Something special about this one, Jens. I like this one best. It breathes.

great you like it, thank you very much ;-)

Well what a start to a fine series of fragments and a most beautiful job and piece played on the guitar here my good friend. Lovely progression even over this short distance and very well done mate.

Hi, I really love your work! Is there any chances to find its music sheet so I can study it myself?

I love the emotions in each tone you play, and the feelings in the space between the strings..

Chill

Marius - Rounds

This week I wanted to work out a few fragments I had in mind, but after a first recording I felt there is no need to work them out. As a set of six pieces, they are telling the whole story to me. Here is the first one.
The others will follow soon. 
from the album "2 Days & a Year"
Enjoy...

fragments of a journey #1

Silent Brother

04 Ave Mundi

John Dowland
Lachrimae Or Seven Tears
Hathor Consort
Romina Lischka, direction

More info: http://www.outhere-music.com/en/albums/lachrimae-or-seaven-teares-fug-718

DOWLAND - LACHRIMAE OR SEVEN TEARS - HATHOR CONSORT

Antonio Vivaldi, Concerto per violoncello ed archi RV 401
Ensemble Zandonai-orchestra da Camera di Trento
Violoncello solista Stefano Guarino
Primo violino e direttore Giancarlo Guarino


Antonio Vivaldi, Concerto per violoncello ed archi RV 401 II movimento

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Islands: Essential Einaudi is the first time that all of Einaudi's best known music appears in a single collection. It’s available as both a single disc and special double disc version. Islands also includes new tracks The Earth Prelude and High Heels as well as two new remixes of Lady Labyrinth and Eros.

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Divenire

Rush – Anthony Joseph Lanman, 8-String Electric Guitar; Paul Bro, Alto Saxophone; Ted Piechocinski, Accordion; Kurt Fowler, Electric Cello. Recorded by Don Arney at Quantum Productions in Terre Haute, IN.

I’ve always loved progressive rock and metal music. As one wise man once said, “You’ll never escape the music you loved when you were seventeen.” And I’ve never tried. This piece is a tribute to all of that wonderful progressive rock that fueled my passion for music during my formative years, and contains that same drive, that same passion, and that same rush that it gave me all those years ago. The title is a reference to the feel of the music, and a tribute to one of the bands that got me started on my journey.

Rush also explores a whole new sound world for me – electric guitar, electric cello, alto saxophone and accordion – a combination I never thought I would hear, let alone have the opportunity to write for. It wasn’t until I did an arrangement of Astor Piazzolla’s L’Histoire du Tango for this group that I realized what a special sound and what a special group this was. Musically, the piece explores a few main ideas – one fragmented statement and one rock influenced melody. Its aim is to be a fusion of all of my past musical experiences, from playing in a touring rock band, to performing Bach suites on classical guitar, to playing John Dowland on the renaissance lute, to performing Steve Reich in a contemporary chamber orchestra.

Get it on Bandcamp.Com! anthonyjosephlanman.bandcamp.com/

Rush

Amelie Forever: Take 145” is a delightful and enchanting piece featuring the Virtuoso Mallet. This track captures the whimsical essence of “Amelie,” blending playful melodies with the masterful touch of the mallet to create an enduring and joyful listening experience.

Amelie Forever: Take 145 with Virtuoso V2.0 Mallet

Civic Orchestra of Chicago in concert with Cliff Colnot - Orchestra Hall, May 29, 2011

The Rite of Spring  Part 2

Available here: http://bit.ly/2mB96no

Johann Sebastian Bach 
Motetten
Collegium Vocale Gent, Philippe Herreweghe

Komm, Jesu, komm !, BWV 229: Komm, Jesu, komm

Kathleen McDonald, flute
Pasquale Bianculli, guitar
  
  from "Hill of Slane - Psalms, Sonatas & Sojourns"

J.S. Bach - Sonata in E Minor, BWV 1034  IV. Allegro

The year 2017 was a vintage one for Giovanni Antonini: he was awarded an Echo Klassik, two Gramophone Awards and a Diapason d’Or of the Year for his recent releases. Two of these prizes distinguished Il Distratto, volume 4 of the complete recording of the Haydn symphonies on which he embarked for Alpha in 2014. For the sixth volume, released in 2018, the Milanese conductor is again joined by the Kammerorchester Basel, which shares the project with Il Giardino Armonico and which he knows very well, since he conducts it regularly and they have made many recordings together, including volume 5 of the Haydn series. This volume focuses on symphonies with a ‘sacred’ inspiration: the Symphony No.26, ‘Lamentatione’, was composed in 1768 for Holy Week, and no.30 was nicknamed ‘Alleluja’ after the plainchant melody Haydn uses in it. Symphony No.41 was written in 1769.

Learn more : https://Outhere.lnk.to/Haydn2032Vol6So

ALPHA 678

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HAYDN 2032 // Symphony No. 3 In G Major III : Minuet - Trio

Baroque Evening

Time is different in music.
 Close and friendly it is drifting by
sometimes flying, sometimes even 
standing still, but never passing. 
Nothing gets lost – the first tone 
is not older than the last one.

All music is child of its time, but not bound by time. 
It arises from moments and lives in people.  
Listening to music you make it your own.

My name is Jens Felger and I live in the southwest of Germany.
I'm a composer, guitarist & music teacher.
I love music of nearly every style and I live music whenever I can.
Creating & listening to music is my elixir of life.
The classical guitar is my musical base camp and at the moment 
I'm concentrated on creating music for this instrument. 
I'm not focussed on a specific style but I can't deny my classical background.

recently I had the great honour of being soundclouder of the day
http://soundcloud.tumblr.com/post/55093681730/soundcloud-of-the-day-jens-felger-jens-felger

Sharing music and the emotions within on social networks gives me a peace I've never expected. Being part of this amazing & inspiring community on soundcloud changes the way I hear music, I feel music and influences the way I create music. Thanks to all of you for your fantastic support, this means a lot to me.

fragments of a journey #1

jensfelger

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