MIDI version of the clarinet / bassoon / piano ensemble.

The Butterfly, Movement 2: The Untethering (2021)

"Contrapunctus XV -Canon per Augmentationem in Contrario Motu" was written for the RNCM Chamber Music Festival 2014. Performed at the Manchester Cathedral, 12 Jan 2014.


Contrapunctus XV for flute, clarinet, cello, double bass

Orchestral arrangement for original piano piece "Not a Breath". Based on an exercise from class last spring  (from Comp I @Juilliard Evening Division with Conrad Cummings), this is my attempt to flesh out a lot of the sounds I had compressed from imagination to a piece just for piano. I've never written for a gazillion instruments before, but I think a good deal of this turned out well, if not really fun. Part 1, main theme. 2nd part, which is just oboe and piano, was a really quick, let's-get-done-with-it bit. 3rd part I spent FOREVER on, since it becomes really dense and lush and lots of interesting things happen with you build canons up to such sizes. 4th part and percussion starts making an appearance- this one's just bonkers and I love it. 5th part to the end sees the return of the main theme in a very cinematic way, with the work closing as gently as it began.

NotePerformer midi. 

June 2020

Not a Breath, Overture for a Film (Orchestral) (NotePerformer version)

To What Was Thought and Back
for Violin and Piano

by Jeremy D Carlisle

Georgy Valtchev, violin
Lora Tchekoratova, piano (https://tchekoratova.com)

Composed as part of the Summer Composition Symposium, Evening Division, The Juilliard School, August 2020. Dalit Warshaw, professor. 

Copyright ©2020

To What Was Thought and Back for Violin & Piano (Live recording)

Lost In Time

Pianist and composer. Studied music composition in Juilliard's Extension Division. BA's in French Culture and Literature from Purchase College, SUNY. Former French restaurant owner. Lives in Montclair, NJ with his husband, two daughters, and a miniature schnauzer Whitman.

To What Was Thought and Back for Violin & Piano (Live recording)

Jeremy D. Carlisle

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