Almunia - L & G Psychedelic

Dê o play, macaco! ESTHER PHILLIPS http://goo.gl/fb/02Rcx

(Alone Again Naturally) Esther Phillips - Use Me

VA Let's BOOGALOO vol.6 Deep funk, Northern soul and Dancefloor jazz en El Barrio. OUT now on  LP + 45, CD, digital. GET IT on it Bandcamp http://bit.ly/boogaloo6

http://recordkicks.bandcamp.com/album/va-let-s-boogaloo-vol-6-explosive-northern-soul-deep-funk-and-dancefloor-jazz-en-el-barrio

After 4 years in the making finally a new chapter of RK's premier collection Let's BOOGALOO sees the light. This time legendary compiler Dean Rudland, who is responsible of dozens of wicked compilations on BGP, Kent and Blue Note, digs deep into - mythical NYC latin boogaloo producer - Bobby Marin's catalogue to bring you an explosive collection of (northern) soul, deep funk and latin jazz tunes from Spanish Harlem aka El Barrio. Bobby Marin has been one of the main contributors and a leading figure behind the latin Boogaloo movement in the mid 60s in New York producing and working close together with stars such us Joe Cuba, Eddie Palmieri, Machito, Riccardo Marrero, not to mention his own combo the legendary Latin Blues Band, recently sampled by DJ Premier as the hook to Christina Aguilera's 'Ain't No Other Man'. "

As Rudland reckons "Bobby is part of a crowd that have sometimes been overlooked because they weren't central to the Fania Records story, but the music they produced told a truer story of what was going on on the streets of New York than the internationalist world view that was propagated by that label's owner Jerry Massuci" So expect to find here the real stuff,an all killers no fillers selection of rare and impossible to find latin boogaloo singles from Bobby's vaults, including some previously unreleased tracks taken directly from master tapes such us Richie's Theme byRichie & the PS 54 Schooly. A bright sampler of the golden age of the one of the most Infectious music genre ever recorded. Compilation comes with extensive liner notes by Mr.Rudland, for instance did you know that's Bobby's older brother Richie is the responsible for producing Manny Corchado's boogaloo stormer Pow Wow? ... essential collection, play it loud!

www.recordkicks.com

Get it on Bandcamp

Richie & The PS 54 Schoolyard - How I Feel | VA - Let's Boogaloo vol.6

iTunes: http://apple.co/1EfLapo
Amazon: http://amzn.to/1PQN0Jz
Spotify: http://spoti.fi/1HJniNp

Buy on Bandcamp

Monophonics: Foolish Love

Connection - The Rarest Kind (2025 Demo)

Over at Bens house to work on some music today and he was singing this, we both looked at each other and said, I really wanna do a re-edit of that, so we had a fun few hours extending bits, finding random vocals from the film, putting some filters on and a few random bits etc...I dare you not to sing along :-)

Louis Prima & Phil Harris - I Wan'na Be Like You (Ben Santiago & Spaghetti Legs Re-Edit)

Brazilian Diamonds (Paul Simon with Django Reinhardt)

One of my favorite Conutry \ Soul artists
Now for your dancing pleasure

Tony Joe White - Polk Salad Annie (TOSS ME SOME *$%# RE-TOUCH)

MUDDY WATERS - Worried Mind (Jeremy Sole remix)

"Straight To Hell" Danny Michel
Written by Joe Strummer / The Clash
Shatter The Hotel: A Dub Inspired Tribute To Joe Strummer 

"Straight To Hell" Danny Michel (Written by Joe Strummer / The Clash)

Carey Bell was born in Macon, Mississippi in 1936. As a child, Bell was intrigued by the music of Louis Jordan. Bell wanted a saxophone in order to be like his hero Jordan; however, Bell's family could not afford a saxophone so he had to settle for the harmonica, colloquially known as a "Mississippi saxophone." Soon Bell was attracted by the blues harmonica greats: DeFord Bailey, Big Walter Horton, Marion "Little Walter" Jacobs, and Sonny Boy Williamson I and II. Bell taught himself to play. By the time he was eight, he was quite proficient on the instrument. When he was thirteen, Bell joined his pianist godfather Lovie Lee's blues band.

In September 1956, Lovie Lee convinced Bell to go with him to Chicago. Not long after arriving, Bell went to the Club Zanzibar, where Little Walter was appearing. Bell met Walter and later learned some harp playing from him and his main Chicago teacher, Big Walter Horton.To help further his chances of employment as a musician, Bell learned how to play the electric bass (from Hound Dog Taylor).

In 1969, Delmark Records in Chicago released Bell's debut LP, Carey Bell's Blues Harp. Bell played with Muddy Waters in late 1970 and 1971 and later with Willie Dixon's Chicago Blues All-Stars. In 1972, Bell teamed up with Big Walter in the studio and released Big Walter Horton with Carey Bell for Alligator Records. A year later Bell released a solo project entitled Last Night for ABC Bluesway. Bell continued to play with Dixon as well as with his own groups, and in 1978, Bell was featured on the Grammy-nominated album Living Chicago Blues on Alligator. Also, in the 1970s, Bell appeared on two Bob Riedy Blues Band recordings.
 
During the 1980s Bell continued to record for various labels and to tour. In 1990, Bell teamed up with fellow harpists Junior Wells, James Cotton and Billy Branch to record Harp Attack!. A modern Blues classic, Harp Attack! became one of Alligator Records's best selling albums.


Carey Bell- Hard Working Woman (CPC Edit)

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