Listen to the official theme for Renata Glasc, the Chem-Baroness.

LISTEN NOW: https://found.ee/renata 
Spotify: https://found.ee/renata-spotify
Apple Music: https://found.ee/renata-applemusic
Amazon Music: https://found.ee/renata-amazonmusic
Youtube Music: https://found.ee/renata-youtube
Deezer: https://found.ee/renata-deezer


PRODUCTION CREDITS:

Music by: Zac Zinger and Two Feathers (Elvira Björkman and Nicklas Hjertberg)
Solo Violin by: Paul Cartwright
Executive Producer and Supervision by: Riot Music Team

Renata Glasc, the Chem-Baroness

Original:
https://youtu.be/0tfGjnV7g9U

Uploaded for DnD/Roll20 games. Credit to original authors.

DnD - Ashatan Desert Battle Music

http://theophany-rmx.bandcamp.com/album/times-end-majoras-mask-remixed

Theophany - Terrible Fate

Baldur's Gate 3 OST -  Wash My Pain Away

Ori And The Blind Forest OST - 32 - Light Of Nibel (feat. Aeralie Brighton)

A dramatic orchestral piece with a slow tempo and a minor key, The instrumentation features strings, brass, and percussion, creating a suspenseful and epic atmosphere. Based on an original composition by Mark Bloss and arranged and mastered by AI assist at Suno.com

Poseidon

Kindred, the Eternal Hunters

My take on one of the most interesting Zelda side characters: Guru-Guru, the Windmill man. Read more about my interpretation here, as told by Zelda Universe: http://zeldauniverse.net/2017/02/14/song-of-storms-love-goes-around-by-rozen-reminds-us-that-love-can-be-crazy/

DESCRIPTION: 

Go around! Go around and around and around. I used to be so happy. Around and around. I used to have love. 

I'll never forget what happened on that day, seven years ago! It's all that ocarina kid's fault! Next time he comes around here, I'm gonna mess him up! 

Back then a mean kid came here and played a strange song. It messed up this windmill. And my life! 

I'll never forget this song...



Credits:

released February 14, 2017 
Music arranged and produced by Rozen (http://rozen.audio) 

Mixing, master and engineering by Jose Madrid (www.facebook.com/josemadridmusic) 


I want to thank the wonderful people who made this possible in such a small amount of time: 


Violin - Patti Rudisill (http://patriciarudisill.com) 
Cello - Mason LIeberman (www.facebook.com/MasonLiebermanMusic) 
Assistant Recording Engineer for Cello - Caitlin Bennett 

Xiao/Irish Whistle - Kristin Naigus (http://field-of-reeds.net) 
Accordion/Cajon - Jose Daniel Ruiz (twitter.com/ruizjdmusic) 

Artwork cover by akayashi (red-coconut.net/aka/) 
Panoramic art by LS Kuroyami (www.facebook.com/Monochroma.keys/) 

Sound Design provided by Theophany (http://terriblefate.com) 

Special Thanks: 

Reven (www.facebook.com/revensongwriter) 
May Claire La Plante (www.facebook.com/mayclairemusic/)


tags: soundtrack the legend of zelda epic nintendo ocarina of time orchestral remix rozen song of storms soundtrack video game video game music zelda Los Angeles

Song of Storms: Love Goes Around

FREE Download

Song Of Storms: Love Goes Around (Orchestral)

Destruction_ by_Keiichi Okabe & Monaca

MP3 and FLAC available for Patrons. ► https://www.patreon.com/thesecondnarrator

"I am Setsuna" is a game that tries so hard to be the next Chrono Trigger, which is why I am surprised why the soundtrack is piano only. I am going to guess that the soundtrack being all piano was more a budget decision than an artistic choice. The art direction and lore contain a lot of Japanese influence, so having a western pianoforte instrument at times sounded a bit out of place. Nevertheless the soundtrack itself is very beautiful and the piano evokes so much sorrow and a quiet hope that the world in I am Setsuna will find peace.

The battle music, more than the other tracks, felt like it was itself a piano cover of the mythical true full instrumental soundtrack that we never got to hear. To the composer's credit, the piano handled the rhythm, the melody, and all the flourishes you expect would come from a flute, or a harp, or whatever, and I could almost hear it from just the piano. Pretty impressive. So this is my attempt to restore the full version of the song. To make it hardcore traditional Japanese, I used an ensemble of Taiko drums and the Shamisen. And boy, was this so much fun.

While I tried to translate everything from the original track, the one thing I totally redid was the rhythm. Using about 5-6 Taiko drums of varying sizes, I came up with a ton of different rhythmic loops. I don't like how lots of JRPG battle music have the same beat that just keeps on repeating. You start to tune it out. I wanted to constantly change it up, so the listener is always on his/her toes enjoying the unpredictable nature of the percussion, reflecting the tension in a battle.

I originally chose to add the Shamisen just so the piece would have that traditional Japanese flavor, but while playing around with the sample library I liked the sound so much I upgraded it to be the star attraction of the song. I listened to a ton of shamisen performances, including the Yoshida Brothers, for reference. There's so much nuance to the way a pro player slaps and plucks and slides the strings that I can only do a pale imitation on my cheap library. I like how you can use the shamisen as either percussion or melodic. Almost makes me want to go learn to play the real thing.

For those that know about Beat Saber, once the official level editor comes out, I am totally going to create a custom level for this track!

Arrangement and fan art by Jeremiah Sun

Original Track composed by Tomoki Miyoshi
You can buy this game for PS4, Steam, or Nintendo Switch

Resurrected Memories

No Turning Back Orchestrated (Battle Theme) - from I am Setsuna

Ori and the Will of the Wisps - E3 2018 Trailer

I am a developer as well as a self-taught composer. My style is creating narratives in music through the use of strong melodies and unique instrumentation.

Primary DAW used: Presonus Studio One

No Turning Back Orchestrated (Battle Theme) - from I am Setsuna

The Second Narrator