ASOHFS

Warning: side effects may include bruxism, dilated pupils, bouncing off the walls or keeling face-first into mud

"Frida Hepburn" transcends the mere realm of a simple stage name; it is a captivating fusion of two iconic figures embodying contrasting facets of modern society.

The narrative woven into "Frida Hepburn" delves into the tension between the unrelenting quest for acceptance and success, often conflicting with the genuine acceptance of our true selves. It's an ongoing struggle to uphold authenticity amid the societal expectations that confront us all.

The sonic landscape of "Frida Hepburn" mirrors the heartbeat of modern society, where individuals find themselves torn between Frida's unfiltered authenticity and Audrey's polished image. It oscillates between intense, immersive atmospheres, symbolizing vulnerability and authenticity, and transforms into distorted synthesizers, representing the pressure and masks we adopt to conform. All of this is underscored by the groove, the rhythmic pulse of contemporary life.

This fusion not only seeks to transcend musical boundaries but also communicates a profound message about the ongoing battle for authenticity in a world dominated by social expectations.

Since his return to music , Jeremy has steadily rebuilt his discography, releasing music on respected labels like Kneaded Pains, ac55id, RSPX, Northern Parallels, and Made of Concrete. His stripped-down sound remains locked in for peak-time dance floors, gaining support from major figures like Richie Hawtin, Truncate, Rodhad, and Marco Faraone. Now, with new releases, a live set in development, and plans to tour again, Jeremy continues to push forward, shaping his next chapter.

I produce, mix and host a weekly radio program called BEATSCAPE: where creative minds meet up with dancing feet! Every week, I deliver a 3 hours of the hottest new releases. From deep-house to soulful, tech-house to deep-techno, dubstep to 4x4, ambient to IDM, post-dubstep to grime.
Currently broadcasted in France and Switzerland, my purpose is to educate a "mainstream audience" to what I consider to be "quality music", following my only moto: if I like it, I play it!
If you are a radio station and would like to broadcast BEATSCAPE, feel free to contact me, I can even present the show in English (with American accent).
If you are an artist and have promotional material you would like to be featured in BEATSCAPE, or if you would like to be featured as a "guest DJ" feel free to e-mail me! 
Obviously, I do everything for REE, My ony purpose is to promote artists I love!!!

Miroslav Byrtus aka Dustman had came on club scene sometimes in 2002. In this age he most inclined to techno music which gave him new understanding of music, showed him how clubbing looks like through a DJ's eyes and changed his life completely. Once he started with playing in clubs mostly in Slovakia and Czech Republic, from this point it was very close to organize his own parties carrying names as Cadcatech, CAcityclubbing, Technoextasy or DrumRevolution. As time was passing he recognized DNB style as the best choice for himself, made him to be really addict to electronic music and became part of his life style. In the end of 2011 he started to work as a member of Crank Time crew which was organizing same named parties Crank Times which are the biggest DNB events in the northwest part of Slovakia in nowadays. Considering the sounds he prefers is dark bass links, aggressive sound with lot of energy in booth styles which he also tries to implement to his sets.
Biggest events:  Technoextasy, DrumRevolution, Beefree, Crank Time
Participated with: Zeus, Nick Grater, Inigo Kennedy, Agent, Jerry, Nika77, Boss, Schimek, Toky, C.phone(nomoney), Philip TBC, IM Cyber, Ibogain (Morebeat), Chris SU, Axiom ,Exorcist
Favorite labels: Subtitles, Basswerk, Commercial suicide,  Renegade Hardware, Triplevision, Hospital



S hraním začal zhruba v roku 2002 a hrával prevažne techno. BPM mu však nestačilo, takže momentálne hráva  drum and bass v ktorom nachádza viac energie.V hrani viac uprednostňuje odnože ako jump up, techstep alebo neurofunk. Časom prichádza na chuť aj digitálnemu dj-ingu kde nachadza vätšie spektrum možnosti štýlov. Na prelome rokov 11/12 sa dava dokopy so Žilinskou crew organizujúcu už známu akciu Crank Time.
Jeho sety sú niekedy trošku temnejšie a agresívnejšie ale hlavne originálne, melodické a pestré.
Popri hraniu sa tiež venuje aj promotérstvu a tak ho môžme vidiet za akciami ako boli Čadcatech, Drumrevolution či CA city clubbing a ďalšie.
Prešiel si už mnohími klubmi, akciami (Technoextasy, Beefree, Beskyd Summer, Drumrevolution, DrumWars atd.) a zahral aj s djs svetových mien ako napriklad sú Zeus, Nick Grater, Inigo Kennedy, Agent, Jerry, Nika77, Boss, Schimek, Toky, C.phone(nomoney), Philip TBC,  IM Cyber, Ibogain (morebeat), Chris SU, Axiom či Exorcist a mnoho ďalších zvučných mien. K jeho najoblubenejším interpretom patria Rregula, Dementia, Proket, Skynet či Spor a  Audio.
 
Medzi jeho najoblúnejšie labely patria:Syndrome, White, Breakbeat Kaos, Commercial Suicide, Trouble On Vinyl, Renegade Hardware, Defcom Records, Ganja-tek recordings, Renegade Recordings, Alchemy Records, Triplevision recordings.

Kontakt:
musicbalance@gmail.com
www.facebook.com/mirko.dustman.byrtus 
http://www.mixcloud.com/mirkodustmanbyrtus/

ASOHFS

Jeremy P Caulfield_ Dumb Unit