Just when we thought Wallace couldn’t get any rowdier, Canadian dubstep supremos Distinct Motive and Wraz. are back with the VIP - the biggest party starting 140 banger this side of your nan’s kitchen. 

Doing more damage in the scene than a nuclear bomb going off in a greenhouse, Wallace VIP has been shutting raves and festival stages down all year - and now is being unleashed on the masses. 

The unbearably savage ugly beast just got nastier. Wallace VIP is ready to rip you to shreds. 

DUBSTEP.

Wallace VIP

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Play Hard II

“On Tha Job” is a high-pressure heavy dubstep and trap crossover built for full focus and raw intensity. Driven by crushing 808 sub-bass modulations, wide melodic synths, and crystal-clear stereo dynamics, the track moves with purpose—escalating through tense, exciting buildups before slamming into deep, heavy drops that hit with authority.

Trap-style drums, sharp stutter effects, and aggressive sound design lock the groove into a relentless forward motion, while subtle beatboxing accents add extra grit and rhythm to the beat. The vocals cut through with a low-toned, gritty street delivery, rapped in a gangsta rap/trap style that reinforces the track’s core message of discipline and no-loss mentality.

At 150 BPM and stretching 3 minutes, the repeated intro mantra “I be on the job, I can’t take a loss” functions like a mindset reset—steady, commanding, and unshakable. “On Tha Job” is built for late nights, heavy systems, and anyone moving with tunnel vision and zero room for failure.

On Tha Job

“Raindrops II” by Jephirsun Danger is a high-energy reimagining of one of his earlier works, transforming familiar emotion into a more urgent, dancefloor-driven experience. This remix amplifies the original’s core feeling with a fast-paced, four-on-the-floor pulse, a powerful synth bassline, and layered melodic elements that surge with momentum and tension.

Set in a minor key, the track balances intensity and release, pairing clean, polished production with sharp rhythmic precision and dynamic contrast. The female vocals cut through with clarity and confidence, soaked in tasteful delay and reverb that give the lyrics a haunting, emotional echo. Lines about restless nights, lingering heartbreak, and the struggle to let go loop like thoughts you can’t escape—mirroring the track’s driving, repetitive hook structure.

With distinct verses, soaring choruses, and instrumental breaks that build and explode, “Raindrops II” is both emotionally charged and relentlessly danceable. It’s a testament to Jephirsun Danger’s evolution as a producer—honoring the past while pushing the sound forward into a more intense, club-ready form that hits hard and stays with you long after the last drop fades.

Raindrops II

“Deity” by Jephirsun Danger is a bold dubstep–trap crossover infused with electro-swing energy, merging heavy modern bass with vintage rhythm and global influence. Built on a driving swing-inspired rhythm section and walking bass foundation, the track balances groove and power while staying rooted in a minor key, creating a mood that is both melancholic and electrifying.

Prominent brass instrumentation—trumpets and trombones—delivers catchy, syncopated melodies and call-and-response phrases that cut sharply through the mix, giving the track its unmistakable swing character. These organic elements collide with modern dubstep and trap production: hard-hitting drums, low-end weight, and electronic synth pads and leads that add depth, tension, and contemporary edge. Instrumental breaks allow the groove to breathe before snapping back into high-energy drops and verse-chorus sections.

The male baritone vocals ride the rhythm with a smooth, commanding delivery, often layered with harmonies that lock into the swing feel while maintaining a gritty, modern presence. The production is clean and polished, carrying a subtle vintage warmth while preserving the punch and clarity expected from a bass-driven crossover.

Inspired by Jephirsun Danger’s experiences living within Arabic culture in Iraq and the Middle East, “Deity” reflects a deeper global influence in its tonal choices, emotional contrasts, and rhythmic sensibilities. The result is a genre-blending track that fuses dubstep and trap intensity with swing-era flair—danceable, powerful, and culturally textured, showcasing Jephirsun Danger’s ability to bridge worlds through sound.

Deity

“Danger Rollin’” by Jephirsun Danger is a high-energy dubstep / trap crossover built to rattle systems and keep the momentum locked from start to finish. Anchored by hard-hitting synthesized drums, a thick rolling sub-bass, and sharp electronic effects, the track carries a playful yet dangerous edge—dark, bouncy, and unapologetically heavy.

Jephirsun’s production shines through its precision and punch. The beat is fast and relentless, driven by trap-style rhythms while the bass provides both weight and movement, shaping the track’s minor-key atmosphere into something gritty and infectious. Instrumental breaks are carefully placed to build tension before snapping back into full-force drops, making the track feel constantly in motion.

The vocals function as rhythmic weapons—chopped, stuttered, and looped into hypnotic chants that turn "Jephirsun Danger" into a percussive hook. Processed with delay and reverb, the vocal lines echo through the mix with street-level attitude, reinforcing the track’s raw, hood-driven energy.

Designed for head-nods, bass drops, and crowd reactions, “Danger Rollin’” is a statement piece that highlights Jephirsun Danger’s ability to blend trap grit with dubstep power. It’s loud, repeatable, and built to roll heavy wherever the bass hits hardest.

Danger Rollin'

"Thumpin’" by Jephirsun Danger is an electrified, genre-bending anthem built for bass heads, trap lovers, and electronic dancefloor veterans alike. From the first kick, this dubstep-trap hybrid commands attention with pounding low-end, hypnotic vocal hooks, and pristine production that showcases Jephirsun’s distinct style—gritty, dynamic, and intensely rhythmic.

The track opens with a four-on-the-floor kick drum pulse, locking in a steady tempo around 150 BPM, instantly primed for club sound systems. Riding above that is a warm, rolling 808 sub-bass that morphs and modulates in pitch and filter, reminiscent of classic trap production, but layered with a dubstep-level thickness and sub energy. The bass isn’t just felt—it’s talking, thanks to a subtle but slick talkbox effect that echoes the titular hook: “Thumpin’.”

Above the low-end foundation, Jephirsun crafts a bright, arpeggiated synth lead that dances with a playful urgency. This melodic motif loops hypnotically throughout the track, evolving with filter sweeps and stereo-panned synth layers that heighten tension before each drop. Supporting it is a carefully programmed hi-hat rhythm that injects the track with trap swagger, while percussive synth stabs add intricate groove layers that keep the beat kinetic.

At the drop, the energy explodes. The bassline deepens, hi-hats go halftime, and dubstep growls give way to crisp beatbox snippets and vocal chops. The chorus chant “Thumpin’ Thumpin’, the bass keep dumpin’” becomes a percussive centerpiece, looped and chopped with delay and reverb to create a call-and-response feel that’s perfect for crowd interaction. The repeated vocal refrain—“The bass keep pumpin’”—works like a mantra, pushing the momentum forward.

Jephirsun’s signature production finesse is on full display. There’s no crunching, no static, no clipping—just a clean, wide stereo field with tight transients and warm analog textures. The mix breathes, with each element occupying its space, from the crisp snare to the sub-rattling kick/bass interplay. The track’s mellow pace is deceptive, as the rhythm maintains high energy without ever feeling rushed. It’s fun, confident, and unapologetically heavy—a vibe that reflects Jephirsun’s mastery of both hip-hop-rooted beat science and bass-driven electronic intensity.

Visually, the artwork mirrors the sonic energy perfectly: a hooded, headphone-clad figure—Jephirsun’s alter ego—surrounded by green lightning bolts, stacks of floating bills, booming subwoofers, and a stage ready to implode. The typography of “THUMPIN” bursts with trap-attitude and neon energy, amplifying the song’s fusion of street grit and cosmic bounce.

“Thumpin’” isn’t just a track—it’s a system test, a rally cry, and a flex. Whether you’re nodding in the back of a club or front-row at a festival, when this track hits, the whole room’s jumpin’.

Thumpin'

"Bwoy" is a kinetic, genre-smashing dancefloor weapon from Jephirsun Danger, fusing Caribbean-inspired energy with electronic precision and a trap-style low-end thump. Inspired by dancehall attitude and sound system culture, the track pulses at 150 BPM, built to make crowds move, grind, and bounce—hard.

Anchored by a thick, rolling bassline and powerful 4/4 kick/snare combo, the rhythm punches with relentless drive. But it's the heavily chopped, female vocal sample—pitched, twisted, and layered—that becomes the true instrument here. Like a digital chant, the voice bounces through the track, forming a hooky, percussive spine that slices through the production with a hypnotic pull.

Jephirsun’s signature touch shows in the sleek sound design and dynamic mixing. Arpeggiated synths weave between layered pads and effects, delivering waves of tension that build and snap with expert timing. The drops hit with gritty, melodic precision, keeping the intensity high while letting the bass breathe. Each transition is clean yet impactful, sliding the listener from frantic build-ups to explosive, head-knocking breakdowns.

The minor key adds a dark, exotic undertone, countering the brightness of the rasta-inspired sonic palette. On the visual side, the cover art says it all: drenched in red, yellow, green, and black, it’s a reggae-dub-electro fusion gone nuclear. A lion with dreads, towering speaker stacks, and smoke, rum, and fire surround the bold “BWOY” title—styled like graffiti caught mid-blast—emphasizing the track’s roots in bass culture and dancehall rebellion.

With echoes of trap, dubstep, reggae, and EDM, "Bwoy" is both a tribute and a reinvention. It’s bold, polished, and built for massive sound systems—a celebration of bass, rhythm, and raw attitude. Whether you're in a dark warehouse rave or a beachside sound clash, “Bwoy” goes hard.

Bwoy

Jephirsun Danger is a boundary-pushing DJ, producer, and multimedia visionary whose immersive, psychedelic electronic soundscapes have cemented his status as a driving force in the Northeast’s underground EDM community, operating from his creative base in Bangor, Maine.

A genuine musical shapeshifter, Jephirsun’s evolution traces back to the raw intensity of the ’90s and early-2000s metal and punk underground, performing everywhere from New England basements to Nashville clubs and stages across South Korea. His transition into DJing and electronic production began in high school, sparked by an equally deep fascination with hip-hop, breakbeats, and experimental sound manipulation.

Across decades of artistic exploration, Jephirsun has traveled widely throughout the U.S. and abroad, absorbing global musical textures, rhythms, and cultural influences. These experiences manifest in his studio work and live sets, where every drop, switch, and atmospheric build carries a distinctive interplay of style, emotion, and narrative.

Today, his creative focus spans a dynamic array of EDM subgenres—dubstep, trap, breakbeats, and psytrance—woven into high-voltage performances that blur the line between music and immersive storytelling. His sets are engineered as more than entertainment; they are meticulously crafted, multi-sensory journeys designed to elevate both dance floors and festival stages.

In the studio or commanding a crowd, Jephirsun Danger stands as a relentless innovator—bridging genres, reshaping sonic expectations, and uniting diverse audiences through the transformative power of rhythm and sound.

Bwoy

Jephirsun Danger

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