Hello, we’re NASA. You may have seen our astronauts, rocket launches, or Mars rovers — but have you heard our sounds? From interviews with astronauts and engineers to stories that take you on a tour of the galaxy, NASA’s audio offerings let you experience the thrill of space exploration without ever leaving Earth.

For many bands, making music is all about the routine of recording an annual album, or being able to tour in progressively bigger venues.  Not Matt and Kim.  "Our goal is to make music we want to hear," says Matt Johnson, who co-founded the band with Kim Schifino. "When it comes time to make a new album, I'm just so excited, since I know we have all these ideas and I just want to get them out there."  As for the band's extra-emphatic live shows, which these days happen in large venues, he explains, "We've always just really enjoyed playing music, and things have kept growing." 
 
Matt and Kim's enthusiasm comes across loud and clear on the band's last album, Lightning, its most diverse and developed to date.  From the relentless drive of “Now” to the dance-fueled beat of “Let’s Go” to the more contemplative “Ten Dollars I Found,” Lightning is the strongest distillation yet of Matt and Kim’s unique sound: a spunky hybrid of indelible songs, an emphatic beat and almost tangible energy, mixed with the duo’s influence of listening nonstop to Top 40 Hip-Hop and pop-punk.
 
To make the album, Matt and Kim spent six months working in their home studio in Brooklyn, producing the record themselves. Lightning is a touch more minimal than their earlier work – with layers taken away, instead of added, enabling its intense performances and memorable tunes to really come to the forefront. “What’s made the songs on this album really strong is we’ve been able to pull a lot off – to not have so much going on – and still have a strong song,” Kim explains.
 
“It’s easier to make a song with a lot going on,” Matt adds. “It feels very safe. It’s like putting on a lot of clothes: you feel all covered up so no one can judge just one aspect of it, but when you try to break it down to be as simple as can be, you’re really baring it all.  When you can see clearly what’s going on, those are the times that the songs are easiest to connect to.”
 
Connecting with their audience is certainly a key focus for Matt and Kim.  The indie dance duo’s live shows – which are legendary for constant, in-your-face exuberance – feel more like vibrant, sweaty loft parties than traditional concerts, for both audiences and the band. “I think we’ve managed to continue to make them feel intimate,” says Matt. “When we first started playing venues instead of playing on the floor at parties, we tried hard to keep the vibe of ‘we’re all doing this together and having a wild time’ going.  The show is not just the two of us: it’s the 3002 of us, or however big the venue is.”  Or, as in the words of Rolling Stone: “Matt and Kim’s reputation as a live act precedes them – and justifiably so. Simply put, they are a two-person dynamo, frantic, tightly wound, and full of good cheer. Their performances are as physical as they are musical. . . . For sheer adrenaline-per-second, no other band comes close.”

The band started in 2004, essentially by accident when Matt and Kim were art students at the prestigious Pratt Institute, where they studied film and illustration, respectively.  When Kim wanted to learn to play drums and Matt (who'd been in bands before) was getting his head around a new keyboard, the band was born. Since then, they have earned a Gold Record for the upbeat, stick-in-your-head track "Daylight," played festivals like Coachella, Lollapalooza, and Bonnaroo, along with international festivals like V (U.K), Pukkelpop (Belgium), Fuji (Japan), Big Day Out (Australia), Primavera (Spain), Oya (Norway), SWU (Brazil), as well as hundreds of shows. They have won 3 MTV awards: a Breakthrough Video Music Award and mtvU Best Video Woodie Award for “Lessons Learned”, as well as a 2011 award for Best Live Band. Lightning is the band's fourth album, following Sidewalks, Grand, and their self-titled debut.
 
Matt and Kim have always been inspired by Brooklyn’s general urban din as well as the area’s artists, yet Matt points out, “I don’t think a place can define a person. We simply write songs about us and our life so that’s why where we live comes up.”
 
Indeed, there’s something universal about a song with a beat that grabs you, with a great melody, played by a band that simply loves to play music.  And that, in Williamsburg and way beyond, is the key to the universal appeal of Matt and Kim.

Ukrainian DJ 🇺🇦
Miss K8 booking via bookings@mostwanted.dj
Website: www.missk8.com

Hello friend! 

Here is some new songs, remixes and some random older stuff.
to listen to my released music and download free tunes go to the wonderful tigerbeat6/tigerbass/shockout soundcloud page at Tigerbeat6:
http://soundcloud.com/tigerbeat6

or bandcamp:
http://kid606.bandcamp.com

find me on facebook at https://www.facebook.com/kid606


  official bio:
  KID606 is dedicated to bringing his uniquely reckless fucked up and beautiful music to our fucked up and beautiful world. Insipired by the best of electronica, punk, jungle, hiphop, bass, dancehall and techno, Kid606 Fuses it all together with a love of pop culture that Andy Warhol would approve of. Apart from running the labels Tigerbeat6, Shockout, and Tigerbass, Kid606 has performed all around the world many times over, and released records on highly regarded labels such as Ipecac, Wichita, Mille Plateaux, Fatcat, Souljazz, and Carpark. His highly original productions helped spearhead and define the edgy and confrontational glitch and mashup styles that are now common in modern music production. His album "Down with the scene" (2000) was a landmark release for the burgeoning international electronic music scene, with everything from hardcore ragga jungle and serene ambient to abstract IDM and the dubby soul classic "Secrets 4 Sale" with Mike Patton. Things only got more exciting as Kid606 delved deep into the seedy overworld of mainstream music with critically acclaimed unofficial remixes that many people wanted to hear yet no one else was willing to make. All the while releasing his own original and diverse productions as well as official remixes for Amon Tobin, the Rapture, the Locust, Foetus, Depeche Mode, The Bug, Peaches, Dälek, Ellen Allien, Saul Williams, Super Furry Animals, and countless others. 

Booking:
booking@mostwanted.dj
https://mostwanted.dj/artists/angerfist

Independent musician and technologist specializing in sound and visual media production, score composition, sound design, and audio engineering.

Zomboy came crashing head first into 2016 with the game changing single ‘Like A B*tch'. Taken from his hotly anticipated Neon Grave EP, the track became the go-to set opener for the likes of Skrillex, DJ Snake and almost every bass DJ at Ultra 2016.  

While the EP Crushed the charts, the 'Neon Grave' tour saw Zomboy sell out venues all over North America and has set the tone for an incredible 2016 for the producer.
 
Never one for slowing down, he's since remixed the Chainsmokers' huge crossover hit ‘Don’t Let Me Down’, and has embarked on his annual festival run, destroying crowds one by one with his inimitable energy and stage presence

Jesse0k is following