vinyl collector
bedroom dj
friends events

Berlin, Detroit, Birmingham and, of course, Sarajevo.
Bosnian-built and -bred Sev Dah may be a Swedish expat, but the Balkan blackness clings strongly to the bleak percussions and rigidly uneasy synthetics that unwillingly fuse into his strongly individual take on techno. Authentically purveying the pulsations of the nakedly throbbing and ugly world, far away from Starbucks and H&M. 


Signed to respected labels such as Random Island, Mote-Evolver, Komisch and Frozen Border sublabel Naked Index he quickly gnawed his way into the scene’s core of DJs and producers. Sev is even managing new projects on his own label Proletarijat since 2016. Like a rabid mongrel, since 1998 he has been chewing and belching new bastard beats that are aching to scream out. Consequently there’s a steaming and steady stream of vinyl releases coming.


With influences ranging from Stigmata and Mills to Master Reese and Petar Dundov, Sev Dah is a versatile but headstrong DJ that can gently ease a thumb in at midnight or fervently thrust it down the hatch at peak time.

Book Sev Dah:

leonie@nonibookings.com

Visual Artist in <3 with electronic music...

20 . germany . moonchild 

mngmt/booking : managementavaion@yahoo.de

Max Richter trained in composition and piano at Edinburgh University, at the Royal Academy of Music, and with Luciano Berio in Florence.

On completing his studies, Max co-founded the iconoclastic classical ensemble Piano Circus, where he stayed for ten years, commissioning and performing works by Arvo Pärt, Brian Eno, Philip Glass, Julia Wolfe and Steve Reich.

In the late 90s he worked with a number of electronic artists, notably Future Sound of London on their album 'Dead Cities". He subsequently collaborated with FSOL over a period of two years, also contributing to the albums "The Isness" and "The Peppermint Tree and Seeds of Superconsciousness". Max also collaborated with Mercury Prize winner Roni Size, on "In the Mode".

In June 2002, Max released his debut solo album, "memoryhouse", recorded with The BBC Philharmonic Orchestra. This was followed in March 2004 by FatCat's release of "The Blue Notebooks", with featured readings by Tilda Swinton.

In 2005 Max produced Vashti Bunyan's outstanding comeback album "Lookaftering".

2006 saw the release of "Songs From Before" based on Haruki Murakami texts read by Robert Wyatt. That same year, Max began performing "from The Art of Mirrors", an evolving score to previously unseen Super 8mm films of Derek Jarman.

Max's more recent work continues to stretch the notions of what Classical music is.  ‘24 Postcards In Full Colour’, released in August 2008, is an experimental work made up of 24 composed ringtones.

Max works widely in film music, installation and the theatre, most recently on INFRA, made with Wayne MacGregor and Julian Opie for The Royal Ballet, London. The Ballet was the subject of a BBC 'making of' documentary.

Max was named 2008 European Composer Of The Year for his score to Ari Folman's Waltz With Bashir, for which he was also nominated for the Prix France Musique.

Just a girl from around thee way 💖
Your Friendly Neighborhood Femcee/DJ 

Bookings: https://linktr.ee/djafrosia

Jerome Daly is following