自作、「そんな夏の日」のアウトロ部分からlofi作ってみました。

そんな夏の日 outro lo-fi remix

Disquiet Junto Project 0614: Alternate Route
The Assignment: Do something you often do, but differently.

This is a slightly different take on last week’s project 1.

Step 1: Think of something related to making music that you do a lot.

Step 2: Think of an alternate way to do it that challenges your habits.

Step 3: Make a piece of music using the approach you thought of in Step 2.

Eight Important Steps When Your Track Is Done:

Step 1: Include “disquiet0614” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0614” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your track in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0614-alternate-route/

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #DisquietJunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Step 8: Also join in the discussion on the Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Note: Please post one track for this weekly Junto project. If you choose to post more than one, and do so on SoundCloud, please let me know which you’d like added to the playlist. Thanks.

Additional Details:

Length: The length is up to you.

Deadline: This project’s deadline is the end of the day Monday, October 9, 2023, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, October 5, 2023.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 614th weekly Disquiet Junto project, Alternate Route (The Assignment: Do something you often do, but differently), at: https://disquiet.com/0614/

About the Disquiet Junto: https://disquiet.com/junto/ 2

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0614-alternate-route/

No room for squarewaves - disquiet0614

Night City

Multlayer performance by Jeff Gburek and Karolina Ossowska. Compositional framework generated by JG -- process derived from feeding a fire place while playing frame drum, cymbals and singing bowls so that the sounds of kindling, shovelling ash and other actions blend with the playful dance or organizing the burn. Karolina Ossowska improvised 3 violin tracks to accompany the stem sounds. These violin sounds (col legno battuto, flageolets, pressurized bow-drags) were reconfigured, splintered with various time-line offsets but remain organic and never subjected to any granular convolutions. Sounds from shortwave radio SDR create a kind of cantus firmus reflecting yet again the ionosopheric morphing layers of the planet in geomagnetic warped transitions as expressed by signals bounced into open radios tuned between stations on the floor. Work in progress/regress, clearly. I am reminded of a recent conversation whereine I paid homage to the nature mystic and great Romanian-born architect of chaos theory music, Iannis Xenakis.

Witch Hazel Gathering

Day 3 of #jamuary2024
This year I’m using prompts and tools I supply for the Music Production Club. Join the Club and get in on the prompts! Https://brianfunk.com/mpc

Ableton Live Packs I used:
VHS Vapor Machine:  https://brianfunk.com/blog/vhs-vapor
Super Tape Drums: https://brianfunk.com/blog/2012/06/27/ableton-super-tape-drums

Day 3 They Come In 3s

The prompt for today was 'Double Time'—I wanted to learn how to make a hip-hop beat using Ableton. It took so long, as I haven't made beats before. I did learn a lot of things, though, like how to use a simpler to slice up my guitar recording into a drum-pad. 

My aim was not to be a perfectionist, but I still spent so much time trying too many different things, and I spent a lot of time tweaking! I wish I would just treat this like a sketchbook rather than trying to do everything "polished".

Jamuary Day 2

240108 - We Be Jamnin! (In Space)

16. All Worked Out

Day 22.

Image by jr-korpa: https://unsplash.com/@jrkorpa

Jamuary 22nd 2024 Exist and Fade

Reaktor Generative Ensembles.
Strings and percussiv Pianos.

Il Dilemma, quasi sempre, è una forma simulata (e ormai largamente dissimulabile e dissimulata) di falsa coscienza e ipocrisia piccolo borghese. La realtà è una costruzione sociale. Come tale implica precise domande e altrettanto precise risposte. Chi non vede, non capisce o si astiene, si delegittima e delegittima. Dal Pithecanthropus Erectus all`Homo Sapiens, inteso come nuova forma di progetto culturale e ideologico lontano dalle ipocrisie/false coscienze degli ultimi decenni.
Dal Piccolo Mondo Antico alla Rivoluzione Permanente.

Jamuary Day 2

Jennifer Lea

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