading & Study - 2

Ambient Work Music 1 - 2

"Titanic Risen" (Release Date: April 4, 2021) 

Spotify: https://u.subpop.com/3rBkccl
Apple: https://u.subpop.com/2PDadpB
Sub Pop Mega Mart: https://megamart.subpop.com/releases/weyes_blood/weyes_blood/titanic_risen

Weyes Blood
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BandCamp: https://weyesblood.bandcamp.com/

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Weyes Blood - Titanic Risen

Tim Buckley - Song To The Siren

Treny

Martwa Cisza

Rytm to Niesmiertelność II

Walc

Monday Night Jazz @ Bushnell Park. Hartford, CT
8/12/13
Photo by Joe Chandler

Blue Nile, by Alice Coltrane. Live @ Bushnell Park

listened to this song too many times so now we doin this

radiohead - weird fishes/arpeggi (slowed + reverb)

*Negru Voda - Under The Ice - Fragment 1
*Cyclobe - First Memorable Conversation With a Chimera
*Die Sonne Satan - Razor Cut
*Black Lung - The Banque of Worms
*Paavoharju - Sumuvirsi
*Motion Sickness of Time Travel - Moons Through a Telescope
*Rapoon - An Answer In Ice
*C.O. Caspar - Double Frida
*Death Ambient - Sacred Obsession
*Svarte Greiner - Ullsokk
*Autechre - Rettic AC
*Kevin Drumm - Relief
*Sewer Election - Journey Through Avebury + Landscape (for Manon) Part 2
*Olivia Block - Make The Land
*Etat Brut - Intro
*Sargasso Sea - Health Sciences
*Thought Brodcast - Central Eye
*Incipientum - Caltes
*Dan Gilmore - Xmas In July
*Dust Belt - Trace Amounts
*Yeast Culture - Self-Suspended In Gel
*Eyes of the Amaryllis - Sound for Clay Harvest
*Chris Watson - The Lapaich
*Eric Zann - The Human Chord

Non-Linear Fluvial Patterns

Ensaio Sobre Ela

"Song To The Siren" appears on the EP Cowboy Worship, out now.

EP: http://bit.ly/1t4THye

Amen Dunes (vox):
Facebook: www.facebook.com/amendunes
Twitter: twitter.com/amendunes
Instagram: instagram.com/amendunes

Hubble (guitar):
http://missionhubble.tumblr.com
https://soundcloud.com/hubbletrouble



Amen Dunes - Song To The Siren

Fragment

Fragment II

Fragment I

Maestro Aurelia conducts the Riverside Opera Company Orchestra   in the "Prelude & Liebestod" from R. Wagner's Tristan & Isolda. 
Featured Soprano: Rosa D'Imperio

Recorded live on May 16, 2015 at Snug Harbor Music Hall.
Recording Capture by Version City Studios.

The Riverside Opera Company's programmatic activities can only occur with the help from our Noteworthy Sponsors:

NYCulture
Northfield Bank Foundation
Con Edison
Dragon Kim's Karate USA
The Lois & Richard Nicotra Foundation


Wagner - Prelude & Liebestod from Tristan und Isolda

From Sleep

Dream 8 (late and soon)

In the Lens, Solo Andata’s fourth full-length album, was born from recordings found in the interstices of decades-old hard drives, lost email threads from disused accounts, and forgotten samples recorded on cassette dictaphones. These fragments were combined and re-worked with newer elements to create an album very much in the spirit of the band’s debut Fyris Swan (Hefty Records, 2006), an album touched by both folk and jazz and swathed in a dusty, narcotic haze.
Solo Andata’s Kane Ikin and Paul Fiocco have always pushed aside the digital studio in favor of a more haphazard and hands-on workshop vibe to their productions. They prefer near-broken acoustic instruments, cheap microphones and, as can be witnessed by their live performances, tend to turn anything they can get their hands on into a beautiful sound-making object.

While there is a raw and guileless nature to the duo’s sound it is precisely this that makes their music so powerful amidst the over-produced cliches of much modern music. The beauty of their work is how simple instruments and objects can be physically manipulated into creating such rich, layered sound. Dark, swaying, almost-looped melodies from piano, woodwinds and horns wrap themselves in smoky obscurity around remnants of percussion and warm beds of noise and the world around us.

In The Lens is very much a late-night record, reflected in the rain-soaked cover imagery, dripping with half-forgotten memories. Jittery yet calming, rhythmic, yet unhurried, it leads you down its dark corridors to a soft resting space. Ikin and Fiocco have created a new story around the chemistry of their creations that were taking place during the early days of their musical explorations.

In The Lens

Separate Lovers

Physical: Sold Out
Digital: shiningskullstudio.bandcamp.com/album/in-summer
Catalog #: GN35
Barro negro cassette, limited to 100

For nearly two decades, Jefre Cantu-Ledesma has led an ambitious and exploratory trail through a variety of sounds and genres. As a member of longtime underdogs Tarentel, Cantu-Ledesma broadened the horizons, challenged genre constraints, and pushed the boundaries of the entire post rock genre. Later, Jefre established with several experimental bands (the Alps, Portraits, Moholy-Nagy, etc.) and collaborative projects (Raum, with Grouper). But Jefre has also operated a bit behind the scenes, issuing heady sets of experimental music and film through Root Strata, the label he co-runs with Maxwell August Croy.

As a solo artist, Cantu-Ledesma creates deeply emotional sets of drone, noise, tape collage, and field recordings on the likes of Type, Mexican Summer, Digitalis, Students of Decay, and more. 

Jefre now joins Geographic North with In Summer, a cassette that furthers the nostalgia and melancholy portraits of 'A Year with 13 Moons' (2015 Mexican Summer) and 'Songs of Forgiveness' (2014 BARO) for briefer, yet more potent tape loop meditations. 

"Love's Refrain" opens the cassette by plunging into depths of reeling, Cocteau Twins-esque clouds of guitar and patient drum machine. Riddled with static and glorious, hypnotic tape warble, the song perfectly sets the stage for In Summer's emotional arc. "Little Deer Isle" meditates on a series of field recordings and unbelievable calmness.

"In Summer" exists in a rolling simmer of aural infidelity and physical, circumstantial magic. "Blue Nudes (I-IV)" creates a deep and undulating traipse through various vignettes of hope, love, loss, and admiration, while "Prelude" closes things out with a calm, understated but permeating sense of calm optimism.

Jefre Cantu-Ledesma - "Love's Refrain"

Markus Guentner - Express Yourself

Aufgenommen am Erich-Thienhaus-Institut in Detmold von Johannes Endl.

Maurice Ravel - aus "Miroirs": 3. "Une barque sur l'océan"

The Leftovers: Season 2 (Music from the HBO Series)

That Solitary Moment Together

ME 
(Felicia Atkinson & Jefre Cantu-Ledesma)

From 'Comme Un Seul Narcisse'
Shelter Press / SP070

https://shelterpress.bandcamp.com/album/comme-un-seul-narcisse

Comme Un Seul Narcisse

ME (Felicia Atkinson & Jefre Cantu-Ledesma)

Viraha

Order here:
https://www.juno.co.uk/products/alexis-georgopoulos-foreign-affairs-woo-felicia-atkinson/702014-01/

Emotional Response is delighted to announce Foreign Affairs - a limited edition special remix 7-inch single featuring reworks from Alexis Georgopoulos & Jefre Cantu-Ledesma’s “Fragments of A Season” album by Woo and Felicia Atkinson.

Last year's "Fragments of A Season" represented a unique chapter in both artist’s canon. Georgopoulos, who released the Arp album “Zebra” in June this year and Cantu-Ledesma, who released “On The Echoing Green” in October 2017 – both on Mexican Summer and to critical acclaim – wanted to stretch out and create a discrete work.  A peripheral listen to “Fragments” revealed a resonant album of delicate, ambient vignettes, suggesting a Balearic take on Vini Reilly, Young Marble Giants and other poetically-minded, minimalistic post-punk era bands.  

The Brothers Ives aka Woo were a major influence on the album's makers and so AG and JCL are thrilled they’ve submitted a beautiful reworking of the album’s “Marine”.  Whereas the original sounded like Marine Girls and The Gist getting together for a nice beach day jam, Woo's rework transforms it into pulsating track of glistening proportions.  Percolating synths, some guitar and clarinet – the true classic, idiosyncratic Woo-ification – creates a woozy, romantic, impossible to categorize slice of Balearic meets dub atmospherics.

If “Marine” is all midday sun, intoxicating and potently optimistic, Atkinson’s remake represents the literal and figurative flip, bringing out the overcast dreaminess to “Cleo”.  Sounding like an outtake from a Rohmer film, or perhaps Cocteau Twins and Broadcast having a picnic in Biarritz, the version veers between abstraction, celluloid ambiguity and suggested narrative.  Atkinson’s reworking adds poetry of the tune (quite literally!) with her soft vocal under-gliding to perfection.  Representing a temporary idyll, a meeting point where cobblestone streets lead to the sea.   At nightfall, a discotheque heard in the distance.  The morning mist burns off.  Only such memories remain. 

Digital version includes bonus remix by NY-based house producer Image Man (1080p).

B. Cleo (Felicia Atkinson Remix)

The Garden Of Forking Paths

Bay Of Pearls

Track from the remix compilation album CRXSSINGS, a fundraiser for refugee organisation City Plaza in Athens, Greece.

Here is the list or contributors:

Shelly Knots x Jan St. Werner
Ipek Gorgun x Mira Calix
Aaron Dilloway x Lucrecia Dalt
Laura Luna Castillo x Leyland James Kirby
France Jobin x Anne Guthrie
Mads Emil Nielsen x Jan Jelinek
Alessandro Bosetti x Yannis Kyriakides
Seth Graham x Yves De Mey
Jefre Cantu-Ledesma x Le Révélateur
Mark Fell x Jim O'rourke
Christina Vantzou x Jasmine Guffond
Kreng x Celer
Bjarni Gunnarsson x BJ Nilsen
Jerusalem In My Heart x Black To Comm
Klara Lewis x Lawrence English
Gabriel Saloman x Machinefabriek
Koen Holtkamp x Chuck Johnson

Download at: crxssings.bandcamp.com/releases

All the funds generated by the sales of this album will be donated directly to City Plaza Hotel, a squatted refuge located in the heart of Athens, Greece, organized for and by migrants from Africa and Asia. These funds will support their struggle to provide material needs for those fleeing economic, environmental, political and military disasters in their home countries. At City Plaza Hotel residents work together in ways that center their own agency, dignity and solidarity with each other.

This compilation in no way claims to represent the voices of refugees and migrants, nor does it represent the scores of incredible musicians from the Middle East, North Africa or Central America whose communities are being disrupted by mass migration. Rather, the artists participating in this compilation recognize that their lives and art have benefitted from the relative ease with which they are able to move across borders, performing for international audiences and developing relationships across cultures. Some of the artists involved are the children of immigrants, or have their own experiences of migration and relocation. All of them share a belief in a basic freedom of movement and stand in solidarity with those migrants and refugees who are struggling to make a better life for their families and themselves.

More info:
solidarity2refugees.gr
www.facebook.com/sol2refugeesen