LIVE MIX ON NUMARK NS7III- ZERO SYNC-WORK THE PITCH

JEREMY LEE COOMBS_FEB 2018

Jeremy Lee Coombs started spinning vinyl in 1995 back when part of being a good Dj was having better records than the other guy.  "We had to spend hours at the record store listening to hundreds of records just to find a handful you were willing to spend eight bucks to buy.  Oh, and you know that favorite track that you always wanted?  Tough shit trying to find it because if you weren't around for the original pressing then you were hosed.  Your best bet is to try to manipulate some other Dj into thinking that your garbage record that you are willing to part with is actually one of your favorites and you might let it go for..let's say...the rare one nobody can find.  But hey, these days any asshole can go online and download a shitty quality mp-3 of prettty much anything I had to sell my soul to find.  Thank God for technology, right?
	Hey, if it weren't for wave files and the digital age I never would have come out of retirement after my entire colleciton of vinyl got jacked.  (Second time that happened.)  First time was painful enough.  Second time was too much and I sold my equipment.  I was all done with that techno shit!  Problem was that you had all these Dj's like Sasha, Digweed and Oakenfold who kept making cd's that all my damn friends would listen to.  Next thing you know I'm acting like an addict on a relapse stalking the neighborhood Musicland trying to score a Global Underground cd.  The music was just too big a part of me and kept finding it's way back.  Nowadays it's so accessable and with Serato and Beatport the playing field is so perfectly level that even an old retread like me can claw his way back out of the muck."    -Big Jerm