was meant to drop this nearly a year ago oops hehe anyways go follow @Lainxoxo NOW

RARI

RARI (w/ lainxoxo)

@freestyler123 💋
@bruno-lauzon-tanzi 💋

It really doesn't work anymore, just a mess of misfiring impulses, panicked shrieking muffled to whimper on the way out. You're scared. You know 'you' are in there somewhere, buried deep like truth. But digging your way out... it's closer to extracting a wayward cavediver suspended upside down in some narrow cavern sliver than simply shovelling up the thing you were from the neurosand. A delicate operation. And yet. You’re equipped with lcl_stream and Freestyler’s Madjestic Kasual ‘A Mix’. All is well. You’re you.

lcl_stream & Freestyler: A Mix

++ PRESENTATION ++

Scores +°-  glyphs to sounds !

+°°+--+
Scores is a compilation exploring musical notations and how they can be interpreted as sounds. People have always tried to translate sonic expressions into visual cues that could be archived, passed down, and transformed back into music. 

From symbols to numbers, grids, staffs, figures or abstract shapes, several languages have been developed and continuously questioned to improve the ability to retain the emotion and meaning sounds can convey - what lies behind the veil.
 
What if this time, the notation would come beforehand?

+°°+--+
The project unfolded in two phases. In the first one, visual artists from the Global URL Nation could propose one sheet of music score, free of interpretation. They were invited to play with musical notations and explore what it would even mean.
–
It welcomed chaggrin, Eurrope, M4X1US, MYEN, s1m0nc3ll0 & Ziyiz for 6 sheets


+°°+--+
In the second phase, artists from GUN could pick one sheet and create a track trying to follow it as much as possible. It invited them to question music as a physical object, with its shapes, colors, textures and layers with the following :

__How is the overall composition? Are there any axis or lines that could be interpreted as a timeline or a melodic scale?
__How many discrete elements are in the image? How are they laid out?
__What are the shapes involved?  What is their scale? Do they have sharp or blurry outlines?
__What are the colors/textures used? How do they relate with each other in terms of tones, contrasts…?
__How are the different elements layered on top of each other? Are they superimposed or do they merge in some way?
__How would they translate them in musical terms, such as textures, notes, structures, timbres, rhythms, dynamics? 

It welcomed Bademjan, Baje Nunca, C+Vis, Capiuz, Clair X, C.T.A.A.M.  Ecovoron, Epiphagi, HeedLess, Mambo Kahn, migu, POL100, Yau Hei ASJ & Ziyiz for 14 tracks ranging from ethereal scorescapes to hyperstimulating scratches. Sounds and shapes weave together, blurring the boundaries between the two media to create one whole entity

+°°+--+
With Scores, we invite you to seek the music that can be hidden in our surroundings, to decrypt and hear the phantom scores one can find in every shape, every color and every little visual detail __ open your ears and see the sounds, sometimes music lies in a simple fold of clothing


++ TRACKLIST ++

__((Sheet A by chaggrin))
A1. Clair X - Unravel
A2. migu - Red for Funeral
A3. Epiphagi - Everything We've Come To Be

__((Sheet B by Eurrope))
B1. Bademjan - Wrinklenest
B2. Yau Hei ASJ - Jigsaw Puzzle

__((Sheet C by s1m0nc3ll0))
C1. Ecovoron - Burning Shide
C2. C.T.A.A.M. - A-L

__((Sheet D by MYEN))
D1. Capiuz - Dreamer of Nightmares
D2. POL100 - Butterfly Wall

__((Sheet E by Ziyiz))
E1. Baje Nunca - En Blue Gray et DVD
E2. HeedLess - Incomprensibile

__((Sheet F by M4X1US))
F1. Mambo Kahn - Celestial Arson
F2. C+Vis - Untitled
F3. Ziyiz - Skies Inside (Ring The Bell)


++ CREDITS ++ 

Music sheets created by chaggrin, Eurrope, M4X1US, MYEN, s1m0nc3ll0 & Ziyiz. 

Tracks produced by Bademjan, Baje Nunca, C+Vis, Capiuz, Clair X, C.T.A.A.M.  Ecovoron, Epiphagi, HeedLess, Mambo Kahn, migu, POL100, Yau Hei ASJ & Ziyiz. 

Common cover by Griigg
https://www.instagram.com/griigg

Mastering by Ioannis Nafpliotis
https://www.instagram.com/iamxato/

DOWNLOAD

F3. Ziyiz - Skies Inside (Ring The Bell)

In his personal take on synth music, Capiuz explores a language made of liquid notes and pointillistic counterpoints, all stemming from a single machine. This album has been composed using the MIDI language and then recorded in one take with a single synthesizer, investigating non-human ways of playing the instrument. The computer is treated as the intermediate that connects the composer's intentions with the machine, allowing for complexities and velocities that go beyond the keyboard.
The inspiration for this record comes from the romantic music movement that flared up in Europe during the 19th century and its innovations in regards to using difficult technical excerpts to produce and create new types of sonic palettes and emotions, without indulging in aimless instrumental virtuosity. In Future Romanticism this concept takes various shapes, going from fast and intricate cascade of notes, reminiscent of Black Midi music, to an evolving sound design that morphs the tracks into new textures and timbers passing through intricate and layered polyphonies.

Luca Favaro (Capiuz) is a sound artist and composer from Italy whose work explores sound in all its forms and possibilities of use, from sound installations to DJ sets and live improvisation. His art investigates the use of sound as an architectural and spatial element, finding his roots in sound design, club music, and field recording. 
As a composer, he has produced music for both digital and museum installations (Chiasso Perduto, Castello Gamba), as well as for theater, ballet, and visual media. With his projects, focusing on both the dancefloor and sonic experimentation, Favaro has performed various DJ sets and live audio/visual performances all across Europe and has released music with Unizone (Prague), Early Reflex (Turin), Over My Body (Taipei, London) and Eclephsia (Paris). He currently hosts Hectic, a music program exploring new avant-gardes on Radio Raheem (Milan). As a programmer, he has created various Max for Live devices published by Hide Productions.

All tracks composed, recorded, Mixed, and mastered by Capiuz (Luca Favaro)
Artwork by Asdrúbal Gómez

Capiuz - Quiet Goodbye

Birth 5 - Truth 5

post-rock forum denizen has this song embedded in their signature, william h. gass quote above it in calligraphic gif flanked by lowest possible res emoticon soldiers (2022)

"Rilke says, 'Why do things exist in this world? They exist to become invisible.' That is, to be seen by people and change from matter into mind. By being perceived properly. And in that sense, the whole world, which is constantly flowing, has to be perceived and saved and redeemed, even if it’s awful. And in fact especially. Because that’s what we want to forget."

post-rock forum

om the same experimental ideals of grimy labelmate's Murlo and Mumdance comes Rinse's Dark0, who dropped debut mixtape Zero on the label over a year ago. We heard Dark0's new EP Solace and melted to the melodies within. Beauty, heartbreak, solitude and self-reflection can all be heard over the course of five finely textured tracks.

Closing Solace is The Past, premiering today on I-D. Operating in an introspective space, the track hints both at what has been and what is to come. Press Play on The Past and hear the sound of tomorrow...

Premiere: Dark0 - The Past

TNSXORDS Selects 250409 ╱ Alice 4Ever

H.A.U.N.T x TEZO - PASSAGE OF TIME

Like That

http://www.factmag.com/2015/10/26/fact-mix-520-dark0/

https://soundcloud.com/mssingno

http://www.mssingno.com/

Mssingno - Caya (Jaegerbomb Edit)

30.6035153, -104.5184189

https://github.com/Jess-Doit/jess-doit-archive-engine

LA
N̶Y̶C̶

jessdo.it

Mssingno - Caya (Jaegerbomb Edit)

Jess Doit