Name: resonant constant (extract) - headphones required by JezrileyFrench
Duration: 3 min 13 s
Description: from a forthcoming release of work created using JrF adapted geophones to record the sound of the world turning on its axis and structural resonances in urban and non-urban locales.

Quite amazing…a lovely soundscape for the ages!

Stochastic synthesis is a microsound synthesis technique invented by Iannis Xenakis that uses stochastic processes to create and vary waveforms. I composed all the sounds in this piece using my own extensions to Xenakis's stochastic synthesis algorithms that I have been developing for the last 20 years in the programming languages SuperCollider and C. No samples were used.

It Is Happening Again for computer-generated sound

Noxin&Senmove&Senglar - Ashes

Original track:https://soundcloud.com/user-862463980/red-bricks

GODARD JAMAïCA_RED BRICKS DUB (EDA BROWN MIX)

1834 
1834label.wordpress.com 

ET-097 
1834.bandcamp.com/album/et-097-sea-of-solaris

released January 7, 2022

Sea Of Solaris (excerpt)

This is an Extract from the Premiere of my new solo performance "Interdimensional Generated Space", premiered in October 2022 at Panke Culture in Belin, as a part of the series (Von Antennenwäldern und Wellenozeanen) . 

A research-intensive piece focusing on the transcendental phenomenon of the Northern Lights. 
The planned performance uses the implement of self-made recordings from the Northern Lights, in combination with self-made crystal radio, plus light, detectors, and motors, to simulate a technological audio-visual version of Northern Lights in the performance space. “Interdimensional” specifically refers to the movement of energy between modes of perception. One part of this energy come from the composed mixture of “natural cosmic voices”; and another part is coming from the electromagnetic forces generated and captured in real time during the performance. The piece make full use of the contrasts of the invisible processes, to create a new experience of space, time, and human scale. 
This is an attempt to achieve a unique sonic dialogue 
between “Natural” and “Technological” world, a reflection on Nature that is imitated by technology in an anthropogenic age.

This project was kindly supported by Musikfonds & Neu Start Kulture
Photo credit : Alex Conu
Live recordings by : Roy Carroll

Interdimensional Generated Space_ Extract Live Premiere@Panke Culture, Berlin 2022

Jeph Jerman, For Alvin Kelly

Manja Ristić/Joana Guerra/Verónica Cerrotta, Slani pejzaži

the being/the world (2024)
for Juliet Fraser and Ensemble Musikfabrik

extract recording: 
scene 10: the atmospheric agent, 
scene 11: aria (happiness) [from 4:28], 
and part of scene 12: ensemble (love) [from 10:00]

premiere recording extract from WDR, Köln on 3 March 2024

total piece duration: 1 hour

in loving memory of Amelia Cuni

commissioned by Ensemble Musikfabrik and Kunststiftung NRW
photograph: Janet Sinica

the being/the world (2024) scenes 10, 11, 12 (extract)

a short extract of a long form recording of a pond in southern Sweden, recorded with 2 x JrF d-series hydrophones

the sound of pond weed during photosynthesis

pond weed photosynthesis (sweden)

from 'ink botanic'

https://jezrileyfrench.co.uk/ink-botanic.php

the inner sounds of a cherry birch tree - recorded with adapted JrF microphones

photo by Pheobe riley Law, from her 'desire lines' project / book

ink botanic - cherry birch

from a forthcoming release of work created using JrF adapted geophones to record the sound of the world turning on its axis and structural resonances in urban and non-urban locales.

resonant constant (extract) - headphones required

exploring the overlooked and underheard through located sound, film and photography

resonant constant (extract) - headphones required

JezrileyFrench

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