yeah this is GREAT!!!

Hanoi Waters

This country be like.

------------

Guitars, programming & vox by The Darkstars.

Cover design by M. Whyte.

*Dread Helm Records [DHR0014]*

Shellshock Ltd.

occhi

"Hesitation Blues" [05.19.25] 
Counting Coup and Counting Coup
(c) 2024 Cenote Music

Hesitation Blues  [05.19.25]

2077

Like a nebula dissolving into the void, it lingers with cosmic grace.

Nebula

This instrumental track is an adaptation of an earlier song I wrote and recorded called “Age of Humans”. Unfortunately for that song, the arrangement was too uplifting and did not suit the content, which was a warning about global warming and its consequences.

So “Hope for Humanity” tries to convey a more pleasant listening experience!


Hope for Humanity

©Music & lyrics by OASIS
©Adaptation by PHIL SWAIN

My Wonderwall - OASIS COVER

[Verse 1]
Rise up
Stars align across the night sky
Whispers of ancient hands weave patterns, secrets folding into cosmic light
Flowing circles, spirals, and chords; knowledge hidden in stone, echoing the heavens, through time’s endless thread

[Chorus]
Stand tall
Silent voices call through shadow
Carved in temples, towers, and arches, echoes rising from forgotten ground
Freedom’s fire and chains of control, factions clashing unseen, guiding destiny, veiled in myth and flame

[Verse 2]
Look deep
Symbols in the glass of oceans
Frequencies rising, waves of memory, shadows drifting through the strands of time
DNA coils, mirrored in stars, woven in fractal lines, mapping out the order of heaven and earth

[Chorus]
Stand tall
Silent voices call through shadow
Carved in temples, towers, and arches, echoes rising from forgotten ground
Freedom’s fire and chains of control, factions clashing unseen, guiding destiny, veiled in myth and flame

[Bridge]
Break free
Encoded light still guides the seekers
Through forgotten paths of silence, stone, and fire; mysteries that never fade away
Ancient battles, carried within, knowledge suppressed and freed, spiraling forever through cycles of dawn

[Chorus]
Rise now
Truth awakens in the shadows
Through the fractures, voices of ages, carried on the breath of time to come
Freedom burning, carried by stars, written in endless code, singing through the heart of creation itself

Silent Architects

“Need to Breathe” is a chill electronic track that floats between the sea and the sky — where silence meets sound.
Inspired by the feeling of escaping the depths and finally catching air, it blends emotional textures with minimal beats and cinematic atmosphere.
Each synth wave mirrors a breath, each pause feels like surfacing for the first time.

For everyone who’s ever felt underwater… this one’s your first breath. 🌊

Need to Breathe

If you’ve ever been called crazy — why not own it 💅
(and if you haven’t… babe, you’re playing it too safe 😏)

a lil bit psycho

Warm, melancholic, and atmospheric — a chillpop drift with tender melodies and soft, enveloping beats

change

This track is part of the “ILIWAN EP — De Luxe Edition”, a deep desert house project inspired by Tuareg Berber culture and the mystic breath of the Sahara.
Written entirely in Tamasheq (Tuareg language) using phonetic romanization for vocal clarity, it blends tribal percussion, desert flutes, imzad violin, dark hypnotic synths, and African child choir elements.

The atmosphere is spiritual, cinematic, and hypnotic — designed for deep listening, late-night sets, and immersive playlists.
#deserthouse #tribalhouse #deepambienthouse #worldelectronic #saharavibes 
#tamasheq #tuareg #berbermusic #amazigh #maghreb #northafrica #worldfusion 
#afrohouse #imzad #tendedrums #desertnights #mysticgroove #cosmicdesert 
#spiritualhouse #electronicjourney #nighttravel #nomadicvibes

deep house, tribal house, desert house, ambient house, afro house, berber, tamasheq, tuareg, sahara, sahara night, desert ambient, african choir, imzad violin, tende drums, deep bass, mystic, hypnotic, night vibe, trance ambient, world fusion, electronic ambient, cinematic house, spiritual electronic

amazigh, maghreb, world music, africa, north africa, mali, niger, algeria, libya, desert culture, nomad, dunes, mystical desert

tawalt-n-teslay.

Beyond the Clouds

Learning Not To Give A Fuck Ft. ai12DIE & GRaiCE

I am not a big fan of labelling people and things in general. Music neither by the way. In that respect, my main distinguishing is « I like it » or « I don’t like it » and as Emerson said « A foolish consistency is the hobgoblin of little minds », so yeap, even those two simple categories can change after few listening!

For those of you who think it’s a too easy escape, I will try. This song is inspired by other world, folk and jazz authors. If I have to, I would describe it as my personal contribution to the world music with far Asian themes and jazzy kind of transitions, which creates folkish feelings. All those based on percussion, contrabass, acoustic guitar and naturally pipa.

But recognise it: it’s bit like speaking about the menu you had last night at this new restaurant. There are so many ways to describe a culinary experience: using technical words, describing the colors, the consistencies, explaining the tastes, savours, flavours, feelings... But you always end up summarising by « I loved it! » or « Once is enough, thanks! ».

So, for you today, « My Chinese lunch », just listen to it and let me know if you like it or how you would describe it! Hope you will come back!

Cover photo MaKo: https://instagram.com/marketka1975

▶MORE◀
Web: www.ladatinthebox.com/
Spotify: open.spotify.com/artist/2nX96XjXTUZvCoNWTNNun3
SoundCloud: @Ladat
Apple Music: music.apple.com/ch/artist/ladat/1465006973
Amazon Music: music.amazon.com/artists/B07S5HGR98
Deezer: www.deezer.com/artist/66111552
BandZone.cz: bandzone.cz/ladat
YouTube: www.youtube.com/Ladat77
FB: https://www.facebook.com/77Ladat

▶COVER◀
MaKo: https://instagram.com/marketka1975

In the Box

My Chinese lunch

I am currently working on an epic space odyssey inspired by the video game No Man's Sky.

Musician • Composer • Producer

I've been immersed in music for as long as I can remember. I began classical piano training at age 9 through the Royal Conservatory, and by Grade 7, I was exploring multiple instruments — flute, saxophone, trumpet — eventually teaching myself guitar at 13.

Over the years, I toured extensively with Vancouver-based bands including Krysalis, Bad Boys, September, and Metropolis, where I honed my performance and songwriting skills. My early compositions were mostly instrumental, but my passion for recording took off in the 1990s when I began producing music at home.

I collaborated closely with the singer from Metropolis, and together we released a project called Joe Fish. Since then, I’ve continued writing, recording, and producing my own material — now available on most streaming platforms.

I currently produce using Cubase 14, RME UCX II, Genome software, and Helix pedals, blending classic musicianship with modern production tools.

You can also find me on Spotify HERE:https://open.spotify.com/artist/3i1KcPKjFkNPbqRsrVXH2q?si=u2W7ortvQ2ax1Z4lS2GtyA

Silent Architects

Jesikats

Recent comments

Andy-Gpoint

LightofLion

IamTasha

Momo Rei

Related tracks