Dress rehearsal. Performed by Marie Schreer and John Garner, London 2016. Commissioned by Listenpony www.listenpony.com

The performance recording is issued on Mainly Two: Live at Listenpony, available to download here: http://www.listenpony.com/recordings/live-listenpony-mainly-two/

your wits an E la

On June 5, 2016, the Interlochen Arts Academy Orchestra and Academy Dance Company will perform at Lincoln Center during the 2016 NY Phil Biennial. This remarkable opportunity will allow students to work with one of the world’s most prestigious orchestras—the New York Philharmonic. Interlochen is the only high school selected to participate in the Biennial.

Prelude to the NY Phil Biennial - Ashley Fure

soprano + backing
(2016/7)

words by Caitlin Doherty

sung by Juliet Fraser
live recording (premiere)
9 Feb, St Paul’s Hall, Huddersfield
recorded by Sam Gillies

__


what light fear blanches 
the alarm
the photographic
hours delay waking until 
sleep again

concede it to a grey- 
not-love, the morning calls 
with no promise 
to refresh

& weighting is beyond 
this hour, each word 
a serious intent, an 
object pain

there are only so many 
Messages of Love
I can send to you
while we are both awake 
the ocean becomes dark 
we trade symbols of hearts 
freely and in colour

— Caitlin Doherty

While we are both

Feb-Sept 2017
Quatuor Bozzini:
Isabelle Bozzini, Stéphanie Bozzini, Alissa Cheung, Clemens Merkel
Live recording (premiere)
King's College Chapel, Aberdeen
Sound festival, October 2017

Thanks to Sound and Music, and Quatuor Bozzini for helping create this piece, as part of Composers' Kitchen 2017

Quartet: Carrying

From AMC's The Terror this Robert Fripp's [From Gates Of Paradise Album] track was used on the end sequence of episode 10.Amazing Use of Music

The Gates of Paradise

The Gates Of Paradise (parts I,II)[AMC The Terror]

Awakening | Guidonian Hand - I. Tekiah (Blast)

Daughn Gibson - "In the Beginning"

Workshop Session Day 2

A simple exercise in singing the intervals of the 11-limit tonality diamond in the context of background harmonic series chords and a moving fundamental.  The bottom note in the melody line stays the same while the top line moves up gradually, first leaping, then stepping.  The solfege system for singing along is as follows:

12/11: fu-so, fu-so
11/10: mi-fu, mi-fu
10/9: re-mi, re-mi
9/8: do-re, do-re
8/7: ta-do, ta-do
7/6: so-ta, so-ta
6/5: mi-so, mi-fu-so
11/9: re-fu, re-mi-fu
5/4: do-mi, do-re-mi
14/11: fu-ta, fu-so-ta
9/7: ta-re, ta-do-re
4/3: so-do, so-ta-do
11/8: do-fu, do-re-mi-fu
7/5: mi-ta, mi-fu-so-ta
10/7: ta-mi, ta-do-re-mi
16/11: fu-do, fu-so-ta-do
3/2: do-so, do-re-mi-fu-so
14/9: re-ta, re-mi-fu-so-ta
11/7: ta-fu, ta-do-re-mi-fu
8/5: mi-do, mi-fu-so-ta-do
18/11: fu-re, fu-so-ta-do-re
5/3: so-mi, so-ta-do-re-mi
12/7: ta-so, ta-do-re-mi-fu-so
7/4: do-ta, do-re-mi-fu-so-ta
16/9: re-do, re-mi-fu-so-ta-do
9/5: mi-re, mi-fu-so-ta-do-re
20/11: fu-mi, fu-so-ta-do-re-mi
11/6: so-fu, so-ta-do-re-mi-fu

11-limit singtervals

End of year's session of my "Morphing Rhythms" workshop, featuring Lenny Bhorania (piano), Nives Onori (rhodes + vocals), Federico Abraham (bass), Gabriel Wyss (guitar), Luca Glausen + Philipp Gut + myself (drums)

Awakening | Guidonian Hand - I. Tekiah (Blast)

jeremyhowardbeck