80.	Justin Michael – Eyes closed (Jerome Isma-Ae Remix) (2012)
81.	Hickman & Rashid Ajami- Lets be free (Isma-Ae Remix/Beasty Boys Mash up)
82.	DJ Slater & Flippers – Unlocked (Jerome Isma-Ae Remix) (2012)
83.	Tranquility Base – Razorfish (Jerome Isma-Ae Remix/ Coldplay Mash up) (2012)
84.	Fragma – Tocas Miracle (Jerome Isma-Ae & Weekend Heroes Remix) (2012)
85.	Weekend Heroes & Jerome Isma-Ae – Knockdown (2012)
86.	Sebastian Krieg & Jerome Isma-Ae – one-77 (2012)
87.	Paul van Dyk- Deserve you (Jerome Isma-Ae Remix) (2012)
88.	Emma Hewitt – Colors (Jerome Isma-Ae Remix) (2012)
89.	Armin van Buuren feat. Nadia Ali- Feels so good (Jerome Isma-Ae Remix) (2012)


My best productions and remixes from the past 15 years, part 8 (2012)

diverse component for Subtle Events Atlanta & Southern Exposure Music:
		-Stemming from a more symphonic third grade beginning, 
Devin William Butcher {VENTRIS} immersed himself in the resonating sounds of strings and musical culture. Picking up a violin in the 3rd grade; the vast dynamics, stark contrasts, tempo, color, and velocity of its natural beauty, drove VENTRIS to instinctually find a deep passion for Trance music…this was made possible by way of Rank 1’s legendary track Airwave, in 1997. Another very close 2nd for his inspirational wheel house, is Safri Duo - Snake Food/Rise.  Devin’s taste for the longitudinal wave called sound, sought the finer nuisances of each evolving genre from then on.  From: house, breaks, techno, electro, and even eventually EDM; these constituents slowly carved away at his mind's idea of what sound has the potential to be. 
		-Ultimately, it is in the mechanics of how to coax another individual into expressing their deepest emotions on the dance floor, that has fueled Dev Butcher’s desire for performing. It is in all the minute details of VENTRIS' ever expanding drive, that the experiences of his sets culminate in unexpected twists and turns.  He constantly asks himself questions by which to measure his art, in an effort to accurately examine his abilities, and grow. How do you create the proper valleys for fireworks of peaks?  How do you descriptively create a message, while maintaining a close relationship with your dance floor?  How do you introduce an audience to something new?  
	-The diverse scenes and genres Devin has transcended throughout his career, has only reinforced the methods to conduct his madness.  Genres are irrelevant to him.  A good piece of music will always transcend barriers.  To him, if a track does not have transcendental potential, then it is not something people need to hear. Quality is always at he very top of his priorities.  He believes that music is the raw key to allow the ideal of ‘unity,’ to one day exist on this diverse sphere of carbon and water. 		
       -From: Marshmellow, Slushii, Speaker of the House, DJ Snake, 3lau…Bixel Boyz, Riot Ten, Chris Lake, Christian/ Justin Martin…Walker & Royce, Ardalan, Jerome Isma-Ae, Mercer, and Audien…DJ Dann, Danny Avila, Deniz Koyu, Mikael Weermets…Tommy Trash, Mark Starr, Wes Smith, Get Real, Simon Patterson…George Acosta, Kyle Geiger, Mr. Collie Parks, Bubba Sparxx and even Waka Flocka Flame:
	-VENTRIS finds complimentary moods to build up the beating of hearts before him…in spite of preconceived boundaries, he finds ways to excite any feet requiring a challenge…he is your guide for rhythmic satisfaction.

Electronic Music Experience

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Jerome Isma-ae combines the behind-the-curtain knowledge of a music producer, with the familiarity and deep knowledge of a dance floor you would expect from a DJ. Broad in his influences, and a visionary in his approach, you’ll always catch a hint of progressiveness in his sound. Jerome has been surrounded by music since his early years, with musical education in elementary school, learning the piano and later the guitar. At 12, Jerome was already playing the bass guitar in a heavy metal band, but it wasn’t until 14 that he started making his own beats with a drum machine.
Having dabbled in many dance music subgenres, you will catch glimpses of Techno, Trance, and Progressive House in his productions. A mean and heavy rhythm section is contrasted against haunting harmonies and counter melodies, and complimented by ambient and textural layers that add a new dimension to the final product. This formula is applied with top-notch clarity and a meticulous attention to detail to such an extent that the sound of his drums has become both recognizable and memorable.