Silmarillion

Jeremy Wiebe

Drama

Game tracks

I wanted to make a track in anticipation of the upcoming sequel to the Amazing Spider-Man movie directed by Marc Webb and staring Andrew Garfield. James Horner produced a great score for the first film, and it will be interesting to see what Hans Zimmer does for the second film. 

I composed this piece based on the theme from the cartoon Spider-man TV show. I wanted it to have a bit more of a darker sound, almost a Dark Knight vibe, but at the same time a bold and adventuresome sound, which you definitely notice at the end when it morphs into an almost James Bond type of sound.

Here is the link to the original song, in which you can hear the theme that I borrowed for my composition. The theme is heard in the electric lead guitar: https://www.youtube.com/watch?v=KFHi8TouPoU

Libraries used:

Hollywood Strings

Hollywood Brass

Hollywood Orchestral Woodwinds

Goliath

Stormdrum 2

EWQL Symphonic Orchestra

QL Spaces


Download my music here: http://jeremywiebe.bandcamp.com

Follow me on Twitter: https://twitter.com/WiebeMusic

Join my circle on Google+: https://plus.google.com/u/0/+JeremyWiebeComposer/posts

Follow me on SoundCloud: https://soundcloud.com/jeremy-wiebe-composer

The Amazing Spider Man

A track from the upcoming EP " Horsemen: Hatred" (Epic/Trailer/Hybrid).

Buy on iTunes

Overturn

This orchestral track has a sentimental, dreamscape sound. Beginning with dynamic bowings in the high strings, the flute carries a gentle but somewhat suspenseful melody, climaxing in a lush string arrangement supported by percussion.

This track uses 8dio Agitato Grandiose Legato, Adagietto, Hollywood Orchestral Woodwinds, Symphonic Orchestra Percussion

Veronica's Dream

A short string arrangement I wrote recently using 8Dio's Agitato strings.

Midsummer's Dream

Nothing is Everything you Need

A short track I made using 8dio's Agitato Grandiose Legato strings and a few other libraries.

Sakura Sunset

This is my submission for the 8Dio 2015 Stand Out Contest.

I used the following 8Dio instruments: 

8Dio Bazantar
8Dio Adagietto

Men Among The Ruins

After the fall of Gondolin, Eärendil lived in Arvernien by the Havens of Sirion. His parents, Tuor and Idril, daughter of King Turgon of Gondolin, sailed west to Valinor, never to return. With the aid of Cirdan the Shipwright, Eärendil built a ship which he named Vingilot. He sailed in search of Valinor, which shrouded by the Enchanted Isles, and to seek the aid of the Valar, the Lords of the West, to overthrow Morgoth, the dark lord whose hold over Beleriand was now almost complete.

Eärendil Goes To Sea

Happy New Year! Enjoy the ride!

Social:
Twitter:@stoneocean_
Instagram: Stoneocean_
Soundcloud: http://goo.gl/DyFJcJ
Facebook page: http://goo.gl/2BDss2
YouTube: www.stoneocean.info
DeviantArt: http://mrstoneocean.deviantart.com/gallery/

Support me:
Patreon: http://www.patreon.com/stoneocean
Donate: http://goo.gl/z3lfQG (Paypal/Master/Visa)

Latest Album: Awaken
Spotify: http://goo.gl/R1jexc
iTunes US: http://goo.gl/uesOxX
Piratebay: http://thepiratebay.se/torrent/10969202

Album: One Vibration
Spotify link: http://goo.gl/moQjgO
iTunes link : http://goo.gl/9itIH5
Piratebay: http://thepiratebay.se/torrent/9539032


Contact: 
Mail: mr.stoneocean@gmail.com

Tripping [EDM | HAPPY]

I made this track inspired by John Powell's score for How to Train Your Dragon.

Dragon Mountain

I made this track almost entirely using Spitfire Audio's Evo String 1 library plus a Viola tremolo patch from 8Dio's Adagietto.

Winter On The Prairie

Vikings

I composed this short track primarily using Spitfire Audio's Evo Grid Strings and Evo Grid Woodwinds. Both are great libraries, and one of the most worthwhile sample library purchases I've made. Each library features 48 unique "evos," evolving textures and playing techniques that loop after about 15-20 seconds.  Using these libraries to make music is one of my guilty pleasures, as you can simply play some interesting chords and layer different evos to create a finished track in a very short amount of time. I also like using these libraries in my more traditional orchestrations to add some interesting textures and added realism.

Download my music here: http://jeremywiebe.bandcamp.com

Be my friend on Facebook: https://www.facebook.com/jwiebecomposer/?ref=hl

Follow me on Twitter: https://twitter.com/WiebeMusic

Listen to me on SoundCloud: https://soundcloud.com/jeremy-wiebe-composer

Join my circle on Google+: https://plus.google.com/u/0/+JeremyWiebeComposer/posts

Rain

I composed this short action cue this winter, and it will be available for purchase as part of my upcoming release entitled Call to the North, which will be available this coming June. I used Hollywood Orchestra from East West Quantum Leap as well as CineSamples' freebie, Jerry's Pianos.

Download my music here: http://jeremywiebe.bandcamp.com

Watch me on YouTube: https://www.youtube.com/c/jeremywiebecomposer

Join my circle on Google+: https://plus.google.com/u/0/+JeremyWiebeComposer/posts

Be my friend on Facebook: https://www.facebook.com/jwiebecomposer/?ref=hl

Follow me on Twitter: https://twitter.com/WiebeMusic

Race Through The Forrest

WIP of a teaser track from my upcoming album

WIP Killshot

I created this track using exclusively Evo Grid Strings Vol. 1 and Evo Grid Woodwinds from Spitfire Audio. 

Download my music here: http://jeremywiebe.bandcamp.com

Be my friend on Facebook: https://www.facebook.com/jwiebecomposer/?ref=hl

Listen to me on SoundCloud: https://soundcloud.com/jeremy-wiebe-composer

Follow me on Twitter: https://twitter.com/WiebeMusic

Join my circle on Google+: https://plus.google.com/u/0/+JeremyWiebeComposer/posts

Acedia

Three years ago, I started creating realistic orchestral mock-ups. My early compositions were inspired by J. R. R. Tolkien's the Silmarillion, and I created a number of pieces which I released as an album called Songs from the Perilous Realm. Unfortunately, those early mock-ups were not very good, and I've removed most of them from my public profile. In the years since, I've concentrated on improving my midi orchestration skills, and I'm pleased to say I will be returning to the task of creating the music of the elder days in Beleriand, where the Noldor lived out their tragic fate. This time, I will be focusing on the story of Tuor and the Fall of Gondolin. This track is a little taste of what you can expect to hear in this upcoming work, which I'm planning to release by the end of the year. In the Battle of Unnumbered Tears, Fingon was nearly victorious; but in the end, he was finally defeated and then killed by Gothmog, Lord of Balrogs. This composition is a eulogy to his life and death.

Download my music here: http://jeremywiebe.bandcamp.com

Be my friend on Facebook: https://www.facebook.com/jwiebecomposer/?ref=hl

Watch me on YouTube: https://soundcloud.com/jeremy-wiebe-composer

Follow me on Twitter: https://twitter.com/WiebeMusic

Join my circle on Google+: https://plus.google.com/u/0/+JeremyWiebeComposer/posts

The Death Of FIngon

Tybercore's third album with STYE is a beautiful blend of epic hybrid orchestral music with post rock and electronic instrumentation.  The chord progressions and continuously building arrangements make this a special collection of music for heroic, apocalyptic and indie film trailers as well as extreme sports and other documentaries that need that emotional impact.

Flying Cards

A remix of a track I did using Orchestral Tools' sample library, Metropolis Ark I. The only other libraries I used were CinePerc and an eDNA patch from Albion 4.

Flight Over The Metropolis | Adventure Score

Inspired by events that take place in J.R.R. Tolkien's fantasy novel, The Silmarillion, this song was written as what might have been composed by the harper, Maglor, reflecting on all that has happened.       After his elder brother, Maedhros, persuades Maglor to steal the Silmaril and together the last of Feanor's sons fulfill the oath, this last stand made by them to regain it leads to Maedhros' death and Maglor's exile. Maglor therefore writes this song in sorrow, grief, and regret, thinking back about what has happened. 

All Rights Reserved. © Cheyenne van Langevelde 2016.

Maglor's Lament | Original Composition

My friend and I composed this song together after role playing as the main characters in Tolkien's novel, The Children of Húrin. I did include the melody from the Scottish Gadhlig song, An Ron, in it as it is my friend's favorite song and flowed with the original melody. I hope you enjoy!

Laer Cú Beleg from The Children of Húrin | Original Composition

Excerpt of Doom of the Silmarils from the album "The Elder Days", by Galadhrim

Doom Of The Silmarils (excerpt)

I’ve been getting a handful of people asking after this song, so I thought I'd attempt it: here goes! Sorry for the blips in the recording towards the end. Music is mine- poetry is Tolkien’s.

"The leaves were long, the grass was green,
The hemlock-umbels tall and fair,
And in the glade a light was seen
Of stars in shadow shimmering.
Tinuviel was dancing there
To music of a pipe unseen,
And light of stars was in her hair,
And in her raiment glimmering.

There Beren came from mountains cold.
And lost he wandered under leaves,
And where the Elven-river rolled
He walked alone and sorrowing.
He peered between the hemlock-leaves
And saw in wonder flowers of gold
Upon her mantle and her sleeves,
And her hair like shadow following.

Enchantment healed his weary feet
That over hills were doomed to roam;
And forth he hastened, strong and fleet,
And grasped at moonbeams glistening.
Through woven woods in Elvenhome
She lightly fled on dancing feet,
And left him lonely still to roam
In the silent forest listening.

He heard there oft the flying sound
Of feet as light as linden-leaves,
Or music welling underground,
In hidden hollows quavering.
Now withered lay the hemlock-sheaves,
And one by one with sighing sound
Whispering fell the beachen leaves
In wintry woodland wavering.

He sought her ever, wandering far
Where leaves of years were thickly strewn,
By light of moon and ray of star
In frosty heavens shivering.
Her mantle glinted in the moon,
As on a hill-top high and far
She danced, and at her feet was strewn
A mist of silver quivering.

When winter passed, she came again,
And her song released the sudden spring,
Like rising lark, and falling rain,
And melting water bubbling.
He saw the elven-flowers spring
About her feet, and healed again
He longed by her to dance and sing
Upon the grass untroubling.

Again she fled, but swift he came,
Tinuviel! Tinuviel!
He called her by her elvish name;
And there she halted listening.
One moment stood she, and a spell
His voice laid on her: Beren came,
And doom fell on Tinuviel
That in his arms lay glistening.

As Beren looked into her eyes
Within the shadows of her hair,
The trembling starlight of the skies
He saw there mirrored shimmering.
Tinuviel the elven-fair,
Immortal maiden elven-wise,
About him cast her shadowy hair
And arms like silver glimmering.

Long was the way that fate them bore,
O'er stony mountains cold and grey,
Through halls of iron and darkling door,
And woods of nightshade morrowless.
The Sundering Seas between them lay,
And yet at last they met once more,
And long ago they passed away
In the forest singing sorrowless."

(04/17/2013)

The Lay of Luthien

I compose for films, games and everything in between. To discuss your project, contact me personally at jeremy.wiebe.composer@gmail.com. 

I compose, orchestrate, arrange, and produce complete orchestral mockups and orchestral or string backing tracks for vocals.

The Death Of FIngon

Jeremy Wiebe | Composer