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One of the best-loved Ibiza anthems and club cuts of all time Café Del Mar gets brand new remixes from the original trance master Paul Van Dyk. It’s such a perfect fit that it begs the question: why has it taken nearly three decades to happen? 

Nearly 30 years ago, Paul M aka Kid Paul, recording as Energy 52, unleashed a record onto an unsuspecting public that would go on to define club culture for an entire generation of dance music enthusiasts. Named as an homage to the legendary Ibiza sunset spot, Café Del Mar broke down boundaries between the underground and the mainstream, charting in the UK singles charts on three separate occasions and named as the “best tune ever” by Mixmag at the start of the new millennium. In terms of cultural and emotional impact in dance music, it’s hard to find a record that comes close. 

Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in the industry. One name that’s been strangely absent though is that of Paul Van Dyk: a trance icon and a seemingly perfect fit for remixing a record of this stature. 

Paul Schmitz-Moormann (aka Kid Paul) and Paul van Dyk were close DJ buddies in the early Berlin Techno scene, and played around a hundred DJ gigs together, all around Germany and Europe, before they moved on in different directions. Now nearly 30 years later he’s finally got the chance to remix this iconic record. 

For the new release, Paul Van Dyk delivers two scintillating remixes. The XOXO remix slows the tempo slightly and employs crisp percussion and deep, pulsing bass while still maintaining the out- and out exhilaration of that epic breakdown, while for the trance purists the Shine remix delivers the atmosphere of the late 90s alongside the sharp production aesthetics of the modern day. 

Paul Van Dyk’s Café Del Mar remixes mark the first new release on the label Superstition Records after an almost 20 years hiatus. From 1993 until 2003 Superstition Records was a groundbreaking Techno, Tech-House and Trance Label and released some of the biggest and most revered records of the early German electronic scene.

Café Del Mar - Paul van Dyk Remixes

Energy 52 - Café Del Mar (Paul van Dyk’s XOXO Mix)

Paul Oakenfold’s Trance Mission album – due for release in the Spring will feature fresh and exciting cover versions of ten of Oakenfold’s all time favourite trance records. 

The first single on Perfecto Fluoro from the album is Paul’s driving remake of one of the most recognisable riffs of all time in electronic music. 

Mixmag voted “Best Tune Ever” in 2001 and BBC Radio 1 listener voted best dance track of the last 20 years in 2011 there have been countless remixes of “Café Del Mar” over the years but few have covered this seminal title till now. 

“After making more of a big room, new school trance sounding remake of “Toca Me” for Perfecto I knew when it came to Café del Mar I wanted to take things in the fluoro direction. The riff just begs you to. And since that was always the plan I also knew I wanted key Fluoro names remixing it as well so got Activa, Angry Man and Peetu S – who are all backbone contributors to the label to stamp their signature style on their versions. This is a touch peak time package for proper trance fans. Every time I’ve played this out in the last few months the place has just gone off. It’s nice to represent the track in a different, kind of GOA Trance themed style.”

Four unique takes on Paul Oakenfold’s cover of what is arguably the biggest trance record of all time. 

This is the first chapter in the Trance Mission story.  

Keep reading - there’s way more to come!

Buy on Beatport

Paul Oakenfold - Cafe Del Mar (Activa Remix)

In the year 1936 Samuel Barber composed a beautiful classic piece of music, which got the name "Adagio For Strings".  A composition that was used a lot, such as in famous movies like “Platoon”. In 1995 UK based producer William Orbit started to work on an album with synthesizer interpretations of some classical pieces. In 1999 Ferry Corsten was asked to make a remix of William’s version of “Adagio For Strings”. Ferry’s remix got released late 1999 and an edit of Ferry’s version, was even used as the radio / video version.

Ferry’s remix won a "Dancestar Award" in 2000 for best remix of the year of 1999.

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William Orbit - Barber's Adagio For Strings (Ferry Corsten Remix)

Meck Ft. Dino Lenny - Feels Like Home (Marco V Remix)

Saltwater

Saltwater (Ilan Bluestone Remix) [feat. Moya Brennan]

Mi Vida Es Música Cuando Yo Muero Mi Música Seguirá Sonando 

Chicane - Saltwater

Released Monday July 25th on Beatport then August 8th on all other portals

Grace - Not Over Yet - Max Graham Vs Protoculture Remix

TR078---------------///////////////////

Dream Donor & Underconcept - Keleidoscope

Track01: Dream Donor & Underconcept - Keleidoscope [Original Mix]
Track02: Dream Donor & Underconcept - Keleidoscope [Radio Edit]

Genre:
PROGRESSIVE HOUSE, MELODIC TECHNO

Kaleidoscope

Beatport

TR078. Dream Donor & Underconcept - Keleidoscope

The Last Sunset - Deep Emotional Trance and Heavenly Melodies
Feel the pulse of modern trance — progressive, melodic, and hypnotic. This collection blends underground energy with cinematic soundscapes, built for dreamers chasing the sunrise and believers moving to every beat. From deep buildups to euphoric highs, this is the sound of freedom on the dance floor.

For fans of: Andrew Rayel, Ruben de Ronde, MaRLo, and Giuseppe Ottaviani.

Vector Field (Instrumental)

Hold That Sucker Down

Hold That Sucker Down (Vocal Mix)

Don't Give Up (Chicane,  Bryan Adams) house remix 2013

Jerome Isma-ae combines the behind-the-curtain knowledge of a music producer, with the familiarity and deep knowledge of a dance floor you would expect from a DJ. Broad in his influences, and a visionary in his approach, you’ll always catch a hint of progressiveness in his sound. Jerome has been surrounded by music since his early years, with musical education in elementary school, learning the piano and later the guitar. At 12, Jerome was already playing the bass guitar in a heavy metal band, but it wasn’t until 14 that he started making his own beats with a drum machine.
Having dabbled in many dance music subgenres, you will catch glimpses of Techno, Trance, and Progressive House in his productions. A mean and heavy rhythm section is contrasted against haunting harmonies and counter melodies, and complimented by ambient and textural layers that add a new dimension to the final product. This formula is applied with top-notch clarity and a meticulous attention to detail to such an extent that the sound of his drums has become both recognizable and memorable.

Hold That Sucker Down (Vocal Mix)

Jerome Isma-Ae