ERIC SNEO- BEAUTY OF THE SKY
NATHAN FAKE- OUTHOUSE (VALENTINO KANZYANI REMIX)
PARIDE SARACENI- THE ONLY
CHRISTIAN CAMBAS, DANIELE PETRONELLI- MUFFIN
DUBFIRE, MISS KITTIN- EXIT
CHRISTIAN SMITH, JOHN SELWAY - TOTAL DEPARTURE
MACEO PLEX- CONJURE FLOYD
STEVE MULDER- NOUN
LOCO & JAM- PLATFORM 3
ALBERTO PASCUAL- LAST TRAIN TO PARTY
PARIDE SARACENI- ONCE AGAIN
AFFKT, ANALOG PEOPLE IN A DIGITAL WORLD- BONAIRE (DOSEM REMIX)
HUGO BIANCO- THE EDGE


Smile when you kill me Podcast 20

www.etsy.com/shop/csdesignsnthings

Check out my awesome collection of art ;)

I like a ton of different styles of music. My bread and butter is house, electronic, trip-hop, hip-hop and tribal. That said my favourite band is The Doors and classic rock will forever have a place in my heart. I prefer a long set so I can see it build and progress. 

Lastly I am all about the state of technology infusion the human race is experiencing right now, I am very excited to see where sound and 3D visuals will merge and deliver a brand new form of augmented reality. 

Until then you can find my ass on the dance floor not giving two flying fucks what anyone thinks and just getting down with my bad self. 

Function. | TranceState | HUMVNS | Talent Buyer
Instagram: PsyEmpire

Jerome Isma-ae combines the behind-the-curtain knowledge of a music producer, with the familiarity and deep knowledge of a dance floor you would expect from a DJ. Broad in his influences, and a visionary in his approach, you’ll always catch a hint of progressiveness in his sound. Jerome has been surrounded by music since his early years, with musical education in elementary school, learning the piano and later the guitar. At 12, Jerome was already playing the bass guitar in a heavy metal band, but it wasn’t until 14 that he started making his own beats with a drum machine.
Having dabbled in many dance music subgenres, you will catch glimpses of Techno, Trance, and Progressive House in his productions. A mean and heavy rhythm section is contrasted against haunting harmonies and counter melodies, and complimented by ambient and textural layers that add a new dimension to the final product. This formula is applied with top-notch clarity and a meticulous attention to detail to such an extent that the sound of his drums has become both recognizable and memorable.

Smile when you kill me Podcast 20

Jerome Isma-Ae