I'LL BE SEARCHING FOR AI WITH THE DOGS

Interpretación y arreglos : Jesús Flores.
Producción y Mazterizacion: Arturo Guevara G.
The Noise Infection Studio


Dust In The Wind

Waves

Synesthesia is main motif for this song, first because of original lyrics, then as I felt like adding it more flavor with female vocals*, & finally when I recently watched some paintings about this matter**.

*Great vocal performance by https://soundcloud.com/maraoldfield is most notorious matter in this piece, where riffing parts toggle with bass-guided proggy ones.

**Due credits to https://soundcloud.com/wouwouandthewormling for ad hoc painting of the song’s artwork.

Letra  /  Lyrics:

QUIERO SABER SI HACE CALOR  /  I WANT TO KNOW IF IT IS HOT

En verano, insoportable,  /  In summer, unbearable,
todo está lleno de ruido.  /  everything is full of noise.
El invierno, silencioso,  /  The winter, silent,
que congela los sonidos.  /  which freezes the sounds.

No quisiera quedarme sorda  /  I don’t want to get deaf
sin saber cuándo hace frío.  /  not  knowing when it’s cold. 
No quisiera quedarme sorda  /  I don’t want to get deaf
para saber si hace frío.  /  so as to know if it’s cold.

Los días soleados  /  Sunny days
acompañan al estío  /  go along with the summer
y cuando llega el invierno  /  and when the winter comes
el cielo está oscurecido.  /  the sky is darkened.

No quisiera quedarme ciega  /  I don’t want to get blind
sin saber cuándo hace frío.  /  not  knowing when it’s cold.
No quisiera quedarme ciega  /  I don’t want to get blind
para saber si hace frío.  /  so as to know if it’s cold.

ER24CH04 ©1995 ®2015

Quiero saber si hace calor (Vocals by Mara​Oldfield)

Since there are no South Germanic (e.g. German or English) traditions about Freya and the South Germanic peoples still associated the day of Venus (Friday) with Frija/Frigg, it is assumed that Freya is a Viking Age detachment of the aspects of love and love magic of Frigg. The following episodes are described in the Edda and the Gylfaginning: Freya's necklace, the Brisingen jewelry, had been made by the dwarves Alfrigg, Dvalin, Berling and Grervier (Gerr); the price of the purchase was that the goddess spent four consecutive nights with one of the dwarves at a time - to the displeasure of Odin, who forced Freya to instigate a war among the humans as punishment. According to another report, Loki insults all those present at the drinking party hosted by Aegir and accuses Freya of having had love affairs with all the Aesir and alves in the hall. It should be added that Loki pined in unrequited love for Freya. However, the literary versions of Freya during the Icelandic Renaissance of the 13th and 14th centuries are not authentic sources for the pagan figure of the goddess. In modern times, she has completely replaced the goddess Frigg in the Icelandic interpretation of the old sagas. In an illumination in a 17th century paper manuscript, however, she only appears as the caring mother of the family.

Freya

Big Black Eye is track 11 from Lola Demo's 17 track album Second Skin released April 2025.

Second Skin

Big Black Eye

BIG BLACK EYE

Words

more melancholic piano ballads ... can't do a Cry tune like Roy O..but I give it a go with this tune of mine from a ways back


It’s Ok If You Cry

I heard a sad song                                                          
Floating in the sky from over there                             
The notes they echo in my mind                                 
Up on the rooftop  
In that cold December air   
I saw you play that tune, the hurtin’ kind                                         
And you thought no one was listening                      There’s no one around to hear                                    Feeling so alone, yet you still try                                 Standing tall, in the autumn of your life                     Singing how it’s ok if you cry                                                  

You sing the story
How you let it slip away
The years and all the ghosts you left behind
Fingers numb not bending well
Breath fogging when you sing
The words how they sear into my mind

So I stumble to the music
And fall down into the snow
Feeling so alone, lost in my lie
Trying to stand up, in the autumn of my life
Singing how it’s ok if you cry

It’s ok if you cry
Do it anytime
Don’t matter the season of your years
I need a little space tonight
I’m gonna climb up there with you
Where it’s safe to breathe and shed our tears

I grabbed a ladder 
And I climbed up for the view
Looked around to find you and your song
I was met by other voices,
Souls, whispers in the night
On their own rooftops, trying to sing along

They think there’s no one there to listen
There’s no one around to hear
Feeling so alone, but still, they try
Standing tall, in the autumn of this life
It’s ok if you cry

It’s ok if you cry
Do it anytime
Don’t matter the season of your years
I need a little space tonight
I’m gonna climb up there with you
Where it’s safe to breathe and shed some tears 




OK If You Cry

Soul Searching

Written, performed and recorded by Neli CoKo, 2025, all rights reserved. Thank you so much for listening :) 
Original picture by https://www.pexels.com/de-de/foto/monochrome-fotografie-von-menschen-die-hande-schutteln-814544/

I´ll Be There

Vocals and lyrics by Special Cecilia
https://soundcloud.com/specialceciliacappellas

Music, production and art by Cosmic Keanu (not AI)

“And a step backward, after making a wrong turn, is a step in the right direction.”
― Kurt Vonnegut, Player Piano

Sweet Escape or: How I Learned to Stop Worrying and Love the AI (Feat. Special Cecilia)

Hey…. Thanks for dropping by. April 21st, fresh snow on the ground that hopefully will melt off by the end of the day. Yesterday, I was out transplanting some small Lupine and Columbine plants from out of the lawn. They grew there from seed that spilt from nearby flowerbeds. I put them into a rock garden I recently refurbished. I pulled all the rocks out, dug down to get all the invasive grass roots out, and rebuilt it with a few extra rocks. After that chore, I dug up several Spruce seedlings from the Spruce trees I planted here decades ago. Those little saplings grew up under a lilac bush, so I moved them out into open areas in the backyard. They probably won’t get to be 3 feet tall by the time I pass from this mortal coil, as I am old, but I plant them anyway b/c they’ll most likely still be here when I am gone. Ha. I have been transplanting a lot of volunteer flower plants into my neighbor’s yard, from my vegetable garden in preparation for Spring planting. They find their way into the garden, by wind, bird or however, and I just let them grow, but soon there’s more flowers than vegetables, so I find them new homes. Lastly, I replaced the wonky wheel and axle assembly on my old wheelbarrow, held together by hose clamps, during a snowy day last week, with a wheel from a wheelbarrow I recently got from a pile of free stuff (junk) out on the road, that a neighbor was tossing out. The barrow was cracked, but the wheel/axle were fine. Now I am ready to roll. That is how Spring is here in the mountains…. So several years back, there was quite a large pack of dogs that would freely run around our rural neighborhood. They lived here and loved being able to roam. When I first saw them on my way to the mailbox, they did not know me, and several dogs growled at me. (Rightly so.) Ha. It was a standoff moment for sure. So I just laughed at them. They were not anticipating that. So from then on, we’d have some fun whenever I saw them. Most of those dogs have died over the years. It was sad to see them go. So I included them in this song. I hope you like it. Mark

Going To The Dogs

A crimson-lit midnight blue space, a low bed with chrome fabric coverlets,  a glass ceiling above exposing star-strafed night sky. It’s plastic melancholia infused with desire, a Lynch sort of vibe.

The Rooms of Mercy

Winfried Stürzl: Cello, Thomas Putze: Trumpet & Vocals, Wiborg Bamford: Electric Guitar, Josh von Staudach: Production.

Black Mule Riders (Studio recording with Winfried Stürzl & Thomas Putze)

Project RESIDUE (the Dandylion Chock)

SUMMER DREAM :  Copyright SCRT Records

Instrumental No 1

(Don't follow me here, best on my main page ;)

Guitarrista ,cantante. Me gusta crear arreglos para guitarra y componer. .Desde los 5años de edad,empece a tocar la guitarra.Gracias por sus comentarios y todo su apoyo todo este tiempo,su amigo Jesús  Flores Guitarrista 

Dust In The Wind

Jesus Flores Guitarrista

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