Core

show

riffs

cooles

Hardcore

puro punk!

hardcore/punk/Straight Edge

Current Jamz of '14

FunFunFun2013

Shite

speed garage 4x4 bassline house old skool 

niche sheffield bassline 4x4 garage

DJ Figgy  Forever & A Day ( Organ Mix )

Ragga Dub (Perro Bravo Remix)- Bad Brains feat. Angelo Moore of Fishbone - Dub Rockers Vol. 1

Cro-mags-hard times

VANISH
PAST PLEASURES OF A SIMPLE LIFE
BUILD A HOME, TRY TO HIDE
TASTE THE WORLD, TONGUE IS TIED
DRUGGED UP, GLASSY EYED
MEMORIES OF A YOUNG GUN 
ALONE IN A FIELD WITH THE BURNING SUN
PUPPETS ON A STRING OF TWO MINDS
ANIMALISTIC ONE OF A KIND

THEY CANT KILL YOU 

THEY CANT KILL YOU 
THEY CAN KEEP YOU IN A CAGE
NOW YOU KNOW THE TORTUROUS WAYS 

RAGE, IT WILL NEVER COOL
HEAD AINT EVER GONNA GET RIGHT
YOU WILL NEVER NOT FEEL WHAT YOU FEEL
THERES SOMETHING DEAD IN YOUR EYE 

FACE PAINTED GHOST WHITE
RISE LIKE THE WOLF
TAKE LIFE 

--------------------------------


One time benefit 7" limited to /500 copies

All proceeds of this record will go to the wife and daughter of NW's old bass player Zach Amster currently in California State Prison. 

WWW.RESURRECTIONOFTHEWOLF.COM FOR CANADIAN / US / EUROPEAN ORDERING INFO

Thank you for the support. 


No Warning △ Resurrection Of The Wolf

One time benefit 7" limited to /500 copies

All proceeds of this record will go to the wife and daughter of NW's old bass player Zach Amster currently in California State Prison. 

WWW.RESURRECTIONOFTHEWOLF.COM FOR CANADIAN / US / EUROPEAN ORDERING INFO

Thank you for the support.

No Warning ▲ Bloodsucker (Violent Minds Cover)

From 'Wasted Years' out 4/8/14 via VICE.

Pre-order the album on iTunes now: http://bit.ly/1hQkU07

Pre-order the limited edition red vinyl via Interpunk here: http://bit.ly/1gAvTFR

Check out tour dates here: http://offofficial.com/tour/

OFF!-Hypnotized

http://www.youtube.com/watch?v=hkTH2WRIYy8&feature=share&list=UUBbLtrGHnnHfJ11Yu48UWAw

Spoken Word, lyrics by Silke Berlinn; music by Ducttaped Goat

Produced by Paul Roessler at Kitten Robot Studio, Los Angeles
Vox, Silke Berlinn
Guitars, Ducttaped Goat
Keys, Paul Roessler (Screamers)

Palace of Perversion

A little snippet of each song on side one of "Turn Back Time: The Early Years 1983-1985" out now on FOAD records!

Side A Sampler

"Raise Your Fist 30 Years Anniversary-Edition", out on May 05th (UK), May 2nd, 2014 (EU) via Nuclear Blast Records.

Babe I'm Gonna Leave You

DORO - Babe I'm Gonna Leave You

"Killer Be Killed", out on May 12th (UK), May 13th (NA)and May 9th 2014 (EU) via Nuclear Blast Records.

Wings of Feather and Wax

KILLER BE KILLED - Wings Of Feather And Wax

Come Original

Plain

HARDCORE LIVES, out on June 30th (UK) and June 27 2014 (EU) via Nuclear Blast Records.

MADBALL - DNA

Waste black flag zorlac re-engineered for extra bass

Wasted - Black Flag

First single from forthcoming full length "Dive" out Nov. 15th.

DOWNLOAD HERE:
http://downloads.pitchforkmedia.com/Hours.mp3

Hours

Classic from The Subhumans 1979 12" and reissued on "Death Was Too Kind" http://www.alternativetentacles.com/product.php?product=1615

Subhumans - Fuck You

Gat Decor - Passion - Original Mix

Cro-Mags-Age of Quarrel

Slapshot cover, recorded during the "My Life, My Rules" sessions, with Dr. J of Barcode on lead guitar.

Appeared on the Blackfish UKHC compilation circa 2002 

No Friend Of Mine [Slapshot cover]

My War - Black Flag

Black Flag - Rise Above

Suicidal Tendencies - Cyco Vision

New York City is the hottest place
For a honeymoon in a hotel room
New York City is my favorite place
'Cause I know so many people with a golden face


It's always late at night when I wanna go out
And New York City has for sure the horniest crowd
Especially for me, this is true,
I have the best time when you're there too
Honey, after the show, when we are ready to go
We are going disco
But before we hit East 7th Street
We are going to another disco
Disco after disco
And shaking our hair to the disco rap
AM/PM, Pyramid, Roxy, Mudd Club, Danceteria
The newest club is opening up (repeat x3)

New York, New York (repeat x4)
New York

New York City is the hottest place
For a honeymoon in a hotel room
New York City is a place so nice
Everybody says it so they had to name it twice
New York my happy love's you, I love you very much
I could not live without you, so let's always keep in touch
New York City has the fanciest rule
When you want to live in this town you just have to be a fool

After the show when we are ready to go
We are going disco
But before we hit East 7th Street
We are going to another disco
Disco, after disco
And shaking our hair to the disco rap
AM/PM, Pyramid, Roxy, Mudd Club, Danceteria
The newest club is opening up (repeat x3)

New York, New York (repeat x8)
Yeah

It's going hop hop hop hop hop hop
Straight up to the top
Hop hop hop hop hop hop
Straight up to the top
Let there be light
'Cause David Bowie's gonna be here tonight in New York
I create ecstacy in my world
I know who I am
And I am willing to declare myself to the world
I am a star!
In New York
Whosoever with me

Nina Hagen - New York New York - 12" Vinyl - 1983

http://www.thewalkmen.com/heaven/ 

The Walkmen’s new album, “Heaven”, is the sound of a band hitting maturity, comfortable in its mastery, after a decade together. “When you’re starting out, you’re sitting there trying to come up with a big idea, but after a while, you learn about the process of writing,” says guitarist Paul Maroon. “You learn about your friends in the band and how they work best.” Singer Hamilton Leithauser backs him up. “I wrote more stuff that I liked for this record,” he says. “To me, they sound like classic American rock songs.”

It’s been ten years since the band made their debut album, Everybody Who Pretended To Like Me Is Gone. Ten years since they mixed the lovingly recorded analogue tapes down to the cheapest CD burner they could find. Ten years since Leithauser broke Maroon’s arm in a celebratory wrestling match. Ten years since critics attached them to a New York scene they never wanted any part of. But when Leithauser sings “We Can’t Be Beat,” on the opening track of Heaven, he means it, like Cool Hand Luke getting up off the floor for one more round. “The world is ours,” he declares. This time, he may be right.

This spring, the band played a series of tenth anniversary shows that demonstrated how far they have outstripped their peers: two sets over two hours, no filler, rapturously received. In contrast, fellow graduates from the class of ’02 have burned out or faded from view.

The Walkmen are the great New York band of their generation, and in Heaven, they have delivered their third killer album in a row. Although Leithauser states that “our biggest accomplishment is just being here,” they are making the best music of their career and filling their largest venues yet, including a sold-out show at Shepherd’s Bush Empire in 2011.

‘In The New Year’, a standout track on their fourth record, You & Me, implies that at one point there was pressure to quit: “My friends and my family, they are asking of me, how long will you ramble, how long will you still repeat?” Lauded as a stunning collection of songs, beautifully arranged, the 2008 album revitalised their career.

Lisbon, released two years later, confirmed that trajectory, garnering 4 and 5 star reviews for its short stories and spare, Sun Records sound. The clanging tones of Paul Maroon’s Rickenbacker Capri 360 and Gretsch Streamliner set the 1950s mood, as Leithauser channelled Orbison and Sinatra, in all their melancholy defiance.

On last year’s tours with Arcade Fire and Fleet Foxes, the Walkmen formed enduring friendships. “There’s a kinship,” says multi-instrumentalist Pete Bauer. “You feel like someone else is out there taking music as seriously as you’re taking it. You realise that you’re a lifer.” So when Fleet Foxes producer Phil Ek approached them, asking if they’d like to make a record with him, they travelled to the studio he uses in the woods outside Seattle for the most intense recording sessions they had ever experienced. “He was relentless,” says Maroon. “And in the end, you can hear the difference.”

“We have never been on better behaviour,” agrees Leithauser. “When Phil had an idea, we would be ‘OK, let’s try it.’ That’s not who we are! But we came up with a sound that we love.” Although the chime of Maroon’s guitar is unmistakable in the cascading arpeggios of Song For Leigh or the driving metallic riff of Heartbreaker, the setting is fuller, the production lush.

“There can be something brittle about our sound,” Maroon says. “He made it just a little bit warmer, a little bit stronger. When I play it in my car, it sounds strong, which I love.” On We Can’t Be Beat, Leithauser is Dion and his bandmates The Belmonts, singing pitch perfect doo-wop. On No-one Ever Sleeps, Fleet Foxes vocalist 
Robin Pecknold plays Don Everly to Leithauser’s Phil, supplying a low harmony at once classic and contemporary. 

The one song that the Walkmen insisted on, over Ek’s objections, turned out to be the track that pulled the record together and gave it a title. “Our children will always hear romantic tales of distant years,” sings Leithauser. “Don’t leave me, you’re my best friend. All of my life, you’ve always been.”

All five members of the band have kids now and if the impact of parenthood is hard to pin down in a single lyric, there is definitely a new openness and emotional honesty to the songs. “The detachment you can feel throughout our younger records is gone,” Leithauser says. “We felt like it was time to make a bigger, more generous statement.”

After ten years, the Walkmen have everything that a great band needs. Leithauser is a mature singer of phenomenal stamina who can trade The Rat’s raw anger for the yearning of Southern Heart in a beat. Drummer Matt Barrick can pummel ferociously and drop down to Buddy Holly’s tramcar click. Bauer is a consummate sideman, effortlessly switching from guitar to farfisa to piano as required, or trading instruments with bass player Walter Martin, who has also written his most resonant lyrics yet.

Most importantly, the old gang mentality has deepened, becoming something worthwhile and lasting. “I’m very proud of what we’ve done. We’ve stayed friends and those friendships have grown,” says Bauer. “We have survival experience and real love that children generate in your life.” Heaven is a definitive statement of purpose and commitment, from a band at the peak of its powers that is finally winning the recognition it deserves.

The Walkmen - Heartbreaker

Metal Injection got its hands on some exclusive live audio from ORION Fest, courtesy of SiriusXM Liquid Metal, who will be airing full live sets from ORION Music and More all this weekend starting Friday at noon EST. 

Suicidal Tendencies with Robert Truijillo - These Freaks Are Here To Party (Live at ORION Fest)

'2' LP/CD/MP3 will be available October 16th on Captured Tracks

Mac DeMarco // Freaking Out The Neighborhood

Supremacy

Hatebreed - Defeatist

Hatebreed - To The Threshold

1-02 Circle Jerks-Wild In The Streets

Trap Them - Damage Prose (2011, Darker Handcraft)

Trap Them - Evictionaries (2011, Darker Handcraft)

Trap Them - Carnage Incarnate (2010, Filth Rations EP)

Trap Them - Dead Fathers Wading in the Bodygrounds (2010, Filth Rations EP)

Marked for Death - Hardtimes (Cro-Mags)

Bonobo’s Live Album ‘The North Borders Tour - Live’ is available on CD + DVD with 70-page hardback book, or ltd vinyl and audio download.

ORDER NOW
Bonobo Store: http://bonobomusic.com/shop
Amazon: smarturl.it/northborderslivecd
iTunes: smarturl.it/northbordersliveit

PREVIEW
DVD Trailer: youtu.be/onCHyksRWiE
More Info: bonobomusic.com/news/live

Cro-Mags-Age of Quarrel

jerry-lynch