Listen to Jon Hayes's new single 'Nursery Lie', released  February 19, 2021

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🎧 'Nursery Lie', released 19-02-2021
╎ Buy here: https://bit.ly/3aelOmU
╎ Listen on Spotify: https://spoti.fi/2ZdrZBe

📖 About the song:
The song is about how we spend our lives always looking forward to what's next instead on enjoying what's now.

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📝 Lyrics:

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Jon Hayes - Nursery Lie (with lyrics)

Memories

http://www.offthesky.com/
https://soundcloud.com/offthesky

---
http://eepurl.com/rHmPv
http://twitter.com/#!/badpandarecords

Offthesky - Stretches (Rachael Boyd Remix)

Hior Chronik - Stop Drawing The Fear

Format: CD, LP, Download | Releasedate: 05.09.2014

TRACKLISTING CD:

01.	So-Called Lover
02.	Care
03.	Oedland 
04.	You
05.	Jungholz
06.	Masquerade
07.	Walk On
08.	Dance To The Mallet feat. Lisa Bassenge
09.	Ein Engel Verschwand
10.	Dawning
11.	Gone
12.	Selfie

iTunes: geni.us/KasariTunes
Amazon: geni.us/KasarAMAZON

Arnold Kasar is a musical jack of all trades: in countless projects around the Berlin based label Sonar Kollektiv, the musician grown in the southern area of the picturesque Black Forest left his traces, among them Nylon, AtomHockey or with Volksbühne-player and latest Internet-Hype Friedrich Liechtenstein („Supergeil“). 
However, the trained sound-engineer is also capable of going solo, as he proved with his solo debut „The Piano Has Been Smoking“ in 2012. Now he returned to his first instrument and his timing couldn't be better, since the piano returned to new strength in the music world, as the numerous releases of pianists in the past few years have shown.

„I really hope that the timing is good, but I can't influence it. At last I do it for my own. When I started doing music as Kasar back in 2010, I just didn't know Nils Frahm or Brandt Brauer Frick. All these people weren't on the spot by then. I listened to Gonzales and of course Hauschka and Craig Armstrong were there, too. Yann Tiersen was totally famous at that time“, the pianist explains his view on his colleagues when he started making music by himself. But, with releasing his second album „Walk On“ at this point, he didn't intend to flirt with a hype. The piano, which has accompanied Arnold Kasar from his childhood on, always just fell out of the recordings in the past. Due to this enduring relationship to his first instrument he got bored of it. Instead, he preferred to dedicate himself to sample-based electronic music with his friend Friedrich Liechtenstein or making Nu Jazz in several musical projects around the world-famous Berlin based Sonar Kollektiv (home to Jazzanova, The Black Seeds or Solomun). But sooner or later the piano had to return to the centre of attention.

That was in 2010: at that point the work on the new LP „The Piano Has Been Smoking“ had started, being released in 2012 and fully concentrating around the piano. By then Kasar already used the technique of the prepared piano, which once was introduced by John Cage and nowadays is excessively used by Hauschka, among others. For this Kasar used erasers, tea bags or patches to manipulate the sound of the piano and to bring out unheard and exciting tones of his instrument. Only one song, the designated single „Put A Light On Me“, was supposed to have a vocal track, but after he didn't find the right voice for it, he simply sang it himself. Like this, for the first time the world got to hear the dark and melancholic timbre of Arnold Kasar. The desired airplay (i.a. Austrian „FM4“ or Berlin's „RBB RadioEins“) was achieved easily and from that moment on Kasar was delighted by the idea of singing on his own productions, since he had closed the chapter of producing an album on a prepared piano anyway. For this reason the comparison with an artist such as Hauschka, who made this technique the concept of his own creative work, is merely adequate. Kasar rather walks on, restless and always willing to try something new.

But this doesn't mean that he has to quit it completely: also on „Walk On“ one finds a few pieces with the support of the prepared piano, but this time the singing is clearly in the foreground. Like this, the whole vibe of the record changes: „I'd say the last record was way more a city record“ referring to the by then used techno-elements, for example, „and the new one is a record for the countryside.“, especially inspired by Arthur Russell's most intimate album „World Of Echo“. On this record the composer who rose to cult status in the past years leaves the disco era behind him and presents a fragile artist using voice, cello and a lot of reverb only: „A song like „So Called Lover“ mainly emerged from Arthur Russell listening sessions“, Kasar tells full of admiration for the musician who died of AIDS in 1992.

Other role models are surprising as well as comprehensible: „I like singers like the early Manfred Krug a lot, this warm and tender voice – of course, in German, but the way he sang – or Japan's singer David Sylvian, those were the things I acted on. Much songwriting-inspiration came from Wilco, Nick Drake, Aimée Mann or also Bill Callahan.

But how Kasar came to the definition „countryside record“ is a story of its own: „It is way more singing this time, that's a huge leap, it's much less electronics and there's more space. It's less town and much more landscape and for me it really is this countryside record. „Jungholz“ for example is the name of a village in the southern Black Forest, „Ödland“ is the name of the highest mountain in that area and „Ein Engel Verschwand“ is an adaptation of another village's name there called „Engelschwand“. „So Called Lover“ takes place in „a shady town in the shore“, which in a way is a reference to the Rhine, which could be the mentioned river, and this „whipping willow“, all these are things coming out of my memories, since I originate from that area. It's not autobiographic but I simply imagined how it was back then, sitting under the willow by the river. Partly I recorded the songs right there: „Ein Engel Verschwand“, „Jungholz“ and „Ödland“ and nearly all playbacks were recorded on the piano on which I practiced when I was a child. I always hated it to play this piano: a Hohner, awful sound, but once you used the felt pedal it got such an odd sound, really strange – that's not the sound of a great Steinway, but small and odd.“ So all of this isn't supposed to be autobiographic but without all these experiences Kasar gained in the depths of the southern Black Forest, „Walk On“ probably would never have come into being.

The song that gave the album its title was the first Kasar had written for „Walk On“, right after the release of his debut record. At this stage the theatre art graduate was in a downright stream of composing. Many songs were quickly outlined, however he took ages to get to the finished product. The production phase lasted – with interruptions – from spring 2012 to fall 2013. And since February this year the record is waiting to be thrown onto the market, but haste makes waste. Songs like those you find on „Walk On“, where the piano sounds like raindrops rolling down the scale, while there's an electronic tempest in the background („Ödland“), or which are so fragile they bring tears to your eyes („Care“) simply have to be released in the dying season.

But who thinks that everything on this album is melancholic and sad is proven wrong by „Dawning“, which isn't at all like the rest of the LP: with a jagged new wave beat, a sexy 80s sounding sax and an optimistic chorus, Kasar also shows his up-tempo side and gives some unmissable signs towards radio airplay.

A whole lot slower is the collaboration with long-time friend Lisa Bassenge, singer of Nu Jazz outfit Micatone and Kasar's colleague at Nylon. Together they sing the hypnotic „Dance To The Mallet“, which starts off jazzy, but also offers itself – with its electronic substructure – as a huge playground for remixers. However, the way this liaison came up is rather unspectacular: „One time we went out for dinner and I told her about the album I was working on and there she immediately offered her help if I needed some. So a few months later I called her and played the song to her and she instantly liked it. She wrote the lyrics to it and then we quickly recorded it in one take. Her musical director Paul Kleber is also involved in the song „You“ and Sebastian Borkowski from Jazzanova plays sax in another song. So it's sort of all around the Sonar Kollektiv and Micatone”. It stays all in the family.

www.kasarmusic.de | www.sonarkollektiv.com

Walk On

Oedland

iTunes

Kasar - Oedland


ALL THE NEWS, VIDEOS, MUSIC HERE : 
--->facebook.com/julienmarchalmusic
BUY EP 
---> http://julienmarchal.bandcamp.com


INSIGHT - X

Really quick cover. Kinda messy and I might have changed some lyrics but here it is. Lovely song.

Lyrics:

Chained to the wall of our room
Yeah you chained me like a dog in our room
I thought that's how it was
I thought that we were fine
Then the day was night
You were high, you were high
While I was doomed
And dying for
With no life,
With no light.

Tied to my bed,
I was younger then, I had nothing to spend
But time on you
But it made me love,
It made me love,
It made me love more

Do what you said, the words she said - left out
Over sky where I'll soon fly
And she took the time
To believe in, to believe in
What she said...

But it made me love,
But it made me love,
But it made me love more 

Love More (Sharon Van Etten Cover)

DC Promo Tracks #1743: "Ida Falls" by Hewitt & Volpato is part of the release "Creek Soul" on Shades Of Sound Recordings @joemorris  

Buy Now: https://shadesofsoundmusic.bandcamp.com/album/creek-soul

Straight outta Oz and straight into your sunset playlists, Hewitt & Volpato deliver Creek Soul. A lush, laid-back EP that blends deep house, balearic sparkle, ambient haze, and a splash of street soul swagger.

Think balearic, but with added Roos. Call it Australearic if you like. It’s music for beachside bars, lazy afternoons, and that mysterious hour where the party either winds down or kicks off again.

To sweeten the deal, Joe Morris jumps in with a remix, pushing it deeper into the cosmic zone and making sure the EP works just as well under the mirrorball as it does under the gum trees.
Warm, breezy, and ever so slightly cheeky Creek Soul is out 22/09/2025 on digital and streaming. Perfect for anyone who prefers their chill with a groove and their house with a hammock.

--

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🎶 More Promo Tracks: https://www.dreamchimney.com/promo
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instagram.com/dreamchimney • https://dreamchimney.bandcamp.com • twitter.com/dreamchimney

⭐ More Dream Chimney: https://www.dreamchimney.com ⭐

DC Promo Tracks: Hewitt & Volpato "Ida Falls"

From the album 'Music For Falling From Trees' by Peter Broderick released in 2009 on Western Vinyl.  Available soon as a limited edition 180 gram 45 rpm vinyl EP.

Vinyl:http://westernvinyl.com/shop/wv62
iTunes: https://itunes.apple.com/us/album/music-for-falling-from-trees/id377393049

Artist Page: http://westernvinyl.com/artists/peter-broderick
Website: http://www.peterbroderick.net/


2009’s Music for Falling From Trees, a 30-minute piece in seven sections, was created for a contemporary dance by London-based choreographer Adrienne Hart at Neon Dance. Adrienne was looking for a score of piano and strings, so Peter left the guitar and his voice aside and focused entirely on those two timbres.

The dance tells the story of a man in a psychiatric hospital, and his struggle to maintain his identity. The music is sometimes melancholic, sometimes playful, sometimes chaotic, but with the combination of piano and strings, full of beauty, reverence and awe.

“In late 2008, Adrienne Hart contacted me about scoring her new work, Falling From Trees. In Adrienne's words, ‘the piece is set in a psychiatric hospital and centered around one man's struggle to retain his identity in the most extreme of circumstances.’ There are four dancers in the piece. One male playing the patient, and three female hospital workers.

I had been making music for a variety of film projects, but the thought of scoring a dance was very exciting to me. I was on tour at the time, so I wasn't able to start writing the music until I had a break in early January. The dance premiered on January 21st, so I had about three weeks to create the score. I camped out up in the top of my father's barn with some minimal recording equipment, my violin and viola, and an old broken piano.

Given the time constraints, I approached the music in a very open way. Rather than sit down and try to compose something, I just set up a microphone and started playing. After coming up with a couple of themes on the piano, I started recording, using those small themes and improvising around them. Most of the sections have a small core that is composed, and then the rest is improvised. Luckily for me this method seemed to work. I would work all day and then send a sketch over to Adrienne, and every time her response was positive. So in this way we worked very well together. I give my hugest thanks to Adrienne for trusting me to create the music for her wonderful work.

Adrienne told me from the beginning she was looking for a score of piano and strings. So I decided to take this literally and make a rule not to use any other instruments. In the script it called for the sound of a ticking clock. I made this sound by tapping on the body of the violin with my fingernails. The sound of an electric shock given to the patient is depicted by a quick, distorted piano chord. And all other droning and bass tones were made by extending and processing violin and/or piano tones, etc. Thank you very much for listening.” – Peter Broderick, March 2009

Peter Broderick - "The Dream"

You can PRE-ORDER this release on Ltd. Vinyl or Digital Download via Erased Tapes:
http://erasedtapes.com/store/index/ERATP039

And the CD edition from our Japanese friends at Cote Labo:
http://www.cotelabo.com/discography.html



Nils Oliver Frahm + Peter Ray Broderick = Oliveray.

Being musical companions and label mates for years, it was just a matter of time until modern contemporaries Peter Broderick and Nils Frahm would start their first standalone project together.

Oliveray was born in their shared home city of Berlin and will see its debut release Wonders – a nice little collection of eight musical pieces – available on Vinyl/Digital via Erased Tapes and on CD via Japanese friends Cote Labo from December 12th, 2011.


Say hello to Oliveray!
Blog post by Peter Broderick:

I am super excited to announce the debut release from a project very dear to me!
Oliveray consists of me, Peter Ray Broderick, and one of my greatest friends in the world, the incredible musician / producer Nils Oliver Frahm. We’ve been collaborating in many ways these past couple years and traveling a lot together. Now finally we have arrived with our first truly 50/50 collaboration effort entitled Wonders.
It all started when I was asked to create a cover version for my great friends Efterklang. I asked Nils if he’d like to work with me on the project. So one day we got together in his studio and ran through the song (Harmonics) a couple times and then laid it down to tape in the most relaxed way possible – me playing the guitar and singing and him on the piano… We were both really happy and inspired with how easy and fun this process was. We thought you could hear and feel that relaxed atmosphere in the song.
So when our Japanese friends Cote Labo asked us to prepare some kind of release for our Japan tour, me and Nils set aside a couple days to record some music in a similar manner. Without much preconception we just set up the mics and started recording, with an aim to create a short album of half instrumentals, half vocal-based songs. We ran through a few fresh musical ideas that each of us had, improvising along with each other, sometimes just improvising entirely. And before we new it we had a nice little collection of eight intimate pieces of music.
The first official output of what will hopefully be a lifelong collaboration, Wonders feels really special to me. Here comes Oliveray!


TRACK LISTING: 01. Growing Waterwings 02. The Book She Wrote And In The Time 03. Piano In The Pond! 04. Harmonics 05. Hiding Hydiration 06. You Don't Love 07. Just Resign 08. Dreamer


OFFICIAL WEBSITES:   
      
PETERBRODERICK.NET
NILSFRAHM.DE
ERASEDTAPES.COM     

Memories

J.R Alexander